40th Anniversary Agents of Fortune Live 2016 - Blue Oyster Cult (Frontiers Records)

And you’re asking, Why? And possibly with good reason. For starters, it’s 2020 and that makes the anniversary four years late, right? And surely these guys aren’t still going?

They are - albeit with just two original members. Australia was lucky enough to host them a few years ago. The last studio album was “Curse of the Hidden Mirror” 19 years ago (and it was pretty good.) There’s even a new studio record pending. This live celebration is a valid addition to the BOC catalogue, even if most of the appeal will be for rusted-on fans.

Electric Junk - Jeff Dahl (Iwannabeahoople Records/Ghost Highway Recordings)

Jeff Dahl w,as born in Stuttgart, Germany in 1955 and then relocated to Hawaii in 1960. He moved to Los Angeles and the rest is SoCal punk rock history.

This most underrated singer-guitarist has released about 26 albums, serving time in the wonderful Angry Samoans and going on to play with with Cheetah Chrome (Dead Boys) ,members of The Germs and 45 Graves, and collaborating with Poison Idea. Not a bad rap sheet. He's now living back in Hawaii. 

Receiving Jeff's new album, "Electric Junk", I was very exited to hear some new tunes from this living legend. Let me tell you: It just rocks with those songwriting and guitar playing skills shining like a harsh Hawaiian sun.

Love is Blood - Frenchie's Blues Destroyers (self released)

Hello, I-94 Barflies! Hopefully, you're all well and healthy folks, and with all this self isolation it certainly gives you plenty of time to listen to the music we love.

Sometimes, something comes along and totally blows your mind. Well, ain't that just fine. So if you want your mind blown, you have to get your gloved hands on this fucking masterpiece.

Frenchie's Blues Destroyers are from Austin, Texas, and "Love Is Blood" is full of dirty sounds. It's based on huge guitar riffs and some quality vocals. But this ain't a blues album; this is garage rock meeting pop, with just a dollop of country blues.

The Breadmakers - The Breadmakers (Soundflat Records)

The Breadmakers are a Melbourne institution in a town that has plenty of them. They’ve been peddling their authentic brand of rhythm and blues around the Victorian capital, its environs and various parts of the world since 1989, and their seventh album sounds as fresh as any of its six predecessors.

R&B. Everybody’s on the correct page regarding R&B, right? The term’s been appropriated by the global music machine in recent decades, and applied to bland, largely soul-less genre of soft pap that permeates the airwaves like an insidious virus.

Skin Suit - The Bobby Lees (Alive Naturalsound)

If you were on the cusp of releasing your first "real" record, had US and European tours booked and ran head-first into the current viral shit show, you'd feel like you'd been whacked around the head with the Unlucky Baseball Bat, wouldn't you? Such is the lot of a young band in The Age of The Phlegm Plague.

Upstate New Yorkers The Bobby Lees sound mightily pissed-off on "Skin Suit", but the album was recorded long before Covid-19 was kicking anybody's arse.

The Bobby Lees play snotty, raucous blues thrash with all the rough edges left intact. Little wonder that Jon Spencer produced "Skin Suit"  - the band's explosive blues sound is right up his alley.

Rough Trade From Venus - The Secret Buttons (self released)

Their third release, on which the West Australian trio unleashes six songs of dirt-encrusted sonic goodness, each delivered with the subtly of a MyGov website crash.

Remember that lame concoction of a "band" called Wolfmother? Cooked up to ride the global wave of so-called New Rock in the early 2000’s, they were as dangerous as eating a soufflé in the shower. They gave trios a bad name. No wonder they were originally named While Feather. The Secret Buttons are nothing like them.