The Strike-Outs – The Strike-Outs (Evil Tone Records)
The debut LP by Sydney duo The Strike-Outs is the duck’s nuts, the bees’ knees and all the other animal physiology that lies between. Twelve songs in 24 minutes, so brevity is at its core. But so are dynamics. a feral energy and a musicality that divorces it from standard two-chord thrash punk.
The Strike-Outs-are brothers Simon Vines on guitar and vocals and Adam Vines on drums. They used to be Thee Evil Twin until they shed a bassist. No bottom end? No problem. Simon’s tone and a kick drum high in the mix compensate just fine.
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- By The Barman
- Hits: 1368
The Beautiful Black – The Beautiful Black (self released)
Before we start, perhaps I should explain. This article is not just a review, but a homage to Ross and Caz. As the Barman politely explains to me, “Uh, Robert. ...Who ...? Context?”
Right, then, context.
First, like so many other large Australian cities, Adelaide has had a strong and diverse music scene for decades. There was a distinct hand-over of the baton, too. You could see it in the composition of the audience which rolled out to see XTC on their first tour compared to their second the following year: the first tour, it was mostly older folks (I was 15, so everyone was older than me, but I'm talking 30+ here).
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- By Robert Brokenmouth
- Hits: 1480
Happy Hours Air Travel Club – O.C. Rippers (Ruined Records)
From what can be worked out their online footprint, OC Rippers are your typical punk rock band circa the 2020s: Feet firmly planted in their home turf (New Jersey), they’re not out to win friends or influence people and aren’t embarking on any world tours any day soon.
They’re not fussed being pigeon-holed because their influences are as varied as the quality of cocktails in a beer barn. They’re also realistic about their chances of hitting the heights because they’re aged (at a guess) in their 40s and not named Taylor.
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- By The Barman
- Hits: 3555
Tales From Bad Drip – Bad Drip (Outtspace Records)
From out of Sydney’s Inner-West comes Bad Drip and they’re quite the thing if you’re partial to heavy blues jams. “Tales From Bad Drip” is only four songs but the vinyl-only EP packs plenty of punch.
The Inner-West Delta. It’s where Surry Hills’ survivors settled when gentrification pushed the inner-city rents up and the dole dried up. Some of them even got mortgages and have spawned kids. It’s a funny place, full of contradictions and probably ripe for urban renewal itself, but it’s also where most of Sydney’s music now lives.
A lot of those Inner-West bands sound like fey indie rock or hip slacker drivel with no songs. If the cliche is reality, Bad Drip is refreshingly atypical. A quartet that’s only been around two years, this is their first physical release. Of course, it’s on vinyl.
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- By The Barman
- Hits: 1893
A Crowd Pleasing Extravaganza – Moot (Outtaspace Records)
It's a point hat has been made here before: Moot comes from the New South Wales Mid North Coast region and you’d struggle to think of a place with a more tenuous claim to being a spawning ground for punk rock.
Neat farms sit on rich alluvial land, squeezed between eucalyptus-lined mountain ridges and coastal towns that cling steadfastly to beaches or river inlets. The populace seems past or approaching retirement age. It’s a region devoid of (visible) dole queues or massive social dislocation – at least on the surface.
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- By The Barman
- Hits: 1853
Premonition K – Kilbey Kennedy (Foghorn Records)
I came not to praise Prog Rock but to bury it. You know, throw on a “Pink Floyd” T-shirt with a handwritten “I Hate” appended to the front of the band name, just like it’s the King’s Road in London, circa 1976.
The claws were out and the poison pen primed with ink. It was time to snarl about pomposity and pretentiousness, declare a fatwah on all hippies and kick out some serious wordplay jams . This War Against The Jive is relentless, and Emerson, Lake and Palmer truly do suck dogs’ balls.
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- By The Barman
- Hits: 2424
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