Backstage at the Festival of Sue with (from left) BILLY POMMER JR, CLYDE BRAMLEY and ROB YOUNGER. EMMY ETIE photo.
GUADALUPE PLATA (Donostia, Basque Country)GUADALUPE PLATA are an innovative 3 piece comprising (1) vocals and guitar (2) washtub bass/guitar and (3) drums. The play an eclectic and exotic mix of rock, blues, jazz and rockabilly. I saw them perform live after my solo show in Donostia, Basque Country this year. Pedro’s guitar playing reminded me of my own, at times, demented approach to guitar playing.
KELLEY STOLZ, (Bottom of the Hill, San Francisco).KELLEY STOLZ is a singer, songwriter, musician from the USA. His music has been compared to that of BRIAN WILSON, VELVET UNDERGROUND, NICK DRAKE and LEONARD COHEN. He played an awesome show with SARAH BETHE NELSON as support. Kelley is an all- rounder – a singer, musician and song writer. The real deal.
“A FESTIVAL OF SUE: THE JDS ARE ON YOU” (The Factory Theatre, Marrickville, Sydney)Friends of SUE TELFER banded together to pay tribute to this much-loved Sydney lady with proceeds going to Support Act. A line-up that included myself (with special guest BILLY POMMER JNR on drums), X, the NEW CHRISTS, THE JOHNNYS, KIM SALMON, THE CRUEL SEA (instrumental), FRONT END LOADER, THE MIS-MADE, THE HOLY SOUL, & THE ON AND ONS. Having BILLY POMMER JNR on drums certainly gave me a run for my money. Highlights for me included the NEW CHRISTS, THE CRUEL SEA, THE JOHNNYS and X. Unfortunately, I did not get to see all the acts. Too busy chatting with my friends. It was such a great turn out from Sydney folks! After my trip into the city, seeing so many old buildings torn down (which caused me a lot of distress), it was great to see that Sydney folks still have a heart – a very big heart!
Ever heard an album from a band you’d thought had all but put the cue in the rack only to be knocked out of your seat? The Holy Soul has been slogging away around Sydney for a decade or more as one of those acts playing the all-too-familiar Game of Diminishing Returns.
You know that one. It’s where, through a combination of fickle fandom, demographic-driven media, venue turnover and diverging member interests, a band fades from view like the white dot on an analogue TV screen.
Appearances are deceptive. There’s been a bit happening in the background. In terms of getting onto the mainstream radar, however, The Holy Soul have been perpetual victims of their own nature. People like to grasp the familiar and The Holy Soul has traded in a strange mix of blues-rock that’s impossible to pigeonhole. So let’s all resist trying.
Not As Bad As It Could've Been - Scarth Hog (self-released) Mystery Train - Chickenstones: (Crankinhaus Records) Away from the Sun - Majestic Horses (Kasumuen Records) Yes, dear reader, I too wondered what a scarth was. Well, Scarth is a family name, and 'is of Anglo-Saxon origin and came from when the family lived in the county of Yorkshire, where they held the manor of Scarborough. This place-name was originally derived from the Old English Skaroisburg, which was brought into England during the Norman Conquest of 1066.' But Scarth is also Yorkshire dialect for a rough, bare rock. No-one ever said Bill Bostle (whose band this is) ever lacked a sense of humour.
I used to know Bill a little, back in the days when 205 was a conglomeration of interweaving bands rather than a street number, and when Bill played (drums) in King Snake Roost with, among other interesting ingredients, the late Charlie Tolnay. I recall one visit to his house (in a quiet inner Adelaide ‘burb) during which he boasted of being “the loudest bastard in the street” which, given that he had the Grateful Dead on 11, was patently obvious.
One of the last Aussie ‘zines standing is setting some sort of record for durability, but issue 20 is tinged with deep sadness.
Editor Danger Coolidge’s opening column, detailing the life and tragic loss of his son, Angus Reekie, who took his own life late last year at the age of 16, is one of the most powerful things you’ll read. Cathartic in the extreme, if it doesn’t touch you, you’re not human.
On the brighter side of the coin, this issue is the usual mix of gems, surprises and obscurities. The interview with Buffalo vocalist Dave Tice is detailed and comprehensive (and we played a small part in making it happen so it’s all the more satisfying.) The chat with Link Meanie is long overdue and covers a storied and ongoing career that's taken on fresh legs wityh Sun God Replica.
As for obscurities, Unbelievably Bad invariably shines a light on acts most of the world hasn’t heard of and there are pieces on Undinism (the Geelong band - not the Donald Trump allegations), Nick Singer (of Newcastle band Brandon’s Island) and Jonah Wallis (Fucked Up.) Harriet Hudson might be a name known to the kids who follow Miss Destiny but I didn’t like Circle Pit (her other band) so I can take or leave her interview.