phase 4 - The I-94 Bar
Owner of Phase 4 Records and Cassettes store and the LCMR Records label
Brisbane, Queensland, Australia
There’s no need to explain what a slightly weird year 2020 was. Sadly and for my back pocket’s sake, Phase 4 Records had to close for most of Autumn which meant I wasn’t as often held captive by some stinky guy banging on about the greatness of some rockist act they read about in "The Wire" at the top of their voice scaring our innocent customers away while I desperately needed to go to the toilet.
Our record label LCMR managed to squeeze out only three 7” EPs for the year – one by a hopelessly obscure Toowoomba punk group, Brian, and two by Xiro, the Brisbane band of the early post-punk era who should’ve gone on to have a great international career but decided not to for the sake of art; or something.
It was a great pleasure putting them all together for those who were all too familiar and the ones who were brave enough to try some music that was completely unknown to them.
2017 was a great year to celebrate the 50th anniversary of The Velvet Underground & Nico and "Forever Changes", the 40th of "(I’m) Stranded" and the 25th of something great (and local) which came out in 1992 that was more than likely one of Ed Kuepper’s. And speaking of Mr Kuepper, let’s launch into this Top Ten the Barman asked me to do.
I’ll just prattle on about live shows I’ve seen as they’re probably more entertaining than my thoughts on Cosey Fanni Tutti’s autobiography "Art Sex Music" which isn’t rock & roll enough or director Kriv Stenders’s recent feature documentary on the Go-Betweens which is probably too wimpy for readers in I-94 Land.
Fair enough - they’re not everyone’s cup of tea – especially if you prefer coffee.
1.-7. THE AINTS 2017 AUSTRALIAN TOUR OF THE EAST COAST
Apparently the best way to describe someone who follows Ed Kuepper’s shows from town to town is to call them an Edhead. In 1976, Saints fans were known as Kuepper Troopers as it was understood that even in those early days it was Ed’s band - up until 1978, at least.
So fast-forward to 2017, The Aints awake after a 25-year hiatus and decide to tour through the most of the country’s capital cities doing Saints material from ’73-’78.
Australian punk was never the widespread movement as it was in England, or parts of Europe, where for a time, it was mainstream. Unlike Australia. The Sex Pistols(unofficially) went to number-one with "God Save the Queen". The Clash , The Buzzcocks, The Jam and Stranglers consistently charted,alongside Elton John and Cliff Richard.
Kids in the UK sat glued to radio and listened to John Peel as a holy ritual. In the UK there was a certain set of circumstances that led to the rise of “Punk Rock” from the kids who saw Iggy, the Ramones, Patti Smith and Thunders live. Factor in brilliant (if accidental) marketers like Malcolm McLaren and their ilk. Mix in the fact that, in the grip of a serious economic recession, England was a depressing place. It all gave rise to a powerful and widespread movement.
Righteous Brisbane record store Phase 4 is hosting a massive silent auction of historic and highly desirable posters from Australian rock and roll’s heyday for a good cause.
The store is raising funds for Ipswich retro clothes retailer (of Poison Arrow Retro Shoppepe) and rock and roll fan Angela Love who’s unable to work while fighting breast cancer. The posters come from the collection of her partner, Wayne Kemp.
Beasts of Bourbon, GoBetweens, Exploding White Mice, Hard-Ons, The Girlies and Riptides are among the Aussie artists represented, while Dark Carnival (signed by Ron Asheton and Niagara), Status Quo, Portishead and Screaming Jay Hawkins are some of the overseas crew. There’s a treasure trove of more than 100 posters online until July 24. Bidding is by email only and you’ll find the website here.