Living & Loving In The USA b/w All That I Want (Is You) - Steve Lucas (Perfect Pitch)

living-and-lovingOnetime X howler Steve Lucas returns to the record store racks with a couple of seven-inch singles, this first one under his own name. If you’re hoping for “Hate City” you’re fresh outta luck.

“Living & Loving In The USA” is a double-headed ode to marital bliss that could have been called “Where We Went On Our Honeymoon”. It's the (true) story of two people eloping. Clean guitar, sweet backing vox from Mrs Lucas (aka the very rocking Joey Bedlam from Dollsquad) and all done without a hint of fuzz or distortion. It’s rocking mid-tempo pop with bongos, a hint of Tex-Mex and a great and heartfelt vocal from Mr Lucas.

Ronnie Wood b/w Fuck The Clowns - Dunhill Blues (Outtaspace)

ronnie-woodThey’ve discarded the keys and horns and are now going around live as a four-piece, but Sydney's Dunhill Blues have lost none of their musty garage charm. “Ronnie Wood” is a jagged guitar figure that's (as far we can make out) a homage to the wayward Stone. 

"Ronnie Wood" has a meat and potatoes sound with minimal overdubs and just some buried handclaps and female back-up vocals lightening the attack. Scrappy and fun.

Crossroads b/w Oh Well - Deniz Tek (Career Records)

crossroadsHe never lets the grass grow under his boots so it’s no surprise to see another Deniz Tek single drop. Such things are essential, really, if you want to make money on the road in Europe and these two tracks were taken from a early sessions for a forthcoming Tek album. 

“Crossroads” is a back-to-basics slice of chunky riff-a-rama that wouldn’t have been out of place on the Doctor’s “Outside” album back in his major label spin-off days. Its immediate and stripped-back production doesn’t sound as dense as that record but it’s coming from a similar Birdmanesque place. There's no fresh ground broken but most will feel there probably doesn't need to be. 

Poor Old Man - Captain Spud and the Nifty Keens (Spudland)

spud-art-nifty-keensThis Captain Spud chap, with his mildly alarming synthetic-bop is in the alternative charts down here in Adelaide with this CD single. This could mean anything. What it actually means is that Spud has done it again.

While I believe that men like this should be surging up the charts, exposing the dross and bogus aspects of the entertainment industry, the reality is that gorgeous little tunes like this, with its toyland-‘60s-musical aspect placed in a modern context … don’t.

No Cops, Haul Ass - The Nomads b/w Bread Man Burning/Snow in Miami - Donovan’s Brain (Career)

no-copsFifteen years after it was recorded, this superb piece of Nomads ramalama sees the light of day as a split single with psychedelic collective Donovan’s Brain.

Recorded in Montana while they were sweeping through the nooks and crannies of North America, Sweden’s finest manage to lay waste to this rippling instrumental (written by studio owner and Brain ringmaster Ron Sanchez) like it was one of their own. This is desert driving music, simple as that. A big, fat fuzz bassline and tumbleweed guitars from the severely underrated pairing of Hans Ostlnd and Nick Vahlberg - supplemented by Sanchez and bandmate Richard Teece - make this something special.

Donovan’s Brain plays a whole different ball-game to the Nomads but the flipside keeps up the pyrotechnics levels. “Bread Man” is a Sanchez vocal-led heavy psych rocker fleshed out by Deniz Tek lead guitar. It’s over too soon. “Snow in Miami” eschews vocals and goes for a roughed up surf sound. It dates from 1998 with then-Brain guitarist Richard in place, adding some tasty skronk.

martiniratingmartiniratingmartiniratingmartinirating 1/4 - The Nomads
martiniratingmartiniratingmartiniratingmartinirating - Donovan's Brain

Career Records on the Web

Crazy b/w That Kind - Black Bombers (Key of E/Easy Action)

black-bombersTuned-down, thuggish riffage played by a Birmingham power trio of veterans, “Crazy” is the sort of song best played at stun volume. Dave Twist’s heavily propulsive drumming recalls Rock Action on the A side. Paint-stripper guitar and a fuck you vocal make “Crazy” glow with more menace menace than a short-changed back-street mugger after chiucking out time.

These guys have doubled as Walter Lure’s UK backing band and although “Crazy” is more Sabbath than “Going Steady,” you can appreciate that Waldo’s foot soldiers are tarred with a similar brush. The B side is even better than the A. Alan Byron locks onto a riff and doesn’t let go. Darren Birch’s simple bass-line throbs away under a ragged vocal. An album of this stuff would go down well.

The band has issued this on their own label but it’s being distributed via Easy Action. Go here for the goods or risk a good thumping.
martiniratingmartiniratingmartiniratingmartinirating

I-94 Bar