trixie and the trainwrecks - The I-94 Bar
"3 Cheers to Nothing" arrived in my box unannounced and unasked for. I put it on as I was driving (as I do) and nearly rear-ended a bus.
I can see the children looking behind them with little circles for eyes and big open mouths, horror written all over... and then there was the rest of the drive, complete with sirens (bloody things, they take ages to get rid of), driving on the wrong side of the footpath, and a few dents on the roof (bloody cyclists).
You should be familiar with her record company: they declare they stock "Music to Ruin any Party" (they don't, the only parties they'd ruin would be political ones), Voodoo Rhythm (the folk who bring you Bob Log III, Dead Brothers, Delaney Davidson, Pierre Omer, The Pussywarmers and (in Europe) Rocket Science) and a host of others... so Voodoo Rhythm have form, as they say of old lags, and fine, fine taste.
Volume 5: A Label Compilation to Ruin Any Party – Various Artists (Voodoo Rhythm)
A good judge once said that when Voodoo Rhythm releases are good, they’re very good. If you’re applying the label motto, “Music to ruin any party”, this compilation borders on great. Mind you, you’re also inviting the wrong kind of people to your knees-ups.
Voodoo Rhythmis resuming its compilation series after a long lay-off and there’s no better place for the uninitiated to dive in.
Garage Rock is such an overused term. Voodoo Rhythm trade in it – and then some. If it’s not too ableist, let’s call their catalogue “Helen Keller Mistaking a Vegetable Slicer for a Braille Textbook” and be done with it. The aural output is typically raw, violent and bloody.
On the approach to the world's oddest rock and roll label's 30th anniversary, Voodoo Rhythm Records is marking the milestone with a return to its compilation series.
“Vol. 5” is the Swiss cult label’s first collection since 2013 ,and will showcase 15 tracks of new and old cuts from a global stable of outlier artists in the punk, garage, one-man band, cumbia, psychedelic, and country folk-trash genres.
The bands featured hail from Europe, America, and Japan. They range fromn the amphetamine n' vinyl fetishes of The Devils, the lonesome drifter country-trash ballads of Trixie & The Trainwrecks, the heroin-groove reverb of francophones Destination Lonely, and the dark, rural folk orchestrations of The Dead Brothers.
This limited edition compilation will be an exclusive vinyl release with an animated, live-action illustration by Bucharest-based artist Andy "Sinboy" Luke. You can view Sinboy's portfolio, including his gig posters, animation clips, and graffiti work. “Vol. 5” is out in October and pre-orders are here.