Win a copy of the Joeys Coop CD single “Take Me Away” b/w “Down (To The Sea)” with a T-shirt.
To win, tell us the two previous bands for Joeys Coop Brett Myers. Clue: One was from Brisbane and the other from Sydney and they were active in the 1980s onwards.
The contest is open to Australian entrants only (sorry - postage costs are high) and we have only three packs to give away with limited T-shirt sizes. We’ll draw three entries at random but the T-shirts will be a case of ‘first in, best dressed’. Contest closes midnight AEST on Friday, April 3 , 2015.
What would there be not to like? Double-jangle melodic pop with a hooky melody on one A side and a soaring piece of extended majesty with a searing guitar solo on the second.
It’s what used to be called a Super Band. Which is to say the members have graced a lot of “name” acts from Sydney’s underground past. That might be important to anyone with a modicum of history but Joeys Coop also stand on their own feet. The song-writing is strong and the playing equally so.
“Take Me Away” is the pop song and it’s a beauty. The feel from Andy Newman and drummer Lloyd Gyi is rock-solid but it’s the simple interlocking of Brett Myers (Died Pretty) and Matt Galvin (Loose Pills, Eva Trout, Perry Keyes, Happy Hate Me Nots, Barbarellas) on guitars that builds the song,. Ex-Decline of the Reptiles singer Mark Roxburgh’s warm vocal elevates this to top-shelf pop.
When Psychosurgeons descendents, the Lipstick Killers. got back together in Sydney in 2001 for an extremely rare and one-off performance, it was to help ex-drummer Dave Taylor, who had sustained life altering injuries in a horrific car accident.
All proceeds from the performance and merchandise from the evening went to him. The evening was dubbed "Friends Of Dave Taylor"
In the tradition of that evening, Blank Records has manufactured a special premium edition of its sold-out Psychosurgeons single (“Crush On You” b/w “Falling Apart“) with all proceeds going to Dave Taylor.
One hundred copies have been manufactured in what they call “haze coloured vinyl”. The label says: “No two are alike. The pellets of vinyl are hand assembled and the records are pressed in a hand press machine. Hand crafted bespoke coloured vinyl.
Ex-Screaming Tribesmen Mick Medew has been awarded the Grant McLennan Lifetime Achievement Award by Queensland's peak music organisation, QMusic.
Mick received his honour at last night's Queensland Music Awards in Brisbane.
Previous recipients include the late GoBetweens member Grant McLennan, indigenous artist Kev Carmody, producer Mike Chapman, the Bee Gees, Railway Gin vocalist Carol Lloyd and Ed Kuepper of the Saints and solo fame.
You may have heard of Gang of Four, maybe even, if you’re very lucky, have seen them.
In 1979, the Gang of Four’s first 7”s had a huge impact on me, particularly their first, "Love Like Anthrax", using feedback as an integral part of the song, drowning us as we heard Jon King’s vocals speaking simply - a little like The Velvet Underground’s "The Gift", but so different that the comparison didn’t occur to me until years later.
Their first LP, "Entertainment!", bristling with slappin bass lines, brittle, spiky guitar runs had me dancing like a demon, and …
Radio Birdman will warm up for its European tour with two intimate Sydney shows at the Factory Floor in Marrickville on June 5 and 6.
In a Facebook post the band says: "With no other Australian appearances scheduled for 2015 these shows will provide a unique opportunity to catch the band in a small room - hot, loud and sweaty. This 'up close and intimate' experience, echoing the band's early days at the Oxford Funhouse, will not be repeated any time soon!"\
Support on both nights will be local rockers Black Heart Breakers and tickets are on sale here. European tour dates are in our Living Eye section.
Reach for your ear plugs: Iconic Aussie firebrands the Celibate Rifles have extended their acoustic Brisbane performance by adding two extra amplified dates in Queensland.
Originally announced to be playing a one-off acoustic show at The Bunker in O’Malley’s Irish Pub in the CBD on 23 April, the band will play The Underdog Pub Co on 24 April and The Coolangatta Hotel on 25 April.
Don’t call it cabaret. Dave Graney makes reference to the tag on one of these tracks, pointing that he and his band, the mystLY, would be on a higher pay-scale, and no doubt playing in a different class of gin joints, if that’s what they were.
In longevity terms, Graney is an “elder statesman” of the Australian music scene. He was a punk. He existed as expatriate dirt amid critical acclaim in London. He came home, entered the major label lifestyle for a time, became our King of Pop and decided that he could get along just fine on his own terms, playing music that didn’t fit radio programing templates.
And so the return, and rise, of the Sunnyboys continues. If you said they could top this one, you’d need to back it up.
They billed themselves as Kids in Dust when they stepped back onto a stage for the first time in 21 years at the Dig It Up festival in Sydney on April 24, 2012. The nom de plume was supposedly to avoid performance anxiety or to ramp down expectations, maybe both. It didn’t matter; any tentativeness was swamped by a roomful of love.
Nor were there any misgivings in evidence at the same packed venue, the Enmore Theatre, last Saturday night. Just an irresistible king-tide of energy and good spirit.
This is a kind of split album thing; one side Lydia works with Cypress, and the second is Spiritual Front’s.
What Cypress Grove is doing with Lydia Lunch is what I think of as “real”, modern blues. I mean, there’s progressive and “progressive”, you know? I mean, you’ll doubtless be annoyed with me when I say I recall Robert Cray’s first LP, and thinking it was very well done, but horrible.
Maybe it’s just me but I dislike cleverness without substance, and Cray just struck me as lopsided. Oh, sure, I suppose I’m doing him a disservice, for I’ve never listened to a Cray track since (to my knowledge), but can you say you’ve never treated a notable performer any differently..? Take Van Morrison.
Please, I mean take the bugger out behind the bike sheds and blow his head off.
Along with half of once-underground Sydney, I know Bob Short. Unlike the rest of Sydney, it seems, I’ve only seen the scrote play once and, because he was rather brilliant, he rates a decent listen and a proper review of his first 7”.
This isn’t an essential purchase, not in this world of freebie downloads and rubbish music. Surely?
Well, actually I rather love this little record, and it looks super in my collection. And, as I understand from Bob’s accompanying pitiful blurb that there’s an LP in the works, all this is as far as I am concerned, most certainly essential. Why?
So settle back on Granfer’s knee and I’ll tell ye a story young feller …