As you may or may not know, I dislike, and am deeply suspicious of, political causes. Usually they’re poorly thought-out (with unforeseen consequences which should have been foreseen, if you know what I mean) or are laden with the usual ‘elect me’ agenda.
This one isn’t.
It started publicly with Facebook, as many things do these days, as we’ve lost our newspapers. A chap called Nathan May posted at 8.25pm on 11 May:
“So tonight I was supposed to receive an award from the University of Adelaide for my contribution within the Music Faculty but I rejected it. The reason why I rejected it is because the course I did for the last three years in risk of getting cut. If it wasn’t for CASM I would not be in the place I am today, CASM is family.”
Seems not so long ago (and in fact, it was the late 1980s) that the shadow of a still breathing, although not always fully-functioning, Johnny Thunders was almost everywhere you looked. His records filled the racks and every second person in a band wanted to look like, if not be, JT. As in buying the T-shirt with no need to tap a vein.
It was P.I. (Pre-Internet) so we didn’t have the same visual options that YouTube and Torrenting now offer, but you had to wonder how someone whose wasted pictures and sound defined the term “fucked-up” so convincingly could continue to make music.
Of course, way down in Australia we got our answer when an at least partially cleaned-up Johnny toured, with the ever-present legend Jerry Nolan on drums and a real live Sex Pistol, Glen Matlock, on bass. That had to be the year I was overseas, but by all reliable reports The Man and His Band were both lucid and great.
His music tends to be overshadowed by the fact that Thunders was a hardcore junkie for the second tw-thirds of his career, at first by choice and then, over the years, by necessity. You might argue that he also milked that reputation for all it was worth, to the point that it was a marketing tool as much as a cross to bear.
Four years after being diagnosed with terminal liver disease, Detroit musical elder statesman Scott Morgan is back making new music. A mountain of bills from medical treatment and ongoing living expenses, however, are making it tough going.
The former Rationals, Hydromatics and Sonic’s Rendezvous Band member was diagnosed with terminal liver cirrhosis and a stomach tumour that was swiftly and painfully ravaging his body. Against great odds, he survived thanks to the excellent medical staff at University of Michigan and St. Joseph Hospitals.
Scott spent two years in treatment and recovery, and a third year in physical therapy to regain his vocal strength.
The world’s greatest exponents of down and dirty, heart breaking, soul shaking rock ‘n’ roll,The BellRays, are about to hit Australian shores again in August. The re-scheduled dates follow the cancellation of their planned double-headed tour of Australia with Supersuckers.
The ROCKPOCALYPSE Make Up Tour takes in three states and the national capital and includes forays into regional centres.