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feedtime - The I-94 Bar
Examplehead were an inner-city staple in Sydney and existed from 1985-90. They lay dormant for 30 years before reforming in 2020, minus late Greg Garnder who passed away three years earlier.
Much-loved Sydney blues-punks feedtime are releasing their first new album in 20 years on March 24. "Gas" will be on In The Red and "Any Good Thing" is the preview track. Pre-orders are happening here.
Against the backdrop of the burgeoning inner city music scene, feedtime was formed in 1979. Taking notes from the incendiary live shows of X and Rose Tattoo, feedtime set about creating their own interpretation of the events unfolding before them, a blues-noise that was equal parts abstract minimalism and working class roots-rock. Post-punk, yet right in the thick of it; miles ahead of the pack and not many seemed to notice.
Here’s a single with a reason for living. Like all great 45s, it’s succinct and to the point. It belongs to feedtime, who were be the 1980s Australian underground’s most underrated band.
Revived on the back of a 2012 box set by Sub Pop after 20 years of inactivity, feedtime emerge from suburban Sydney anonymity whenever they feel like it. Obligingly, Sub Pop has released their this, their first recording in two decades.
feedtime have come together to release their first album since 1996’s "Billy". A lot has happened in the last 21 years, so what can we expect from the original lineup of Rick, Al and Tom who have been playing sporadically since reforming in 2011?
It starts off well. “Any good thing” opens with a fantastic, sliding bass line before kicking off with pounding drums and a frenetically distorted guitar. My first thought when hearing Rick’s vocals was that of GG Allin’s voice towards the end of his life. The gravel has turned into a metallic growl.
And the pace continues well into “Thought”, before slowing down into "Box n Burn". Both strong tracks with a powerful sound. However, the issues start to arise with "Skilled Enuf". While the musicianship on the track is strong, the writing is quite simple and unengaging, “Skilled enough, to play one chord. Skilled enough to play one note” might be a true description of the band’s minimalist arrangements, but it is unengaging.
Belated reviews are the best reviews. You know, better late than never.
Eleven days have elapsed since feedtime played Marrickville Bowling Club. The excuse for the late review is that the tinnitus needed time to subside. No, there are never excuses, only reasons. After experiencing two - Two sets! Count ‘em! - sets by feedftime in one night, you need time to get over it.
Not time to analyse it. Music like theirs should never be picked over like an insect that ends up pinned to a back-board in a display case at the Australian Museum. As if you didn’t know, feedtime plays music from the guts, not the head.
Allow me a brief Robert Brokenmouth-style digression.
feedtime's Rick Johnson.
Marrickville Bowling Club, Sydney
Friday May 20, 2022
Having never seen either bands live back in the day, this was going to be an extra special night. The original gig was postponed from June 2021 and then January due to COVID and tonight it was going ahead. I have been a huge fan of feedtime for many years, owning their self titled album, “Shovel” and “Cooper S”, along with a couple of singles from back in the 80s.
It is not often that either band play gigs (Examplehead have a few coming up and are worth checking out) so this was a rare opportunity to see both bands.