noise for heroes - The I-94 Bar

Good news for zeroes as Noise for Heroes returns

nfh1Noise for Heroes Complete 1980-83 Vol 1
Noise for Heroes Complete 1988-91 Vol 2
Noise for Heroes Complete 1991-2004 Vol 3
Edited by Steve H. Gardner

Imagine a decade like the 1980s without zines. For the uninitiated (because they weren’t born then) zines were self-produced magazines, often photocopied and sometimes hand-drawn, focused on subjects that the authors were passionate about. More often than not, the topic was music. 

It’s hard to overstate the importance of zines in a pre-Internet world. Along with college radio, they powered the American underground music circuit. In Australia, they connected underground bands, and fans across a country of disparate cities and gave insights into scenes overseas in a way mainstream music papers could never reflect. In Europe, they were oxygen for a culture considered low brow that fought to find an audience. 

Zines were lapped up by people into punk, high-energy and left-of-centre music that didn’t manage to gain exposure elsewhere. They were the epitome of DIY culture, making the passion of others tangible. You’re “consuming” the digital equivalent of one right now. 

One of the best was “Noise for Heroes” from San Diego, USA. The very lanky Steve Gardner kicked it off with some like-minded friends in 1980. It initially had a focus on punk rock. In its second life, it moved onto the Aussie and Scandinavian underground scenes with Gardner its writer rather than editor. Steve drummed in bands, ran his own record label, NKVD, and had a mail order music business. 

They Just Want Their Fun: Why Exploding White Mice will walk again

mice album cover

Exploding White Mice burst on to the Australian musical landscape in 1983. They formed in Adelaide = the so-called City of Churches – and toured Australia constantly, releasing their “A Nest Of Vipers” EP in 1985.

Originally Paul Gilchrist on vocals, Andy MacQueen on bass, Gerry Barrett on guitar, Craig Rodda on drums and Giles Barrow on rhythm guitar, they made an immediate mark with their mix of Radio Birdman-meets-the-Ramones punk rock.

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