Mighty little French label Pitshark continues to punch above its weight. Not content with issuing exclusive vinyl releases from the likes of the Stooges, Radio Birdman and the New Christs, it’s about to launch a Singles Club with a year’s worth of 7” records in bi-monthly waves.
Badass Mother Fuzzers (BMF hereafter) is a trio from the French city of Toulouse, the name of which always brings to mind a famous Johnny Thunders throwaway line about being “born too loose”.
Musically, BMF is a much different kettle of fish but it’s a fair bet they’d appreciate the play on words being applied to their place-of-origin. They sound like they’ve been trying to corrupt Toulouse for years. “Heartbreaker” is more Hip Priests or Zeke than “Live At The Speakeasy”, but the intention is the same: Hit ‘em hard and hit ‘em again.
If you've seen them you'll know exactly what to expect from a live album by Cosmic Psychos. "I Love My Tractor" is chockablock full of cranky guitars, yobbish vocals, a big backbeat and all-pervading bass.
“Johnny Streetlight”, that stellar album from Sydney’s best kept rock and roll secret, Chickenstones, is getting a release on vinyl, thanks to French label Basil Records. If you don't remember it coming out or want to know what the fuss is about, we reviewed it here.
To celebrate, Chickenstones will play a special show at The Music Lounge in Brookvale, Sydney, on July 21 with psych-punk veterans The Young Doctors and Thomas Keating. They'll also debut their new filmclip. Show-offs!
The hard-to-find New Christs live album - previously available only as a CD and sold mainly at shows on their last European tour - is looming on vinyl. French label Pitshark is issuing the imagnitively titled "Live" in an edition of 500 copies only. The gig was recorded in 2011 at the final night of Sydney's Excelsior Hotel and rocks royally. Rob Younger and guitarist-keyboardist Brent Williams re-mixed 11 tracks especially for vinyl.
You'll find the Pitshark website here.
If you're sweating release of the new studio album, "Incantations", we expect to have copies for sale at the I-94 Bar next week.
Nearly six years after it came out on vinyl, French label Pitshark has re-issued this unpolished gem from deepest, darkest Brisbane on CD in a fold-out seven-inch single pack.
Back then we opined that "Why?" was "equal parts wrecking ball guitar, sledgehammer bass and drums and can't-give-a-fuck punk slop" and there's no reason to resile from that.
We also said that "Ich Bin Ein Esel ("I Am An Ass") will sit you on your arse quicker than a six-pack of Coopers Pale Ale drunk through a straw on a stinking hot day", so if the rest of this lazy review reads like you've heard it all before, then you have...