An unmissable re-issue of Sydney ‘80s band The Passengers’ 2008 reformation album, “In The Garden Of Good And Evil”, has been released with a special bonus. The original mostly acoustic album has been “re-imagined” by co-founder Jeff Sullivan who has added electric guitar and drums and comes in a double CD package.
It’s limited to a run of 200 copies and if you're in Australia you can buy a copy here. STOP PRESS: Pre-orders open on May 29.
The Passengers were Angie Pepper (vocals), Jim Dickson (bass), Steve Harris (keyboards), Jeff Sullivan (guitar) and Gerry Jones (drums). They existed from 1978-80 and were the first band to have a single issued on the legendary Phantom label, the brilliant "Face With No Name".
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The new line-up of Buffalo Revisited, the Sydney band celebrating the music of Australia's first stoner rock outfit Buffalo, plays its first show at The Bridge Hotel in Rozelle, NSW, on June 3, promoted by The I-94 Bar. The band's last outing was a year ago.
Singer Dave Tice gives us the lowdown in this promo clip. Tickets are available here.
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It's finally happening. Sydney filmaker Jonathan J Sequeira's long-awaited feature film on Radio Birdman is being released theatrically in Australia in June.
"Descent Intro The Maelstrom" will play across silver screens before being available on DVD.
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After a Wollongong show last Saturday and a private gig in Maiitland, the former Radio Birdman guitar slinger and his crack crew move onto Newcastle"s Small Ballroom on Friday and Narrabeen RSL on Saturday. Tickets fro Newcastle are here and Narrabeen here. The whirlwind run winds up with Chris playing a free solo show at The Midnight Spedcial in Newtown on Sunday night.
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Sydney Rock ‘n’ Roll & Alternative Market has hit a roadblock and is taking a detour. In place of the usual market on April 2, a huge support concert for the much-loved market is taking place at The Factory Theatre, Marrickville.
Featuring a stellar line-up over two stages of Market favourites, including The Allniters and The Detonators, this is a one-off and unmissable show.
For six-and-a-half years, Sydney Rock’n’Roll & Alternative Market has brought Sydney a mini music festival every two months, with a vast selection of unique and carefully curated stalls and an all-day entertainment line-up of interstate, local and international bands and DJs.
Hit with some very trying weather conditions over the last nine months, organisers decided to stage an almighty concert rather than fold their tent.
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He’s been out of sight but not out of mind since quitting Australia for love and moving to Spain, but Johnny Casino has been busy. On March 1 he notched up a birthday and launched a new album, “Time and Time Again” on LP and CD.
The album was recorded in Sydney and Melbourne, Australia, Gandia and Els Poblets, Spain and was mixed in Spain and London, England, starting its life more than four years ago.
Instead of condensing the recording sessions into days or weeks at a time, Johnny was more content to simply only record when the moment or the feel of each song was right. That’s why the record was recorded in five different cities in three different countries.
The star-studded crew playing on the album includes Carrie Phillis (Boobytraps), Adam Pringle, Stew Cunningham (Leadfinger), Jodi Phillis (The Clouds) and Warren Hall (The Drones, Datura4, The Volcanics) as well as Spaniards Julain Marco, Isidro Rubio and Actor Ochoa.
The blurb says: “ ‘Time and time again’ is equal parts dangerous rock´n´roll, homespun rich melodies and sweeping cinematic views and was recorded with a roving cast of Johnny's musical brothers and sisters.In Johnny's words,” No reason to doubt it, but listen for yourself (and buy) at Bandcamp.
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Much-loved Sydney blues-punks feedtime are releasing their first new album in 20 years on March 24. "Gas" will be on In The Red and "Any Good Thing" is the preview track. Pre-orders are happening here.
Against the backdrop of the burgeoning inner city music scene, feedtime was formed in 1979. Taking notes from the incendiary live shows of X and Rose Tattoo, feedtime set about creating their own interpretation of the events unfolding before them, a blues-noise that was equal parts abstract minimalism and working class roots-rock. Post-punk, yet right in the thick of it; miles ahead of the pack and not many seemed to notice.
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