_{Filmmaker Jason Axel Summers (right) with Stuart Gray. in Jason’s apartment. This “Stutue” was commissioned by Jason and depicts him with his Super 8 camera and light meter in either hand.  The white of the lens and the sensor on the meter are made of glow in the dark epoxy.  Stuart used his own hair as the hair on the Stutue}

US filmmaker Jason Axel Summers' documentary about Australian-born musical anarchist and visual artist, Stuart Gray, “I Should Have Been Dead Years Ago”, is a prime example of what fantastic music there is out there to discover, and an excellent example of 'if you had expectations about this man, leave 'em at the door”.

Many I-94 Barflies will know of Stuart Gray (aka Stu Spasm), but not so much his music. If there's any justice, as a result of this documentary, Stuart will become a TV star and take his latest band, the New York City-based Art Gray Noizz Quartet, on an international stadium tour, complete with middle-aged ladies heaving their undies at him, while his oddly-insightful sculptures will sell for hundreds of thousands.

But hey, we live in a real world of struggle, pain, indifference, beauty, sin and downright foolishness, don't we.

So let's have a little yak with Jason Axel Summers, the somewhat determined man behind “I Should Have Been Dead Years Ago”.

Who is Chris Charlesworth? Well, you may well have a few of his books in your overflowing rock book shelves; a couple on David Bowie, four on the Who, one apiece on Cat Stevens, Deep Purple, Slade, and Elvis. Go search Trove or Abebooks dot com and see what you can find.

In short, he is an acclaimed author, editor and interviewer. He was staff writer for UK music magazine Melody Maker in the ‘70s when it was arguably at the peak of its power. As its News Editor - and from 1973, US Editor, based in New York - he interviewed and/or wrote about just about every rock icon of the era.

 _{Smoked Salmon (Melbourne) (from left) Jeff Hooker, Claire Birchall, Kim Salmon and Doug Galbraith.}

Kim Salmon's Smoked Salmon is the latest project for the Scientists/Beasts of Bourbon co-founder member and internationally revered avant-garde art rocker Kim Salmon.

Kim recently premiered a new video for "How Did They Ever Manage", the first single from the forthcoming new album on Cheersquad Records & Tapes. "How Did they Ever Manage" debuted at #1 on the AIR 100% Independent Singles chart earlier in the month.

The video was put together by Benny J Ward (of Rinehearts fame) at Pink House Productions, featuring images captured by Maxine Pryce. 

Robert Brokenmouth jumped at the chance to put Kim on the spot and ask questions about his latest project. 

_{Van Ruin (the band) are bassist Pete Trifunovic (Mushroom Planet and Sonic Garage), Phil Van Rooyen, guitarist Al Creed and  drummer Stu Wilson preparing for their live debut this weekend past.}

Van Ruin is, I suppose, the Australian way of pronouncing Phil Van Rooyen's surname. Perhaps best known to I-94-Barflies as one of the guitarists and vocalists in Manly's finest, Chickenstones, Phil has also been a mainstay of Panadolls, the Circus Chaplains, and Sonic Garage. Van Ruin is also the name of his new solo band. 

Phil's influences have always been worn on his fretboard; phrasing seems not so much Detroit rock but more Radio Birdman, New Christs, Celibate Rifles or even Died Pretty ... That said, he developed his own way of thinking and playing long ago; to my mind, he's a distinctive and, with other writing partner and Chickenstones bandmate,  Andy Doc Temple Ellard, a very under-rated musician and songwriter.

The debut EP by Van Ruin, "Jails, Death & Institutions”, is out now on Crankinhaus Records so I asked Phil a few questions.

_{New Dictator Keith Roth flanked by (from left) Andy Shernoff, Albert Bouchard and Ross The Boss.}  

As far as reformations go, it was a longshot at best. We speak not of Oasis, but the much more seminal and important Dictators, out of New York City, who all and sundry figured had drawn their last collective breath after some bitter internal fallings-out.

The May 2020 announcement that the Dictators were reassembling - sans longtime frontman Handsome Dick Manitoba) - caught the world unaware. Before the first single, “Let’s Get The Band Back Together”, hit the Interwebs, it seemed similarly implausible that the new line-up was recording.

A new album, the plain language-titled “The Dictators” will be released online and on CD in September, with vinyl to follow in October. Which leads us to ask: How did punk rock’s original misfits and premier proto-punk influences find their way to being a band again?

Co-founder and songwriter Andy Shernoff gives us all the answers, live and on the line thanks to the wonders of Zoom…

 _{Ash Naylor, Dave Shaw. Dom Mariani and Julian Matthews are The Stems in 2024. Craig MacLean photo @shot.by.mac.}

It’s called anticipation. You’re in a band. You’ve re-convened after a very long lay-off. The line-up’s now well-rehearsed, fed and watered, and it’s the lull before the storm that will be the first day of your 40th anniveresary tour. 

Rock and roll is more waiting than playing. Dom Mariani knows it well. He’s on the line from a hotel in Melbourne where The Stems are poised to undertake their first Australian tour this week in five years (thanks COVID) before taking off on a sweep through Spain and Italy.

Oh no. There’s a brief coughing fit. It's from Dom’s end. 

“You all right?”