josh lord

Josh Lord is, despite the agit-prop-like art, a conservative. The morning after the opening of his Melbourne exhibition, Josh rose at 7am and started work on his next series of artworks. Then he went to town and did an interview. Then, finally realising he was still wrung out from the night before, he crashed.

Now, if most of us had worked all year and put everything into one night - granted the exhibition runs for a while yet, but the opening was “the event” - we’d be reeling around all wibbly-wobbly and a bit dazed for most of the following two days.

Josh is a working man, really. And art is his business. Whoever said that all capitalism is evil? Josh makes art which criticises both art and capitalism, but capitalism itself doesn’t have to be evil. There’s a lot of evil nasty sods out there. And it only takes a small percentage.

Michael Foxington photo

_{Hugo Race at home on the stage.}

After listening to Josh Lord and Hugo Race's LP "Memento Mori"for so long I'm in some kind of extended swoon. Took two showers and a handful of aspirin, plus an 11-year-old’s netball final to finally get me to shake out of it.

Melbourne visual artist Josh Lord collaborated with musician-producer Hugo Race (Hugo Race Fatalists, Nick Cave and the Bad Seeds and The Wreckery) for the artwork of Hugo's albums “Dishee” and “Star Birth/Star Death”. In 2021, they spent a day in the studio channelling their own improvised music, creating a wall of sound with guitars and devices. “Memento Mori” is the result.

I decided to ask the perpetrators of this unholy haze a few questions: the same questions, equally, and hoping that they wouldn't confer with each other. 

As The Barman says: Full disclosure: I know both of these gents, and know also that their personalities are fundamentally different - although what drives them is a very similar creature.