_{Smoked Salmon (Melbourne) (from left) Jeff Hooker, Claire Birchall, Kim Salmon and Doug Galbraith.}

Kim Salmon's Smoked Salmon is the latest project for the Scientists/Beasts of Bourbon co-founder member and internationally revered avant-garde art rocker Kim Salmon.

Kim recently premiered a new video for "How Did They Ever Manage", the first single from the forthcoming new album on Cheersquad Records & Tapes. "How Did they Ever Manage" debuted at #1 on the AIR 100% Independent Singles chart earlier in the month.

The video was put together by Benny J Ward (of Rinehearts fame) at Pink House Productions, featuring images captured by Maxine Pryce. 

Robert Brokenmouth jumped at the chance to put Kim on the spot and ask questions about his latest project. 

_{Van Ruin (the band) are bassist Pete Trifunovic (Mushroom Planet and Sonic Garage), Phil Van Rooyen, guitarist Al Creed and  drummer Stu Wilson preparing for their live debut this weekend past.}

Van Ruin is, I suppose, the Australian way of pronouncing Phil Van Rooyen's surname. Perhaps best known to I-94-Barflies as one of the guitarists and vocalists in Manly's finest, Chickenstones, Phil has also been a mainstay of Panadolls, the Circus Chaplains, and Sonic Garage. Van Ruin is also the name of his new solo band. 

Phil's influences have always been worn on his fretboard; phrasing seems not so much Detroit rock but more Radio Birdman, New Christs, Celibate Rifles or even Died Pretty ... That said, he developed his own way of thinking and playing long ago; to my mind, he's a distinctive and, with other writing partner and Chickenstones bandmate,  Andy Doc Temple Ellard, a very under-rated musician and songwriter.

The debut EP by Van Ruin, "Jails, Death & Institutions”, is out now on Crankinhaus Records so I asked Phil a few questions.

_{New Dictator Keith Roth flanked by (from left) Andy Shernoff, Albert Bouchard and Ross The Boss.}  

As far as reformations go, it was a longshot at best. We speak not of Oasis, but the much more seminal and important Dictators, out of New York City, who all and sundry figured had drawn their last collective breath after some bitter internal fallings-out.

The May 2020 announcement that the Dictators were reassembling - sans longtime frontman Handsome Dick Manitoba) - caught the world unaware. Before the first single, “Let’s Get The Band Back Together”, hit the Interwebs, it seemed similarly implausible that the new line-up was recording.

A new album, the plain language-titled “The Dictators” will be released online and on CD in September, with vinyl to follow in October. Which leads us to ask: How did punk rock’s original misfits and premier proto-punk influences find their way to being a band again?

Co-founder and songwriter Andy Shernoff gives us all the answers, live and on the line thanks to the wonders of Zoom…

 _{Ash Naylor, Dave Shaw. Dom Mariani and Julian Matthews are The Stems in 2024. Craig MacLean photo @shot.by.mac.}

It’s called anticipation. You’re in a band. You’ve re-convened after a very long lay-off. The line-up’s now well-rehearsed, fed and watered, and it’s the lull before the storm that will be the first day of your 40th anniveresary tour. 

Rock and roll is more waiting than playing. Dom Mariani knows it well. He’s on the line from a hotel in Melbourne where The Stems are poised to undertake their first Australian tour this week in five years (thanks COVID) before taking off on a sweep through Spain and Italy.

Oh no. There’s a brief coughing fit. It's from Dom’s end. 

“You all right?”

 _{Onstage with the "Searching For Charlie Owen" show at Sydney's MoshPit Bar in 2023.}

Master guitarist Charlie Owen  - notably of Beasts of Bourbon, New Christs, Tendrils, Tex Don and Charlie, Divynils, Working Class Ringos and Louis Tillett among many others - is on the road along Australia's East Coast in August and September, touring his music and spoken word show "Searching for Charlie Owen", the dates for which are here.

It's an engrossing and emotional stroll through his own back pages. We decided to mark the occasion by pulling this nugget from our archives. It's was conducted in Melbourne in August 2022 by then I-94 Bar writer John McPharlin. 

* * * * *   

JM: Charlie, I guess the first thing that's going to knock most people out of their chairs when they start reading this interview is your interest in techno music. Can you tell us how you got into that and what you've been doing with it?

CO: I don't have an interest in techno music; I have an interest in all music. My reason for playing it recently is the same reason for any other music I've played. I hear it and hear what I'd like to do with it, not liking what I've heard... it's not because I like what I hear, it's what I'd like to do with the medium.

 
Take a look at the photo. There they are. The original Saints, outside their Brisbane share house, Club 76. Now a posh real estate agent's rather scrappy-looking digs, the house still stands. 

Queensland does have a heritage register: the Saints' Petrie Terrace share house should surely be on the list, but it's not. Queenslanders, make it happen!

It's mid-winter in Adelaide, and I'm reflecting on the passage of time. As I get off the bus, I pass the new and improved Her Majesty's Theatre on the corner of Pitt Street and Grote, adjacent to the shop I worked in for a year nearly 30 years ago. A few doors up Grote, toward Victoria Square, was the one building I worked in periodically over 22 years, The Antique Market, run by Dean Donovan and his wife, Kathy.

Quite an awkwardly-designed building, after Dean sold all the stock in 2018, it was sold, remodelled and occupied for a few years, then finally emptied and demolished; today a huge hotel or somesuch is heading upwards with a great deal of clamour, gusto and grunt.