pat todd - The I-94 Bar
There’s no-one better qualified to decry “this counterfeit world” than Pat Todd as he does on the opening cut of the same name on his new album.
Todd’s been The Real Deal for three decades, first with Los Angeles underground legends The Lazy Cowgirls and more recently with The Rankoutsiders. “Blood & Treasure” is long=player number-four and builds on a substantial body of work.
People sometimes look down their noses at the term “bar band”. Why is a mystery. Isn’t a “bar band” the antithesis of a “stadium band”? Todd has assembled one of the world’s best bar bands in The Rankoutsiders and it would be a travesty to think of them playing Coachella.
You might think of it as just another European label re-issuing an American artist’s old work on vinyl - a smart commercial move because nobody in Europe buys albums on CD - if they can help it.But you should consider Hound Dawg Records' engineering the re-appearance of the first record for Pat Todd’s post-Lazy Cowgirls outfit as a public service. Here’s why:
Heavy Medication Records honcho
To be honest, 2020 wasn’t too big of a train wreck for me. I generally work remotely, so there was no adjustment to the joys and pitfalls of working from home. Even though live concerts were few and far between, I still managed to catch a few great ones before the gates closed. (Poison Heart’s Ten-Year Anniversary gig and an aurally hallucinogenic set by Brazil’s Rakta come to mind.)
Alas, some long-anticipated plans got scrapped (some well-paying DJ gigs, a Heavy Medication LabelFest with Puffball and Hell Nation Army in Berlin, travelling somewhere to catch Pat Todd & the Rankoutsiders on their European tour), but new plans rose out of the ashes of the fallen ones to make the best out of a bad situation. But more on that later…
Here are some things I dug in 2020:
1.) Smalltown Tigers “Five Things” mini-album(Area Pirata Records)
Loud guitars, catchy tunes and simplicity have always worked in punk rock’s favor, and these three Italian chicas (sorry, regazze) follow this recipe while mixing in their own sonic special sauce through the eight songs on this tasty debut platter. The Ramones and Runaways are obvious reference points (especially Valli’s gritty Joan Jett growl), but these Tigers manage to sound both ferocious and sweet at the same time. The no-frills execution and earworm-quality of the songs kept me playing this mini-LP on endless repeat. Listen up here.
Broooooce Springsteen? Can’t abide him. It’s OK if you do. Different strokes for different folks, right? He’s well and truly present on this three-tracker CD - at least in spirit - but I like it in spite of that.
Like Broooce, Joe Normal and The Anytownr’s frontman Joe Normal grew up among the factories of New Jersey - before making a break for L.A. So the bio says. And he’s landed on Pat (Lazy Cowgirls) Todd’s Rankoutsider Records. Now you’re talking…
Rankoutsider is an outpost of genuine rock and roll, stripped back to its roots rather than wrapped up in ideas of blandness and mainstream acceptance. Joe Normal is backed by journeymen players whose curriculum vitae includes Stiv Bators, Sussana Hoffs, Syl Sylvain and Izzy Stradlin.So they’ve been around.
Americana Rock and Roll is the new black. No, make that orange. Or whatever colour’s in vogue this week. Make no mistake though: If the trend stays still for five minutes, Jeremy & The Harlequins will be huge.
Jeremy & The Harlequins are from Brooklyn, which is the epicentre of what’s left of New York City’s rock and roll scene. Before that, Jeremy and brother-drummer Stephan came from Toledo, Ohio, where they assembled The Harlequins from remnants of other NYC bands. Their first album was mixed by Matt Verta Ray (Heavy Trash) so you know what sound they were shooting for.
“…there’s pretty things in Palookaville…” - Pat Todd & The Rankoutsiders (Hound Gawd!)
Unless you’re one of the lucky few you won’t have yet heard the latest album from ex-Lazy Cowgirls frontman Pat Todd and his pack of old stagers, The Rank Outsiders. So what’s the point of a song-by-song description? You’ll forget the song titles before you clap ears on the real things, anyway. So let’s dispense with that bullshit and tell you how it will make you feel, instead…
Slap it onto the turntable or whack it into the player. Crank it. Good and loud. The opening G chord of “All The Years #1” kicks in and hangs in the air, and it’s like an old friend just walked in the door with a case of cold beers and a headful of fresh stories.
It’s all jagged riffs and Todd’s impassioned vocal, urgent and insistent. It sounds immediately familiar, yet fresh, a menu of yarns set to punkish, rootsy rock and blues, basted in minor chords and a harmonica dry rub, and roasted in a slow cooker.
Americana is a term that excuses all sorts of sins. It’s so sweeping as to be meaningless - and it’s been homogenised to the point of dross - so let’s not speak of it again.
Some folks call Pat Todd “Americana” and it doesn’t remotely cover what he and his Los Angeles-based Rankoutsiders play. They’ve been tagged “Mellencamp with the Les Paul turned right up” by one reviewer, which is a bona fide compliment if you ignore the stuff that charted in Australia…
So, the fifth Rankoutsiders album, “The Past Came Callin’”, is rootsy and muscular rock and roll, an amalgam of rock, country, blues and everything in-between, and a contender for their best yet.
What makes the 14 tracks on “The Past Came Callin’” stand out? The songwriting, for one. Pat Todd doesn’t do mawkish sentimentality and writes from the heart. These are a mix of old and new songs, stories about relationships and crimes - which we all know are sometimes one and the same thing.
The surging, urgent guitars of Nick Alexander and Kevin Keller are another distinctive plus. Like Thunders with a clear head or Keef with a new-found dose of inspiration and less noodling, these guys make you take notice of every lick and steamrolling riff.