Danny Kroha, founding member of highly-influential Detroit minimal garage rock trio The Gories, has today released his second album of acoustic folk-blues entitled “Detroit Blues” via Third Man Records, and has premiered a performance video of the title track.
Kroha will be performing songs from Detroit Blues and more on a Bandcamp Live performance slated for February 20 at 11am AEDT (February 19 at 6pm CT in USA). Tickets are priced at $10. Find more details here.
Kroha spent the late '80s and early '90s playing alongside Mick Collinsand Peggy O'Neill in seminal Detroit garage-blues combo the Gories. The Gories, who were championed and produced by Alex Chilton and who released hugely influential recordsjack whiteon labels like Crypt and In The Red, were the prime influence on the subsequent blues-influenced garage rock scene in Detroit, out of which came Jack White and the White Stripes.
Jack White’s Third Man Records will issue a soundboard recording of the last show by the original line-up of The Stooges in August, a day short of 50 years after the performance.
"Live At Goose Lake: August 8, 1970" is a previously-unheard, high-quality recording of the Stooges, recorded just before the release of their earthshaking 1970 album "Fun House", and will be available on vinyl, CD and digital on August 7.
LØVE & EVØL - Boris (Third Man Records) Invisible You - JP Shilo (Ghost Train Records) Fortuna Horribilis - Vomit of the Universe (The Artist)
ANTI-RAMONES WARNING: NO BORIS SONG UNDER 3.5 MINUTES.
Grayson Haver Currin of Pitchfork comments on the latest alvum from Japan's venerable trio Boris:
“These seven anemic songs find Boris becoming something new yet again - self-satisfied.”
Eric Carr, of the same magazine (ED: Isn't he in KISS?), commented retrospectively on Sonic Youth's LP “EVOL” in 2002:
“EVOL would mark the true departure point of Sonic Youth’s musical evolution - in measured increments, Thurston Moore and Lee Ranaldo began to bring form to the formless, tune to the tuneless, and with the help of Steve Shelley’s drums, they imposed melody and composition on their trademark dissonance. A breathtaking fusion of avant-garde noise (as far as Rock was concerned) and brilliant, propulsive rock... this is where the seeds of greatness were sown.”
I think it's a fair bet that Boris are nodding at Sonic Youth's "EVOL" LP here; in 1992, on their first CD - a 60+minuter comprising only one song, “Absolutego” - they scribbled their influences - including Sonic Youth, a band whose first four records I bought and loved.
Ben Blackwell is one of the most important figures to come out of the Detroit music scene in the past 30 years. Whether it be his drumming with the Dirtbombs, his work crewing for and archiving The White Stripes or his running of Third Man Records, Ben is yet another in a long line of significant musical names to have come from the Motor City.
Third Man Records has just dropped the Stooges album “Live at Goose Lake”. Recorded back in August 1970, the show it documents is a seminal and infamous moment in the band’s history. It was the last gig the band played with bassist Dave Alexander.
Live at Goose Lake: August 8th 1970 - The Stooges (Third Man)
Are you kidding me? This is conniption material. A high-quality soundboard recording of the original Stooges, plus saxophonist Steve Mackay, at a time when they were at the primal peak of their considerable powers? It’s proof-positive - not that it’s needed - that the Stooges of 1970 were indeed America’s Most Dangerous Band.
The Stooges were a few months fresh from recording the epochal “Fun House” album and in a mind to confront Middle America on the sort of scale that could only be achieved off the back of substantial record sales.