Tony “Grudge” Hayward, my friend with the impish smirk, that strong, capable, street-smart man who saw through the city snobs and inspired friendship in all around him because he was simply a force of nature, has died. He was taken to palliative care on May 11 and passed six days later. 

Tony was a member of C-Bombs, Roadkill66 and REPO. Six months ago I would've said Tony was damn near indestructible, but once more, Adelaide's scene is in a state of shock and grief.

You need to know that I am probably the least of Tony's friends to write this, and I apologise for that. I came so late to Tony's life, and it was a damned big life. There are many bandmates, friends and relatives with much, much more to tell - and in time perhaps they will.

Tony died in a South Australian country hospital; he went in knowing the end was imminent, and he faced it in characteristic style, with an apparent offhand acceptance. Was he brave for the love of his life? Partly, I am sure; but even had she not been there, Tony had faced a lot of things, dealt with them all because he was, as I say, a capable man as well as being tough, brave.

Mandy Tzaras photo

This could be the best news fans of raw and real rock and roll will hear this year: Esteemed Australian label Grown Up Wrong - th forerunner of Dogmeat Records - is back in business. Owner David Laing is kicking off with a bang with two killer releases to get the ball rolling (again.)

First  is a fantastic collection of primarily live recordings from the original Perth-based line-ups of The Scientists - back when James Baker of Victims/Hoodoo Gurus was still drumming for them. "Not For Sale: LIve 1978/79" is an archival set of recordings from the band's ragged powerpop days when they sounded like a collision between the Flamin' Groovies and The New York Dolls.

The second release is a reissue – with extra tracks, and for the first time on vinyl – of a rare 2002 live album called “Ann Arbor Revival Meeting” by Scott Morgan's Powertrane with Deniz Tek and Ron Asheton.

The Professors were formed in 1978 and were part of a booming inner Sydney scene that developed following the departure of temporary residents The Saints and homegrown Radio Birdman. They took their name from singer, Stephen Vineburg’s friendship with Chris Bailey of The Saints.

Vineberg - was name-checked by their friend, Saints vocalist Chris Bailey, in the lyuics of "Know Your Product" ("Where's the Professor?/We need him now").

The Professors were a prime example of the DIY ethos. They were largely self taught and established a successful music venue at the corner pub: The Royal Oak Hotel in Chippendale. They also played at most of the popular venues in Sydney including The Civic Hotel, the Rex Hotel, Paddington Town Hall and Henderson Road. 

Sensational San Diego trio The Schizophonics have announced two Australian dates in June.

They'll play Sydney's Marrickville Bowling Club on Thursday, June 6 (with Grinding Eyes) and Melbourne's The Tote on Friday, June 7 after a run of New Zealand dates. Tickets for both Austrralian shows are on sale here. 

The wild, gyrating, and down-right gymnastic, guitarist Pat Beers is joined by his wife Lety on drums and bass player Blake Lindquist...and yes, Beers is their real name. By day Pat teaches music but at night, once strapping on that guitar, he becomes a man possessed .

The Schizophonics are, in one word, EXPLOSIVE. Their frenzied live performances tap into the same unstoppable combination of rock ‘n’ roll energy and showmanship that fueled the MC5 in the heyday of the Grande Ballroom.

When they hit the stage, they grab your attention and don’t let go. They’ve built up a formidable reputation in their home base of San Diego and a fervent following among locals.

“One of my favorite live bands ever!” proclaims Tim Mays, who has run the Casbah for over 25 years and seen literally thousands of live bands come through his doors in that time.

_{The Subterraneans performing at Sydney University in 1986. From left to right, Peter Coutanche (X, Kamikaze Kids), Marty Willson-Piper (The Church), and James Griffin.
Photo, Kim Sandeman.} 

James Griffin, onetime inner-Sydney underground music household name now living in Melbourne, is poised to play his first show in living memory in his old hometown of Sydney this month.

Griffin will play the Golden Barley Hotel in Enmore solo on Sunday, May 19, reprising his extensive back catalogue of work with The Subterraneans, The Agents and as in his own name.

A successful poet, songwriter and broadcaster, James Griffin began his performing and songwriting life in the  early '70s. Originally an alt-folk/punk-folk solo acoustic artist, he built a successful live performance career around such songs as "20th Century Blues", "I Smoke Money", "I Don't Think I Drink Enough", "I thought It Was You On the Boulevard" and "Australia's Just A Suburb of the USA".

As far as The Stranglers go, he's the man who wrote the hits, sang the hits and played guitar on the hits. Hugh Cornwell was an integral member of the band until 1990, before carving out his own solo career.

Cornwell will grace Australasian audiences with his presence in May with a tour playing music from The Stranglers and his latest solo album "Monster". 

Expect "Golden Brown", "No More Heroes", "Strange Little Girl", "Always The Sun", "Nice And Sleazy", "(Get A) Grip (On Yourself)" and "Peaches" – the great songs that established the legend of The Stranglers - after a set of his own material with his crack UK band.

MAY  
1 - Christchurch – Churchills
2- Wellington – San Fran Bath House
3 - Auckland – Powerstation with The Murder Chord
4 - Brisbane – Triffid
5 - Adelaide – Gov
8 - Canberra – Basement
9 – Manning Bar with Little Murders 
10 - Melbourne – Max Watts
11 - Perth – Rosemount with The Painkillers 
Tickets on sale here