jimi hendrix - The I-94 Bar
Hot Tuna - Rialto, Septermber 10
Veteran duo in electric mode with drummer. As heavy as it gets. Jack and Jorma playing with the same fire they had 50+ years ago. At the climax of one of the extended jams, Jack pogoed across the stage. We got right up to the front of the small venue for full effect.
Tom Rush - Ellen Theater, Bozeman, August 31
An unexpected visit by first division folk singer does not disappoint. At 79 years, he still has his voice and nimble fingers. Funny too. 2+ hour show. He manages to avoid playing any of his signature tunes.
Jeff Tweedy - Let’s Go (So We Can Get Back)
Well written and very funny. Tweedy weaves a compelling story about his childhood, bands and years of prescription drug addiction. Plenty of insight into the workings of Wilco and his songwriting. One of the best musician-penned memoirs I’ve read.
So Good I Can’t Take It- Aug 2 Ellen Theater Bozeman
Kirk Leclaire document’s the Montana music scene of the' 70s and '80s. Jeff Ament and Steve Albini figure large in the story. I get some face time too, though I only just make it into the time frame. Donovan’s Brain music is featured. A great story of small town misfits tearing it up and terrorizing the locals. A universal story that can be enjoyed even if you didn’t grow up in Montana. A Donovan’s Brain MK 1 reunion followed the screening.
Dave Weyer circa 1969: Sought after Hollywood sound architect.
DATELINE 1999 - If you're a regular here at the I-94 Bar, chances are good that you have a more than passing interest in the music of Deniz Tek. Granted, the Radio Birdman mastermind's music has taken a markedly experimental turn over his last couple of albums -- one which hasn't found universal favor among fans of Birdman and his earlier solo work. But give the Iceman his due for hewing true to his uncompromising vision and never failing to make challenging, stimulating music.
Since the "Italian Tour" and "Bad Road" EPs and the "Le Bonne Route" album, a key element in the Deniz Tek sound has been one David Weyer, owner/operator of the studio in Laurel, Montana, which bears his name. As engineer and co-producer, Dave is the man who's helped realize Dr. Rock's prescriptions on tape and disc, and he has a fascinating story of his own to tell...
He's been a musician, inventor, a resident of L.A.'s Laurel Canyon during the frenetic '60s, amp technician to a host of guitar greats including Neil Young and Jimi Hendrix. Over a virtual beer or two, we talked about Dave's facinating past and his work with Deniz on projects past, present, and future.
Dave Weyer bellied up at the bar with me from his home in Laurel, Montana, on Sunday afternoon, October 3, 1999.
“It is difficult to get a man to understand something, when his salary depends on his not understanding it.” ― Upton Sinclair
Some chipper go-getter types, reportedly, have had wonderfully gratifying early educational experiences, they seem to remember fondly. They are most often, obedient Ken & Barbie yearbook committee types with prominent last names, from bigass two storey homes nestled behind many old trees, and have nice cursive handwriting and strong math skills, own a lot of golf shirts in at least 31 various shades of Baskin Robbins, dutifully participate in sports, roller-skate, cheer-lead, earned many merit badges, and have already memorized the entire big bamboozle bullshit whitewash Murkkkan history that photo-shops all the hard and painful facts about this violent blood soaked empire settler colony that was built on the genocide of natives with the labor of slaves.