Let’s face it, rock’n’roll is absolutely and completely stupid and ridiculous. That’s why I love it. And the more stupid and ridiculous it is, the more I like it.
Gimme some lycra clad idiot climbing up a speaker stack screaming about how rock’n’roll they are, or some sweaty Hornbag dancing on a bar carrying on about kebabs and chlymydia (Hi Celia) and I’m in heaven.
Sure I like serious bands, but jeez they’ve gotta be very very fucken good to cut the mustard..... or the cheese. A good bit of cheese with rock’n’roll is also a very good thing.
I can’t go past a dumb and ridiculous band even if they are a bunch of talentless losers. Just as long as they rock and make me giggle. Bonus points awarded for juvenile toilet humour because that’s the best kind of humour.
I just want to be entertained, and I want to have fun.
Sydney Rock 'n' Roll & Alternative Festival will send Marrickville into a high-energy frenzy with a special 10-year anniversary special event, celebrating the lengthy history of Sydney’s most unique event, The Sydney Rock ‘n’ Roll & Alternative Market on March 20, 2022.
The festival, proudly presented by Palmer Events in association with The Factory Theatre and supported by Inner West Council, will feature a huge, heart-thumping entertainment line-up across four stages, headed by ska punk legends The Porkers, along with the best stalls from Sydney Rock ’n’ Roll & Alternative Market.
Venue is the multi-stage Factory Theatre. The I-94 Bar will curate a stage with a street-level line-up led by the mighty X. Tickets are on sale now for an event that features:
Swedish Magazines + Thee Cha Cha Chas Old Bar, Fitzroy, Victoria, Australia Friday, 3 December 2021
When Nick Carraway suggests the impossibility of recreating the past, F Scott Fitzgerald’s nouveu-riche protagonist JayGatsby is incredulous. “Can’t recreate the past? Why of course you can!” Gatsby, of course, is wrong. The past, as vivid and real as it may seem to us, cannot be dialled up like an old movie on the latest streaming service. At best there are flashes of lived experience, memories that loom large in consciousness, recollections skewed and exaggerated.
I can’t remember exactly when I first saw the Swedish Magazines. Probably about 2003 or so, I think, in a world that seems quaint by comparison to today. Van and Cal Walker had already been in Melbourne for a couple of years or so. They’d been noticed by the right people around town, if not the people with the money and connections to catapult them down the road of commercial success.
At Least We’ll Always Have Rock n Roll to Fall Back On – Drugs in Sport (Outtspace)
Effervescent and tough guitar rock-pop from Newcastle, Australia, will not be the Next Big Thing for the nmatiomnal yewf network Triple J. But it can be in your own listening space, and here’s the proof.
Drugs in Sport do cranked-up guitar pop exceedingly well. It’s a genre that’s been milked and relegated to the mainstream’s back blocks in favour of sanitised, autot-uned pap. Anthony (bass), Errol (vocal and guitar), Geoff (guitar) and Jez (drums) apply their own twist. You can’t beat humans playing real instruments, especially (even if) they’re, ahem, older chaps or lasses.
Chris Newwton in The Smart Folk. Corrie Ancone photo .
10 great Australian indie singles from 2021 you may not have heard…yet
By Chris Newton – guitarist/vocalist from The Smart Folk, and The Lost Husky; and bassist from Tigers At The Edge Of Time.
Like many fellow musos, in 2021 after getting out of the gates early in what proved to be a false start race that lockdown soon put sternly to bed, I fell into the pit of songwriter’s block for six months.
Thankfully, many bands – several of whom I’m privileged to call friends – didn’t suffer the same fate.
Here’s just ten independent ‘singles’ that have hit the online shelves this year, that give me (and hopefully you) hope for the musical future. In no particular order…
The Johnnys are playing a Sunday afternoon show at the hottest bar , the Link and Pin, in Woy Woy (an hour north of Sydney) in January. They're following in the steps of the Hard-Ons who playsed a secret gig with their new frontman, Tim Rogers, on December 10 as a warm-up for theiur national tour. The Johnnys do the Link and Pin on January 9 from 5pm. Buy a ticket in advance here.
Back in the dim, dark past of Sydney’s nascent underground music scene, a band called the Thought Criminals stood out like the proverbial dog’s. They were so unlike all the other spotty kids on the inner-city block.
Nineteen-seventy-seven (the time of their birth) was the Year of Radio Birdman. The Thoughties, with their jagged rhythms, blaring keyboards, political lyrics and highly-strung vocals, sounded nothing like them. They were post-punk before punk had ended.