hozac records - The I-94 Bar

Baby steps on the way to church

baby grandeBaby Grande 1975-77 - Baby Grande (Hozac Archival)

The Brits call it Junk Shop Glam and the name’s derived from the piles of often obscure, sometimes quirky and lost ‘70s glam singles that littered their second-hand shops decades ago and now fetch crazy, collector scum prices. RPM/Cherry Red did a stellar job of bringing much of it to life on their “All The Young Droogs” compilation. 

It’s as good a label as any for Baby Grande, the band in which future founders of The Church, Steve Kilbey and Peter Koppes, cut their teeth in the mid’-70s. Chicago label Hozac Archival has exhumed a tape of studio sessions from somebody’s sock drawer and issued it as an LP. 

Matt Gimmick's insanely great legacy re-issued

Matt Gimmick EPDetroit Renaissance 79 - Matt Gimmick (HoZac Records)

The penny dropped somewhere on the Road to Damascus exit, just off I-94, but there was no need for a conversion. The revelation that this band Matt Gimmick was a by-product of The Punks, a Detroit outfit active in the mid-‘70s whose overlooked recordings have been posthumously released a coupla times over, sparked a run to the shelves to dig out their release. If you don't own a copy of The Punks' "The Most Powerful Music On Earth" CD, or subsequent re-releases on vinyl, your life is diminished.

The Punks were unashamedly in the thrall of the Stooges. If solo Iggy had sounded like The Punks we would have been spared “Party” and the Pop would have ended up a rich man much earlier in life for delivering what fans of his old band expected all along. Or so the fantasy goes, because for most of the '70s, nobody actually cared.

The protopunk filth and the FURY

primitive 1969 76Sonny Vincent: Primitive 1969-76. Diamond Distance & Liquid Fury - Sonny Vincent (Hozac Archival)

Some would hide their earliest bands’ recordings in a dark place and hope nobody found them. Thankfully, not Sonny Vincent.

As one of the last New York punks still standing, Sonny Vincent criminally remains a well-kept secret. The music he’s made under his own name, and with a string of bands - most notably, Max’s Kansas City and CBGB graduates, Testors - is some of the best primal sound around. This collection of songs from his pre-punk bands, spanning 1969-72, does nothing to detract from that track record. 

I-94 Bar