charlie watts - The I-94 Bar
Four bottles? No, five. I s'pose.
In conversation with one of Sydney’s veteran rock’n’rollers, Doc Ellard of Chickenstones made the point that, to some extent, the early Stones were “trying to get away from being English, because of what America and Americana represented: freedom, freedom of expression, expansion, wealth and exotica”.
Joey Pinter, Walter L:ure and Daniel Rey.
When we were young and skinny and fearless, it was easier to celebrate the ch-cha-cha-changes, than it is now, when so many of our favorite places, people, bands, and way of life are just vanishing a little more each day. I can't keep up with all these changes.
In my head, I'm still a new wave kid with a Walkman. Probably listening to the Cult"Love", on 10, right? Making rehearsal tapes on a boombox in the basement. You could save 20 or 30 dollars, and come home from the big city record store with a new t shirt, some little buttons, a copy of "Flipside" or "Maxiumum Rock And Roll", some Jesus & the Mary Chain and Bauhaus postcards to send to your goth girlfriends in far away cities, a Gene Loves Jezebel or Flesh For Lulu promotional poster the nose-ringed death rocker cashier gave you for free, and a whole stack of winning indie punk $1 vinyl from the cut out bin. Those were different times.
For most of us, there ain't no rock ‘n’ roll no more, just the ludicrous worship of bullshit do nothing politicians, media monopoly lies and propaganda, and cos-play lab-coated scientific astronaut rich people on TV, and/or, always more blandly insufferably mediocre and meaningless mainstream garbage like the Foo Fighters - there's nowhere to go, no more basement shows. No real underground bands or real underground rock press in Amerikkka.