There’s something reassuring about a new Cosmic Psychos record. It’s about ageing disgracefully and all that. The fuzz bass, careering guitar lines and shout-spoken – no, drawled – vocals about beer, drinking and other everyday pursuits wrap themselves around you like a favourite blue singlet on a sweltering December day.

No Psychos record is radically different from another and therein lies the comfort factor. If you’ve been paying attention, by now you know exactly what you’re going to get. There’s more verbal abuse here than Caitlin Jenner taking a post-operative vacation at an ISIS-controlled holiday resort.

What with them scheduled to support Chris Masuak (“The Australian Rock Festival - The Legacy of Radio Birdman In Spain”) for a show in Spain being filmed for a documentary, I suppose it would be polite to review the Sonic Race’s CD.

The Sonic Race are from Spain and play high-energy, exuberant rock that keeps rocking. They don’t stop for no-one and you need this album in your house - and on your car stereo - right now. Oh yes, magic phrase:”Twin guitar assault”.

I got mine through their Australian representative Axelle Dee on Facebook. She may have a few left and they also have a Bandcamp. 

Australian Anne McCue left our shores well over two decades ago with her black Gibson Les Paul and a knapsack.  She was raised in working-class Cambelltown in a loving family including a father with an amazing recording collection; a ghost that would haunt her years later. 

Anne played gig after gig, after gig, in tiny bars, to major supports, and residencies. Driven by her music, her home was where opportunity knocked so she could record and play. Developing her craft as a minstrel of the world with a bucketful of personality, playing live in truckdriver rest stops, juke joints and to the hippest venues in town, she’s spread her music from Vietnam, England, Spain and her now home of Nashville, Tennessee.

“Second Winter” feels almost like a concept album. Those are familiar with Kuepper’s work since his solo debut of “Electrical Storm” of 1985 will find it all like a passage between the past and the shadows of previous melodies and phrases. It's rather haunting.

Even the cover of the record has captured the ambience of the front of his first solo album (also made with long term collaborator, drummer Mark Dawson.) This shot shows four identified figures leaving an entrance of a stone building.

What a daft name for a band. Their Wikipedia page (trust it if you dare) asserts that they are a “funk-punk’ band ‘in the 1980s”. Formed in 1980, disbanded ‘by mutual consent’ (says Wikipedia) in 1986.

Charlie Higson - formerly of punk outfit The Right Hand Lovers (oo-er, missus, mine’s a large one) - David Cummings and Terry Edwards formed The Higsons. Charlie Higson is now described as an actor, author, writer, producer, comedian etc etc and he’s bloody well known around the UK, mostly from The Fast Show. If you can’t place him yet, it doesn’t matter.

It’s a truism that most record labels take a few releases to find their feet and assert their character and Patrick Boissel’s LA-based Alive-Naturalsound is no different.

Starting life as the Bomp-associated imprint Alive-Total Energy in the early ’90s with a deep dive into Detroit Rock, it’s reached extensively into garage, soul and power-pop territories to be a home to The Black Keys, Swamp Dogg and Paul Collins, among others.

But it’s in the area of hard-edged, ‘70s style guitar rock that has Alive has most recently found a happy niche, with the likes of Americans Buffalo Killers (semi-pastoral crunch) and Radio Moscow (Hendrix-tinged psych jams) especially standing out. They’ve now been joined by Datura4 from Fremantle, Western Australia.