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I Was a Teenage Sex Pistol by Glen Matlock (Rocket88, 2012/revised, 1990)

current teenage sex pistolGet this book. If you don’t have it, get this book now. If you do have it - but not this edition - get this book now.

If you do have a copy of this edition, get copies of "I Was a Teenage Sex Pistol" and give them to your friends, relations, people you know hate punk rock, everyone you know who reads biographies, and especially, your other half. 

Why? Apart from coming across like he’s speaking the truth plainly without over-egging the thing, it’s occasionally so funny it makes your cocoa go down the wrong way and come out of your nose.

Or perhaps that’s just me; try this: After the Grundy Incident, "I didn’t speak to my mum for about a week. When I finally did talk to her, all she could say was, 'Glen, it’s terrible what you’ve done, you used to be such a nice boy, no every time I go to work … they call me Mrs Sex Pistol.'”

I had to change my top and leave it in the sink overnight to soak out the cocoa stain. 

Ex-Pistol elicits miles of smiles

matlock adelaideMandy Tzaras photo.

Glen Matlock's Adelaide show was such a fine, big smile-stretched-across-the-face, hugely enjoyable gig. Not because of the association to THAT band, but because Glen is who he is, likes the kind of music he likes, and brings it into you. 

If you’re hesitating about whether to see this man’s gigs - don’t. 

Just go. 

Gin No Suzu b/w Ride on Cowboy - Penny Ikinger (self released)

gin no suzu singleThere’s more than a touch of Birdman about this Australian-Japanese collaboration recorded in Tokyo - and that shouldn’t be a shock. Deniz Tek’s involved as a player, co-writer and arranger. His guitar’s all over the both tracks of this CD single, with the rest of the backing provided by Japanese players.

“Gin No Suzu” - apparently it’s Japanese for a meeting place at Tokyo’s main railway station - is a neat rocker, one of those driving songs built on a tightly-wound riff and Penny Ikinger’s assured vocal. It’s more straight-up than Penny’s noir rock and psych pop outings and would sound great as enlightened radio fare. 

“Ride On Cowboy” is a touch darker with a chunky bass-line, double-tracked vocal and compact guitar solo. If this is indicative of the album that’s currently being shopped, bring it on. 

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Buy it

 

All-star Melbourne gig celebrates powerpop's beginnings

YoungerThanNowSmallAustralia has produced a number of fine powerpop bands over the years. One of the first – the very first according to US bible Bomp! Magazine – was Adelaide’s Young Modern. One of the most successful has been Even.

The link between both bands will be underlined by a special show in Melbourne on December 9, where Young Modern will team with Even's Ashley Naylor and one of his other bands, The Triad.

Young Modern will be celebrating 40 years, while Naylor and The Triad will salute mutual influence The Byrds.


Young Modern debuted in Adelaide – supporting Radio Birdman – in 1977. The band was formed by singer John Dowler, a seminal figure who's been talking about Big Star since the '70s.

One Night In Venice

aints adelaideThe Aints in full flight: Peter Oxley, Paul Larsen and Ed Kuepper, with Alastair Spence obscrured. Mandy Tzaras photo.

You knew something special was up in Adelaide tonight because as you approached The Gov, heading determinedly back to the carpark was a small group of lone pushing-toward-pensioner men, each clutching the same record: “The Aints Live at The Sarah Sands 1991”. There can’t be too many left of this, they only made 300; get yours at the gig; two LPs, $50.

Now then.

Ever hear of Reid Fleming, World’s Toughest Milkman? Good. Now you have

The first comic came out, it must’ve been 30 years ago. I had a T-shirt, gave it to Bob, who has cherished that damn thing for about 25 years now. I did my heart good to see Bob bouncing around tonight in that tattered t-shirt. “I thought I told you to SHUT UP!” Fleming bellows from the shirt. It perfectly matches the night.

Illness forces Clouds to postpone

Pop masters (and mistresses) The Clouds have announced that, due to illness, the remaining dates on their current "Beautiful Nothingness" Australian tour have had to be re-scheduled for 2018. The Falling Joys will join The Clouds for these shows. Rescheduled tour dates are:
 
Saturday 3rd February 2018 - The Triffid Brisbane
Sunday 11th February 2018 - The Gov, Adelaide
Friday 16th February 2018 - Croxton Bandroom, Melbourne
 
All tickets purchased for the November shows will be valid for the new dates in February, 

Relentless Sunnyboys roll on with more shows

sunny sideof stage

Five years into their reformation and you could be forgiven for thinking the Sunnyboys revival was on the wane. Wrong. 

With two Sydney shows selling out in just four days, setting a sales record at Sunshine Coast venue The Shed by selling a third of capacity in the first eight hours and eclipsing their previous best first-week sales in Melbourne, Sunnyboys are the hottest alternative ticket of the Australian summer. 

Due to overwhelming demand Sunnyboys are pleased to announce three new shows.

Drunk and Disorderly Episode 33

Episode 33 is live. Featuring music from Neptune Power Federation, Lester Bangs, Alex Chilton, Jim Jones and The Righteous Mind, Suzie Stapleton, Tom Thumb, Soggy, Kevin K, Choker Chains, Celibate Rifles, Johnny Casino, Richard Lloyd and Died Pretty. 

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