You Will Not Be Spared b/w Late - Beast Bones (Iceage Productions)

beast bones singleDon't listen to Beast Bones if you have a hangover. Genuinely disturbing, eerie and quite quease-making, "You Will Not Be Spared" comes from Aussie label  Iceage Productions (who brought you the mighty Monolith ... what? you must have this CD. No? Get on it), and a slew of other underground musics which can be found here.

Over the years Iceage has released "music by Arthur Cantrill, Primitive Calculators, Robin Fox, Bonnie Mercer, Ollie Olsen, Ernie Althoff, Mad Nanna, Shane Fahey, Matthew Brown and Sean Baxter amongst others"; and describe their label as "specialising in electronic, experimental, noise, drone and industrial music from all over the globe" - which I suppose is true enough.

All-star cast announced as rare Flaming Hands film-clip unearthed

Flaming Hands have announced their line-up, six weeks out from their Sedition Festival show at Paddington RSL on August 31, and it’s an all-star cast.

Founders Julie Mostyn-Gilbert (vocals) and Jeff Sullivan (acoustic guitar) will be joined by Cub Calloway (guitarist with the Saints, New Christs and Ed Kuepper and The Yard Goes On Forever), bassist Warwick Gilbert (Radio Birdman, Hitmen, The Rats), Barton Price (The Models) on drums, John Hoey (Died Pretty, New Christsw) on keys and Phil Hall (Sardine v, Drop Bears and Lime Spiders) on sax.

Coinciding with this news, a rare 35-year-old Flaming Hands clip for single “The Edge” has resurfaced online.

The Mark of Cain announces first tour in five years

tmoc 2019

The Mark Of Cain returns to the stage this October performing their debut album “Battlesick” in its entirety. 

Originally released in 1989 via indie Adelaide label Dominator, Battlesick sounded like no Australian album before or since. Tracks like “Wake Up”, “Dead Man’s Mail”, “The Setback”, “Call in Anger” and the title track addressed the fear of dreams, the threat of death, anger over disappointment and personal setbacks; not exactly the subject matter of an era when Kylie Minogue was queen and Ratcat were primed to become the pinnacle of the underground.

Tenterhooks – Lost Talk (Spooky/ Lost Talk)

tenterhooksVinyl only. Not just brilliant, “Tenterhooks” has no right to be this fucking good, this exciting, and (granted) if you're anything like me it’s going to be thrashed beyond recognition, and god have mercy upon your neighbours. Such raw gentle, blaring fucking power and construction.

There are very few times when I wish I had a shitload more money than I do have, and this week is one of them, when I wish I could've gone to Portland, Oregon to see off the very talented, wayward but rather lovely Mike Pitts (of Neptune Skyline and the Kent 3), and to Melbourne this Friday to see off Lost Talk. 

After (I believe) 3 years Lost Talk are splitting up, and releasing this vinyl LP as a farewell at their last gig - this Friday night (July 19) at the Cactus Room, Thornbury. (Uh, that's in Victoria. Squidneysiders, book your flights) 

Shake and Bake - Left Lane Cruiser (Alive Natural Sounds)

shake and bakeFort Wayne, Indiana’s favourite blues duo is back and while they’re not making any seismic shifts in their music, it sure sounds good on “Shake and Bake”.

What's here? Ten songs. No fat. Mostly foot stomping punk blues. That giant-sized space cake on the cover sure ain’t gluten-free. Is it studio album 10 or 11? Who cares. The formula works. 

Left Lane Cruiser remains Freddy “Joe” Evans IV (guitar and vocals) and Pete Dio (drums and percussion), the latter on his third straight record, and opening track “Two Dollar Elvis” makes an immediate impact. Dio lays down the time to signal Evans’ stuttering guitar and trademark hoarse ’n’ gritty vocal. 

ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? - Dave Graney & The MistLY (Cockaigne)

ZIPPAThere are more musical and cultural references in the latest Dave Graney album than a shelf-full of fourth year undergraduate sociology theses. Over a baker’s dozen songs, “ZIPPA DEEDOO WHAT IS/WAS THAT/THIS?” - we’ll call it “ZIPPA” for short - is a wander through the backblocks of Graney’s singular musical mind.

It’s self-described “classic rock” but don’t expect Journey or Van Halen to spring out of the speakers. “ZIPPA” is in-the-pocket, pop-rock played by a well-drilled ensemble. Drumming national treasure Clare Moore, consummate bassist Stu Thomas and jazzy guitarist Stuart Perera have been in more trenches together than the cast of “Hogan’s Heroes” and Graney’s respect for stylistic boundaries is on a par with Nancy Pelosi’s affection for Donald’s pipe-dream Wall. 

Opener “Baby I Wish I Could Have been a Better Pop Star” is classic Graney: There’s more piss being taken here than in the bathroom of a highly-paid Macquarie Street urologist, and you don’t have to wait for the results from the lab to know who Dave’s talking about. 

The Sound of My Broken Heart b/w Do The Harold Holt/White Rabbit - Dead Rabids (Full On Noise)

sound of my broken heartDead Rabids main man Bob Short was a member of seminal Sydney punks Filth before he fucked off to England to become a goth and live in abject poverty. He’s also penned the odd vituperative review for the I-94 Bar. So now it’s your turn. Do your best.

There’s no hint of hyperbole in you being told that the A side is a fantastic song. A stone classic. Dead Rabids are no more and never pulled a lot of people when they were a going concern, but don't let that stop you plonking down your hard-earned virtual cash and picking up a copy before it goes out of print. 

The pathos runs deep on "The Sound of My Broken Heart" and it sounds like something the early Saints would have turned out in one of their more reflective moments. Put away any sharp objects and lock the medicine cabinet.

Flip the single and switch the mood to bathos: "Do the Harold Holt" is an old Filth song (I think) and you can imagine singer Peter Tillman spitting out its message for poliical leaders to jump into the sea three times and surface twice. A resuscitated classic. The Rabids' abbreviated take on "White Rabbit" sounds positively doom-laden and there's a harsh beauty in its acrid chords. Feed your head some squat food.

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Russian Spy b/w Many Secrets - The Neighbourhood Strange (Strange)

russian spyThe latest in a spate of singles. Just when you'd pegged these veterans as a freakbeat-psych band, the A side has a vaguely surf sound to the guitars; the B side is ’60s-infused pop with a reedy keyboard texture and a slightly dark edge. Welcome to the sound of The Neighbourhood Strange, the English quintet from Salisbury.

“Russian Spy” references the Skripal poisoning scandal that put their home town in the news in a way that the Druids never could. Marcus Turner’s elegant yet edgy vocal gives the song a touch of cool reserve while the guitar lines play tag. “Many Secrets” takes a couple more spins to make an impact and then makes itself right at home. The guitarwork is a stand-out.

There’s a CD edition that adds three bonus tracks: “Mary Mary” is a moody chugger. “Walk on Water” is a lost love tale with spacey guitar and an impassioned, out-of-sorts vocal. “Desert Sand” is a rambunctious near-instrumental and the pick of the bonuses. With this sort of variety, you have to wonder where the album will land. 

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An act of Sedition to celebrate Sydney music's glory days

sedition posterSedition 2019 is a Celebration of Public Art and Protest in Sydney during the 1970s, running across various venues and spaces this August-September. To celebrate, Feel Presents have put together a live music component featuring some musical giants from Sydney’s fertile post-punk scene of the late 1970s.

Mark down Saturday, August 31 at Paddington RSL for a show by The Aints!, Flaming Hands, Shy Impostors and The Professors. DJ Dr Rock with be providing the soundtrack between sets. Tickets go on-sale at 12 midday today here. 

Ed Kuepper needs little introduction; as a founding member of Brisbane world beating proto-punks The Saints - residents of Sydney for a short four months in Jan-April 1977 - and Sydney’s post-punk giants the Laughing Clowns (1979-1984) Kuepper is almost single handedly responsible for igniting two musical movements. 

The Aints! is a continuation of those both projects having lain dormant for some 35+ years but reignited with a passion in 2017 that has thus far seen the release of two full lengths albums, a mini-album and a series of scorching live shows.

Flaming Hands and Shy Impostors both sprung from the ashes of Sydney's exclusive Detroit scene headed by the pioneering Radio Birdman during their reign of 1974-1977.

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