barracudas - The I-94 Bar
He mighr be embarassed by it being said, but Jim Dixon is the Grand Old Bass Man of Sydney’s rock and roll scene.
Since dropping in as a member of raw Brisbane band The Survivors at the tail end of the ‘70s to relocating and driving the bottom end for The Passengers and many more, he’s been as much a fixture as cold beer and sticky carpets.
Active duty in London with the Barracudas and then back home to play with the likes of Louis Tillett, Penny Ikinger, the New Christs, the Deniz Tek Group and Radio Birdman, Gentleman Jim is omnipresent as both player and punter. Along the way he’s supplemented his music by working in a record store, running his own curry kitchen and, more lately, bussing tourists around Greater Sydney’s natural wonders.
The Self - Jeremy Gluck (SWND Records)
On other occasions, when I've introduced Jeremy Gluck's new work, I've usually referred to his previous musical collaborations. Which might have been a mistake.
It's far too easy for an outsider to pigeonhole a creative person. I've been referred to as “the guy who wrote...” and they name a particular work. Which, while at the time that thing consumed me, is no longer the case. In fact, I've been beavering away at other things, sometimes with other people, and I find the newer works to be far more satisfying and, dare I boast, far more interesting to the half-awake public.
He was a BBC DJ. On the back cover there are heartfelt quotes about him from musicians as diverse as Jack White, Johnny Marr, Elton John, Robert Plant, Nick Cave and Elvis Costello.
His name was John Peel.
Here’s a comment about him from Carlton Sandercock, who runs Easy Action Records in the UK:
“John Peel was quite possibly THE most important person on the radio anywhere ever... to find a DJ that championed new bands, unsigned bands, punk bands, bands of every genre…and encouraged growth when he was employed by one of the biggest corporations in UK is staggering to say the very least … I never met him but did have him stamping on the floor trying to get me, Annie Nightingale and Nikki Sudden to shut up…
Photo of Mark E Smith: Irish Times
It has been brought to my attention that, in my last article on The Fall, I got a lyric wrong; it's not “this is the three hours”, but “this is the three 'r's.
As Jimi once said, “s’cuse me while I kiss this guy”.
Mis-hearing lyrics is one of the joys of music. Having too much information too easily available can destroy the mystique. It took ages to work out Pete Shelley's line “who do you think you're trying to arouse/ Get your hand out of my trousers” by playing the disc over and over (uh, back in the 70s), and that was kind of the point.