on and ons

_{Half of the Flaming Hands: Julie Mostyn, Warwick Gilbert and Jeff Sullivan. Drummer Baton Price is obscured.  Murray Bennett photo}

In preparation for their upcoming support slot with the Sunnyboys at the Enmore Theatre, the band calling themselves "The Strangers" - aka The Flaming Hands - lined up a show at Marrickville's Factory Floor.

The Thursday night crowd gathering outside the venue contained many familiar faces of gig goers and musicians from what was loosely termed the "Detroit Scene" of the late '70s-early '80s from which The Flaming Hands emerged.

1 . Welcome Aboard – The On and Ons: Catchy, melodic powerpop tunes by former Kings Of The Sun and Screaming Tribesmen guitarist Glenn Morris with bass and harmony vocals by Hoodoo Guru/Stepfords /Wetsuits member Clyde Bramley, performed with energy and great live.

2.  Beginning At The End – The Young Docteurs: Thirty or so years in the making and well worth the Wait.  If The Young Docteurs had done more recordings they would have been  one of the more influential Australian psych/Punk bands of the ‘80s.

3. Love Is A Gamble - The Steve Wernick Band: Folk rock, country and swing influenced songs well constructed and arranged, performed in a  unpretentious, heartfelt way.

4. Johnny Streetlight- Chickenstones: Blues influenced, Aus alternative rock with songs about homelessness, gambling and cheating relationships but performed with upbeat  humour.  A great band to see live, too.

5. Rx- Loose Pills: Some of Sydney’s best powerpop musicians with tight, up beat songs.

_{The Celebrity Roadie informs The Barman that he can't go out in public like that. As usual, he's ignored. Kyleigh Pitcher photo.}

This is a Top Ten of two parts. First, live gigs, and second, albums. You know. Second part, different from the first.The rule of not reviewing my own gigs goes right out the door from the get-go. Got an issue with that? See you in the carpark...

Chris Masuak and the Sydney City Wave Riders:
This was a sensational run of shows- a mini-tour in and around Sydney because that’s all that time allowed - by Klondike and his crack band of Tony Bambach (bass) and Stuart Wilson (drums). Great players, top blokes. Armed with a killer setlist drawing on most of Chris’s back catalogue, the guys fired from the get go. Many of the versions surpassed the originals with Maz playing two guitar parts, as few people can. The shows blew away much of the skullduggery and malakarey involved with certain ghosts from the recent past.

HITS at Marrickville Bowlo
You can’t keep playing the same old songs or you’ll get staid and there’s no sign of HITS doing that just yet. Members are now scattered the length of the East Coast so it can’t be easy getting together…or maybe that’s a blessing in disguise because it keeps things fresh. They continue to be THE Aussie band to follow.

The Barman’s Best Albums of 2021, in reverse order of release.

1. Back For More – The On and Ons(Citadel)
Perfect rocking powerpop from Australia’s most consistent exponents of the art. If you haven’t heard them yet, shame. Start here and track backwards.

2. Snake Pit Therapy – Sonny Vincent (Svart)
New York punk’s (almost) last man standing bounces back with his best-sounding and arguable most well-rounded album ever. Sonny has been hidden in plain sight for the many for far too long.

3. You’re Class, I’m Trash – The Monsters (Voodoo Rhythm)
Beat-Man and his buddies have made trash an art form like few others before them. This record should make a junkie of you.

A brand new powerpop-rock combo with an impeccable pedigree, The On and Ons, are launching their Citadel Records CD album, "It's The On and Ons Calling", at the Factory Floor in Sydney on July 18.

The back story is this: Ex-Screaming Tribesman and Kings of the Sun member Glenn Morris (lead vocals and guitar) and his brother Brian (drums), of The Zeros (the Australian band) toured Australia and the US in 2012 as members of The Paul Collins Beat.

That successful stint encouraged them to record their own album of Glenn's original songs. The resultain record "It's The On and Ons Calling" was produced and engineered by legendary Australian guitarist Dennis Wilson, of Khavas Jute fame.