roy and the devil's motorcycle - The I-94 Bar
Volume 5: A Label Compilation to Ruin Any Party – Various Artists (Voodoo Rhythm)
A good judge once said that when Voodoo Rhythm releases are good, they’re very good. If you’re applying the label motto, “Music to ruin any party”, this compilation borders on great. Mind you, you’re also inviting the wrong kind of people to your knees-ups.
Voodoo Rhythmis resuming its compilation series after a long lay-off and there’s no better place for the uninitiated to dive in.
Garage Rock is such an overused term. Voodoo Rhythm trade in it – and then some. If it’s not too ableist, let’s call their catalogue “Helen Keller Mistaking a Vegetable Slicer for a Braille Textbook” and be done with it. The aural output is typically raw, violent and bloody.
Good Morning Blues – Roy and the Devil’s Motorcycle (Voodoo Rhythm)
In case you never noticed, this place often celebrates the weird and non-conformist end of the rock and roll spectrum, and it doesn’t come much stranger than Swiss band Roy and the Devil’s Motorcycle.
Resident on the Voodoo Rhythm label (“Music to Ruin Any Party”) since it first released this, their debut 10-inch mini-album, back in 1996, its mix of bass-less, guitar distort-skronk and megaphonic vocals sounded fucked up then and sounds fucked up today.
It’s worth adding context: “Good Morning Blues” was unleashed on a world full of techno and the Real Rock and Roll landscape was a wasteland. Major labels still roamed what a musical Jurassic Park, looking for underground bands from which they could extract blood and turn into mainstream melange. A dead dog’s scrotum had more chance of being signed than Roy and the Devil’s Motorcycle.