The Prehistorics are from Sydney, Australia - a much different one to the musical ghost-town of today. They’re firmly ensconced in the Sydney of 1985 when there was a band in a pub on every second street corner, blasting out high-energy rock and roll. This is their third album and it’s on a French label.
prehistorics - The I-94 Bar
Jesse the Intruder of the Psychotic Turnbuckles
The Kings of The Combat Zone, the Psychotic Turnbuckles, returned to Sydney from Pismo Beach last Saturday night for a one-off Xmas show, presented by the I-94 Bar.
They were joined by Melbourne's Stoneage Hearts and Sydneysiders The Prehistorics in a no-holds-barred tag-team contest at Marrickville's Factory Floor. Shona Ross captured these images as the Turnbuckles triumphed in front of a packed house. Click more to see the images.
Here's how to start 2017 with a bang: Three of Sydney’s best high-energy bands are kicking off 2017 at stun volume on Saturday, January 7 with a dual album launch at The Factory Floor in Marrickville.
Detroit-inspired rifferama melody kings The Prehistorics are launching their fourth long-player, “Storm The Gates”, on CD and vinyl with their first gig in 13 months.
Main-man Brendan Sequeira has been dividing his time between Sydney and France and this will be their only home-town appearance before a lengthy European tour.
They took their time about it but The Stukas are finally unleashing their debut CD, “Ju-87”, after 30 years of live savagery.
Reputed to be Sydney’s most hated band, The Stukas have played with everybody from the New Christs to XL Capris, the Celibate Rifles and New York City’s Dictators. It’s been a long and hard road but their latest line-up is as energetic and confronting as ever.
The Dunhill Blues recently notched 10 years of gigs all over Australia and Europe, playing their unique hybrid mix of rock, garage, country and punk blues.
The Dunhill Blues play a pummelling, primitive and pulsing style of rock 'n' roll that's best viewed beer in hand. They don’t have a new album to launch (they’ve already released three) but they do have the firepower to shake you out of your post-Christmas stupour.
Tickets will be on sale at the door or save yourself some dollars by pre-booking online here.
It's a brave band that bandies around the tag "Detroit Rock" these days - especially when they come from Sydney. Most Michigan music types have not the faintest idea that their state capital's name was commandeered by one of their own expats Downunder in the '70s and has since been applied to any Aussie rock and roll band with the slightest hint of guitar aggression and Motor City attitude. On the other hand, many Sydney music types now treat the whole thing with disdain and say it's all in the past.
What a long way this Sydney band has come in a few years – and not just geographically speaking.
The Prehistorics have done the European touring thing a couple of times now, returning home to relative indifference. Main-man Brendan Sequiera was planning to relocate to France but red tape and lukewarm day job prospects have put that plan on the backburner.
What he and his band have delivered with their fourth long-player is an album of world-class, melodic but hard-hitting rock and roll. It will go down a storm offshore and - all things being equal - should make an audience closer to home sit up and listen as well.
These guys can't get arrested in their home town (Sydney) in a gig sense, and their last album was an OK but ultimately forgettable slice of Detroit guitar histrionics. There's no shame in either. The live scene is struggling and being in the thrall of influences without a voice to tell you to make a song your own can make a first album a mis-step. A couple of years down the track and The Prehistorics are back with a record that's a step forward.
Racket Du Jour - The Prehistorics (Sonic Artillery Records)
The fifth album from Australia's The Prehistorics and it's a real return de force!!
From the first note of the first track “Circus Maximus”, I knew that I was in for a rockin’ good time with this album, as I quickly ran back to the stereo to turn up the volume a little bit more. And, by the time I get to the third track “Scene Queen” and its awesome riffage, I’m yet again turning it up just a bit more. This track would make a great single.
“Caveman” brings on some fun dynamics, the time signature changes from the engine room of producer Michael Carpenter, playing both drums and bass, is almost hypnotic.