The spirit of New York City’s Lower East Side (circa 1979) is alive and well and living under the nom de plume The Disconnects in Neptune City, New Jersey. 

In many respects that’s good to know because in these horrifyingly gentrified times, it couldn’t exist any longer in safe and antiseptically clean Manhattan. Even its neighbour, Brooklyn, has become respectable. New York Punk (the Heartbreakers variant) was swept under the carpet years ago - so good on The Disconnects for flying that ragged flag.

Forget the clichés about French rock and roll bands being full of pale and inspid breadstick-chewers who can barely rock and are lamentably unable to roll. This Paris trio can do both as well as almost anyone you can name, and might just be the best band you’ve never heard. 

3 Headed Dog are Brenko (guitar), Vinz (bass) and Manga (drums.) All have been members of anarchic noisemeisters, Dimi Dero Inc, and the late Holy Curse, who for mine were the best rock and roll outfit in 20 years to have crawled from under the lid the establishment keeps firmly on France’s underground music scene.

It’s hard to work out when Hard-Ons ceased being just another band and evolved into an unstoppable force of nature. Thirty-four years after publicly emerging into the dim lights of an inner Sydney pub stage, this indefatigable trio keep punching out albums when most of their contemporaries have long put their own cues in the rack.

Ask any record tragic. There’s a tried and tested rule for albums. Most long-lasting bands deliver one or two gems at their high point and the rest are shit or on a plateau. “Peel Me Like A Egg” easily stacks up against most of the Hard-Ons’ 10 previous studio efforts. It’s not so much because the band has stayed true its composite punk, metal, speedcore and pop roots (it’s always good to know what you’re going to get) as much as they’ve managed to make each release sound fresh.

There’s too much here to consume in one sitting or even two. Reanimator To The Stars (by Royal Appointment), Sir David Laing, has packed these deluxe editions of The Sports’ first two albums with enough bonus material to weigh down a Melbourne Cup certainty

For the uninitiated or the downright forgetful, The Sports sprang out of Melbourne’s fertile Carlton Scene in 1976 and petered out in 1981, but only after a run of four albums that spawned a slew of catchy Australian chart singles.

In which the complete recorded works of the 1980s and ‘90s are compiled on one double CD set, spanning 38 tracks.

You have to give it to Easy Action. They know how to package a legacy. And Scott Morgan, of course, has had lots of legacy to restore.

Michigan’s Best Kept Musical Secret had been around the metaphorical block a few times by the time the ‘80s rolled around, but up until that point his bands hadn’t produced many recordings. If he hadn’t invented blue-eyed soul, Morgan played a big part in its arrival in the '60s when front-man for Ann Arbor’s Rationals who took a detour into soulful, pastoral-flecked psych before running out of steam. 

“Touched” LP is this six-piece Wollongong band’s second full studio album release in eight years. Their last long player (“Devil at My Door”) passed by the Bar without dropping in for a beer, so I’m not up-to-speed with everything that’s occurred along the way.

The thing I know is that there’s a marked difference between “Touched” and the early “Guide To Sedation & Isolation” EP, so let’s focus on that.