magic dirt - The I-94 Bar
Spencer P Jones is a legend of the Australian music scene.
Spencer P Jones is a damn fine axeman.
Spencer P Jones is loved by all the countless bandmates, scattered across the globe.
Spencer P Jones is a mighty fine songwriter.
Spencer P Jones is loved by all his mates, full stop.
Spencer P Jones is also really unwell.
That's why his mates have gotten together in Melbourne to help him.
Raul in River of Snakes. Uncredited Facebook photo.
“I talk to a lot of people and musicians in rock’n’roll and they have a real resistance to it. ‘Why do you want to do that?’” laughs Raul Sanchez.
The object of Sanchez’s peers’ derision is his recently awakened interest and understanding in music theory – at first glance, anathema to the three-chord rock’n’roll style he’s explored and exploited as guitarist in Magic Dirt, Midnight Woolf and River of Snakes.
“Learning music theory blew my mind. I’ve known major and minor chords, but I’ve never really knew how they came from, how they worked, how they interacted, functional harmony, things like that. I just wondered ‘How the hell did we get by all those years writing songs without knowing this shit!’ You just grab that and that and say ‘Yeah, that sounds good’.”
Sleight of Hand – River of Snakes (self released)
The fuzz pedal is one of the greatest inventions of the 20th Century - and Melbourne’s River of Snakes sound like they have shares in it. Let’s hope that canny investment buys the three members a mansion each in the exotic locations of their choice.
The band has been around for a decade. The commercial music world may have moved in a wholly different direction since then, but their sound has stayed firmly rooted in the share-house, college radio universe of the ‘90s…a time when guitars were king and punk - or whatever you wanted to call it - briefly looked like it might drive a stake through the heart of blandness. Of course, that ridiculous but romantic notion was not to be…