The original Dictators.
Hugely influential pre-punk pathfinders the Dictators are reforming to record and possibly play. But it will be without longtime vocalist Handsome Dick Manitoba, with the 'Tators reverting to their original configuration.
Bassist-vocalist Andy Shernoff confirmed the move today, saying he and guitarists Ross The Boss and Top Ten would re-convene with ex-Blue Oyster Cult member Albert Bouchard on drums. Shernoff, the songwriting member of the Dictators, said the line-up would soon be "recording a few tunes to feel things out".
A Kick in the Gulags - The Dry Retch (Stalingrad Records)
A six-song EP with five of the tracks being Stooges songs never committed to tape in a studio? What are we gonna say if they're done well?
The Dry Retch come from Liverpool in the UK and they ain’t The Beatles. They are two guitars, a kicking engine room and a truckload of dirt. They are committed Stooge-ophiles (a previous line-up released an EP with the title “Plays The Stooges”.)
Principal member John Retch (vocal and guitar) grew up in Australia where he was exposed to high-energy sounds. He played in a stack of local UK bands and this 2019 EP revived The Dry Retch with a tweaked line-up. Stooges apart, the band's other listed influences are Chrome Cranks, The MC5, Mudhoney, Radio Birdman, Destroy All Monsters, Thee Hypnotics, Cosmic Psychos, the New York Dolls and the Brian James Gang. As Sir Les Paterson would say: "Are you following me, son?"
West Coast Highway Cosmic - Datura4 (Alive Natural Sound)
From the opening title track, Datura4 roars into life like a modern-day Steppenwolf. They’re all Hammond organ, vintage synths and a rock band, intent on making a statement.
Datura4 employ a massive wall of sound that departs from Dom Mariani's preferred '60s space into late '60s-early '70s, Deep Purple shtick - without the overindulgence of Ritchie Blackmore. Datura4 still displays its garage roots, but is a blend of Arizona desert rock a la early Alice Cooper... albeit updated with modern sounds.
Friends of the late Richard Lane (The Painkillers, ex-The Stems, The On and Ons, Rosebuds and The Chevelles) have rallied to raise money for his family with a fund-raiser now active on Go Fund Me.
Tributes are pouring into the page for the talented musician from Fremantle who passed away the weekend before last.
The founding member of The Stems ran a local music school and was heavily involved with his community. He is survived by his wife Cathy and daughter Penny.
You can leave your message and donation here.
Menacing Smile - The On and Ons (Citadel)
It’s an EP with six tracks of primo rocking powerpop from Sydney’s arch exponents. Two albums into this caper and The On and Ons sound like they own the space.
Short story: “Menacing Smile” is lined with wall-to-wall hooks and harmonies. Glenn Morris writes impeccable pop tunes and the band delivers them like they were born to do so.
Australian underground elder statesman and co-founder of The Stems, Richard Lane, has passed away in Fremantle. An announcement has been made via The Stems’ Facebook page.
Richard had lately been a member of The Painkillers, the hard-rocking garage outfit formed by James Baker, and rehearsed with them last Saturday.
Richard and Dom Mariani formed The Stems in 1983 and went on to have a fruitful if tumultuous musical partnership. Lane was a driving musical force behind the band’s early garage sound, epitomised on their early singles. He also played guitar and keyboards on the debut album “At First Sight Violets Are Blue” and the 2007 reformation record, “Heads Up”.
The band dissolved in 1987 but has reformed a couple of times. Richard was not a part of the line-up that was reconstituted in 2013.
Richard spent time living in Perth and Sydney. He formed a small record label, Idaho Records, in Perth in the 1990s and played in a number of other important bands including The Chevelles, The Rosebuds and The On and Ons.
Richard founded Penny Lane’s Music Workshop in Fremantle in 2003 as a community-based outlet to teach music. He is survived by second wife Cathy and daughter Penny.
ManArays - ManArays (Swashbuckling Hobo)
Considering they've been around since the start of last decade, Brisbane’s Manarays have a minuscule online footprint. Consider this a Public Service Announcement to alert you to their presence, as well as an album review.
The ManArays - vocalist Chris Fletcher, guitarist Adrian Carroll (aka Killer Guitar Carroll) and drummer Micky Scott - come from turn-of-the’80s Sydneysiders The Splatterheads, so it’s no surprise to hear them tackle these 13 songs with a similar attack.
St Valentine’s Day Massacre - Baby MachineVee Bees (self released)
The pairing of Wollongong’s female tearaways Babymachine with Queanbeyan-via-the-Gong-and-inner-western-Sydney yobs The VeeBees for this three-song, 10-inch EP fell out of a Lemmy tribute bill a few yars ago on which both bands appeared. It’s a match made, not in heaven, but the back bar of the Sunset Strip's Rainbow Bar and Grill.
Taking a leaf out of the book written by Motorhead and Girlschool, “St Valentine’s Day Massacre” mixes the bloodlines, if not the bodily fluids, of two bands with a similar spirit. The result is a song by each act and one joint effort. Babymachine tackles “Bomber” while the VeeBees put paid to Girlchool’s “Emergency”. The A side, “Please Don’t Touch”, is a lesser-known Johnny Kidd and the Pirates number.
John Dowler (second from he left) and his Vanity Project.
John Dowler concedes that the name of his solo project, John Dowler’s Vanity Project, is tainted with irony. But, Dowler adds, “a friend of mine did tell me that all bands are vanity projects in one way or another – certainly all of mine are. So I just owning up to it”.
On the basis of his longevity in the rock’n’roll caper, Dowler has cause for at least a modicum of be vanity. Add into the equation the fact Dowler was four bars ahead of the rock’n’roll curve when his contemporaries were still mimicking Beatles chords, and the guy should really have his name in lights somewhere.