ken - The I-94 Bar
There's not much more information than what's on the poster but onetime Stooge Jimmy Recca (now living in L.A.) is playing a show in Arlington, Virginia. If you want to know about Mr Recca and his Stooges history, you could do no better than reading this interview by Ken Shimamoto originally penned for Easy Action Records.
Sometime I-94 Bar scribe Ken Shimamoto has birthed a new band online. Brokegrove Lads is a psychedelic improv rock group with musicians from Fort Worth and Albuquerque and their first release is a single, composed in tribute to late Deviants vocalist, writer and Pink Fairies alumnus Mick Farren.
Ron Asheton has the creepiest answering machine message on the planet: "LEAVE...A...MESSAGE.... Thanks a million."
Long spoken of and heard by few, this batch of tapes documenting the short but worthy lifespan of Scott Morgan’s post Rationals band Guardian Angel (later known as Lightnin’) has seen the light of day at last. It’s a righteous addition to a starry back catalogue.
James Williamson in 2011 - Robert Matheu photo
James Williamson staked his claim to rock'n'roll immortality based on just eight songs, but what songs they were...the ones comprising Iggy & the Stooges' epochal 1973 "Raw Power" album, still cited as a prime influence by purveyors of Rock Action from Stockholm to Seattle to Sydney.
After flooring all who attended the Big Star’s Third tribute show for Sydney Festival in January and his subsequent solo shows with Chris Stamey and Skylar Gudasz, Ken Stringfellow is returning to Australia for intimate sideshows in Sydney, Hobart and Melbourne.
Consider the Sonic's Rendezvous Band saga...
Arisen, phoenix-like, from the ashes of four of the Motor City's finest proponents of high-energy rock -- the MC5, the Stooges, the Rationals, and the Up - the Rendezvous steadfastly refused to bank on their illustrious pasts (which, granted, might have been more of a liability than an asset at that point in history). Rather, they insisted on a more original kind of expression -- hardly a guarantee of steady employment for a local band in the mid-to-late '70s.