atomic zeros - The I-94 Bar
CHRIS KLONDIKE MASUAK’S TOP SEVERAL OF 2020
Guitarist, Viveiro Wave Riders
Ex-Radio Birdmnan, Hitmen, Screaming Tribesmen, New Christs
Viveiro, Galicia, Spain
We were having fun at the start of 2020.
The Viveiro Wave Riders had already been hither and yon … around the country and up to Breizh (“Yec’hed mad!” with the emphasis on “mad”) when it all came to a shuddering halt.
Life abruptly became somewhat more complicated, confusing, and occasionally alarming, but that’s not to say it stopped being entertaining.
We jumped on protocols pretty quick-smart over here in Spain, even as our hospitals became alarmingly overwhelmed and morgues literally over spilled.
We were heartened, encouraged, and edified by the sage advice that flooded social media from other apparently more civilised and informed countries.
We hardly even scratched our heads in wonder at their oblivious dawdling procrastination and general goldbricking, or as they gathered in teeming proliferation to demonstrate in support of their “rights” even as their “leaders” unequivocally let them know Just What The Priorities Actually Were.
It's been argued over, and if you fancy arguing again, go right ahead. I'll wait.
Okay. Before punk was PUNK (as it was decreed and seized upon by the black leather beetle backs), there were bands which formed a sort of disaffected underbelly. There were loose things in common.
Some of these bands were utterly alien to the world at large (I'm looking at you, Suicide, Chrome, Pere Ubu), their forefathers being outfits like The Velvet Underground and The Stooges; while others were, by contrast, relatively straightforward. Like the MC5 and later, Radio Birdman.
"News From Nowhere" - Atomic Zeros (Ghost Highway Recordings)
If you don't like rock'n'roll, you'll hate the Atomic Zeros. They are all your worst irritants combined: garage, MC5, punk, surf, garage and Radio Birdman overtones.. But also: much of the phrasing reminds me more of Chris Bailey back in the day (see "Electric Chair"). Curious how insistent the Zeros are; yet so modern they seem compared to the rather lame “modern” music.
They've broadened and fleshed out their sound, but one major element remains: they sound bloody enormous. Play loud at people who like Justin Bieber and crap that's everywhere that you have to try so hard to like, and that red-haired git as well. No, not John Lydon, though he probably wouldn't like it either.