Under Northern Lights – Little Murders (Off the Hip)

Nine studio albums in and Little Murders might have this rock-pop caper nailed. Again.

“Under Northern Lights” showcases what songwriter, band leader and sole constant member Rob Griffiths and his current, and most enduring, line-up do so well.  So that’s a wrap for this review. 

No, you don’t get off that easy. At least not until you’ve been thoroughly sold the virtues of “Under Northern Lights”. It should be an easy task if you set the tracks running in the background on Bandcamp. Let’s get stuck in. 

Megaflower - Full Flower Moon Band  (Silver Arrow)

Full Flower Moon band as a concept has been ongoing for almost a decade. It was a project created by songwriter, filmmaker and musician  Kate Dillion. Early gigs in Brisbane were more of an experimental affair, playing at fringe music venues around Brisbane as a duo but sometimes supplemented by other musicians.

Dillion’s masterwork of a few years ago was her ambitious sci-fi  film, “Chinatown”. She wrote the script, played the lead and wrote the soundtrack that became her debut album.  A critically-acclaimed, intellectually-layered short film, it was an incredible achievement.

Ultimo - The Beasts (Slick Productions)

"Ultimo" by The Beasts is the final nail in the Beasts of Bourbon's recording coffin.  As Tex Perkins told bandmates in an email proposing its release, the title's definitions include -Finale, Conclusivo, Defenitivo, The Last.

As if you didn't know, The Beasts comprise former members of the Beasts of Bourbon and were conceived to record one more time with an ailing Spencer P Jones while honouring fallen bass player Brian Hooper. The "Still Here" album was spawned and toured before The Beasts lost drummer Tony Pola, also to cancer.

Re-convening with founding Beasts of Bourbon drummer James Baker, now also terminally ill, doing more shows was a way of connecting the historical dots and keeping him on the planet. Call it musical therapy. A couple of gigs led to an extensive national tour earlier this year.

Starcrazy – Starcrazy (self released)

As the lights fade on 2024, it would have been a travesty not to review “Starcrazy” in full instead of just including the album in a Top Ten list. Glam rock with a touch of Van Halen isn’t the usual fare around these parts but stay with us because the debut LP for this Sydney band is one sweet ride.

My first glimpse of Starcrazy in the wild was during capacity-constrained COVID, in the confines of The MoshPit, the cosiest drive bar in Sydney. The band were then aged in their early to mid-20s. I remember being in awe at their skill levels but being confused by the range of their set and thinking how great they would be if they worked out their band identity.

Prime Cu*ts – Meatbeaters (Heavy Medication)

Over 24 years and five albums Adelaide’s Meatbeaters have never minced words, so seeing how the rest of the world takes to their good, honest low brow Aussie humour on this ball-tearing compilation from Polish label Heavy Medication is going to be a hoot.

Eleven slices of Meatbeaters high-energy over two sides of vinyl and subtlety isn’t anywhere to be seen. That should be no surprise from a band that’s named past long players “Crusty Seamen” or “Carry On Tuggin’”. Yes, it's Yob Rock, but it’s not just about beer (drinkin’) and skittles – there’s also a song (“Spit Roast”) about being pilled-up.

Call The Dogs – The Streetwalkin’ Cheetahs (Heavy Medication)

Their youthful days of diving across tables and sliding down the length of venue bars are probably behind them but they still matter: If The Streetwalkin’ Cheetahs have made a bad record, well, you know the email address. The veteran LA outfit gets off the chain again on this four-song 10-incher, their first release since the stellar “One More Drink” album of 2021, and it hits the spot as well as any dive bar cocktail.

These days sax player Geoff Yeaton is firmly integrated into the line-up and adds an extra dimension to the Cheetahs’ trademark high-energy Detroit sound. The title tune is as good an example of that, featuring some stabbing guitarwork from lead vocalist Frank Meyer and Bruce Duff.