Penglis’ inspiration for the songs on “On Top” is said to be obscure private pressing LPs from the ‘60s and ‘70s, weird bubblegum 45s and Jamaican rocksteady singles. You can hear the bubblegum if not Prince Buster. 

Most people call them a garage band but the tag isn’t capable of accurately describing what Straight Arrows do. The distorto-punk “Headache” sounds like an ad for migraine treatments. “Deadweight” is like a stepped-down Neil Young with a harp awash with saliva and a delay pedal. 

The spectral psychedelia of “Buried Again” (the record’s longest cut at four plus minutes) is a sharp contrast to much of the other material, but that’s also the beauty of Straight Arrows. They have no time for genres and labels. They sound like a band that’s been to a musical garage sale and came away with a car boot full of ideas. 

Although they’re products of the warehouse scene, Straight Arrows are going to tour “On Top” in a semi-conventional way, and the album’s coming out on labels all around the world. They’re no strangers to overseas touring and this LP is going to get them a lot of attention.  It's available on vinyl or as a download from October 23. 

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