The Aints in full flight: Peter Oxley, Paul Larsen and Ed Kuepper, with Alastair Spence obscrured. Mandy Tzaras photo.
You knew something special was up in Adelaide tonight because as you approached The Gov, heading determinedly back to the carpark was a small group of lone pushing-toward-pensioner men, each clutching the same record: “The Aints Live at The Sarah Sands 1991”. There can’t be too many left of this, they only made 300; get yours at the gig; two LPs, $50.
Ever hear of Reid Fleming, World’s Toughest Milkman? Good. Now you have.
The first comic came out, it must’ve been 30 years ago. I had a T-shirt, gave it to Bob, who has cherished that damn thing for about 25 years now. I did my heart good to see Bob bouncing around tonight in that tattered t-shirt. “I thought I told you to SHUT UP!” Fleming bellows from the shirt. It perfectly matches the night.
Kim Salmon in full flight. Photo by Barry C. Douglas of Barry Takes Photos.
Before we start: The Scientists were bloody brilliant; Geelong hosted a magical gig. See them while you can, you may never get this chance again.
Now, then. There really are times when not being a multi-millionaire is, frankly, a bit of a fucking niggle.
So there I was, reading that a certain band were going to tour Australia - they’ve played a few reunion gigs overseas as one of the two guitarists lives in London - but they haven’t toured Australia in well over a decade. So there’s every chance this could well be the last time I’ll ever see them.
Dateline: Adelaide. Hugo Race (pictured right) and Michelangelo Russo arrived at the venue shortly after 4pm, just in time for a swift soundcheck, have a couple of beers, smoke a couple of rollies and a cigar (respectively) while Michael Plater was on.
Quizzed later about their 4am wake-up to drive from St Kilda to Adelaide’s West End, Hugo denied it being a hard trip. "Warsaw to Paris, that’s a hard drive" … you knew he meant non-stop.
And it’s not the first time Hugo’s done this drive; this time he was captivated by the patterns of light, the yellows of the rapeseed, a stand of blasted trees waving in the wind… Charlie Marshall does this kind of thing. Not so much old school as a rediscovery of the essence of travel.
Ripley Hood in front of Brando Rising. Robert Brokenmouth photo.
In which your scribe receives news and loses it a tad. This is a very partial review… I missed quite a few things … oh, dear.
So, an Adelaidean in Melbourne negotiates buses, trams, and other hurdles (including a Lebanese cab driver who’s lived here for 40 years and still has an accent like a wheel of cheese to a plastic butter knife) to arrive at a record shop.
With a Budget flat-bed truck outside.
The Fleshtones joined by Miriam Linna (and Dave Champion at right of stage) . Photo: LePetitRusse
The “Wheel of Talent” was spinning in northern Ontario, Canada, baby. Oh yeah!
I very rarely open the newsletters and catalogs I get from various labels and bands but for some reason I was drawn to this month’s from Norton Records.
What do I see but that the mighty Fleshtones are playing two hours from home. And Sudbury hometown girl, Miriam Linna (head honcho at Norton Records, ex-Cramps drummer and solo artist in her own right), was going to be joining them. On stage. So, yeah, I had to go.
The On and Ons Glenn Morris and Jon Roberts with guest guitarist Murray Cook . Shona Ross photo
At the risk of stating the bleeding obvious, this was a night of three contrasting but not dissimilar bands when The Smart Folk, Loose Pills and The On and Ons weaved their guitar pop web over Marrickville Bowling Club. It was also the album launch for The On and Ons' wonderful CD "Welcome Aboard".
These sorts of night are infrequent in Sydney these days. Ones where the bands on the bill complement each other and the venue doesn't turn people off, so they turn out in good numbers.
You’re here to read a live music review? Hang in there. There's a bit of preaching to go through, first...