the strike-outs

One of the Greater Sydney region’s most rocking bands (OK, Wollongong actually), The Dark Clouds, are determined to give the vinyl edition of their wickedly great album “My Way Or The Highway” the welcome it deserves.

The CD’s been out for a while (you can find multiple reviews from us here) but it always sounds better on vinyl, doesn’t it? 

TheDeanov and Terry agree and that’s why they’re hosting a free gig at The Crowbar in Leichhardt in Sydney’s inner-west on Saturday April 24, with their Evil Tone Records labelmates The Strike Outs in tow.

It’s an early show in the front bar, kicking off at 6pm, so you can kick on and party to your liver's delight into the night afterwards.

Rocks
The Strike-Outs
The Jane Does
The MoshPit, St Peters, NSW
Saturday, April 1 2023

Punk rock takes us all back to a simpler time when schooners were cheaper, carpet was stickier and life much simpler.

The humble MoshPit bar at the St Peters end of King Street in Sydney aims to capture that simple spirit. It’s all dive bar ambience and vintage posters, and its modest capacity and open-door booking policy make it a much-needed nursery for the city’s underground bands.

This show was a mix of the old and the new. It was a 3pm kick-off and the place resembled the back bar of an RSL club at two-up start-time on ANZAC Day with a battalion of old soldiers lining its walls.

Sydney’s underground music scene recently lost a great mate, gig buddy, champion of great music and all round top bloke, Graham Bowditch, of the Stamp Out Disco record label.

Member of inner-west punk powerhouse Hellebores and renowned artist, Glenno Smith, and Evil Tone Records  have arranged  a six-band memorial show at The Great Club in Marrickville on January 26 to celebrate the the life of “Grazza”.

The Strike-Outs – The Strike-Outs (Evil Tone Records)

The debut LP by Sydney duo The Strike-Outs is the duck’s nuts, the bees’ knees and all the other animal physiology that lies between. Twelve songs in 24 minutes, so brevity is at its core. But so are dynamics. a feral energy and a musicality that divorces it from standard two-chord thrash punk.

The Strike-Outs-are brothers Simon Vines on guitar and vocals and Adam Vines on drums. They used to be Thee Evil Twinuntil they shed a bassist. No bottom end? No problem. Simon’s tone and a kick drum high in the mix compensate just fine.

(Vale) Top Ten

10. Star Crazy. Great, rockin’ live band, cool humans and for me without doubt, the award for earworm of the year:."Egging Me On".  Check ‘em out.

_{The Barman on tour in Japan at Mr Death's Crampstore with The Grand Wizard of the Psychotic Turnbuckles.}  

Top Ten Albums and Other Things In No Particular Order (with a qualifier that I never review gigs promted by the Bar but, fuck that, it’s my Top Ten.)

Ten Albums
1. Dark Country – Sonic Garage (self released)
This turned up on the eve of an overseas trip so a full review from yours truly isn’t among the glowing tributes already posted. A step up on the debut (which was pretty good in its own right) with lots of weaving guitars and classy keyboard textures. Sydney Old Man Rock and Roll. Just buy it.

2. Hackney Diamonds – The Rolling Stones (Rolling Stones Records)
You might have wanted to hate it. Lead “single” “Angry” was so-so but turned out to be one of the parts of a sum that’s much better than it could have been. There's a formula here but it's not a negative when it's in the hands of its inventors. Trust your own ears: It sounds contemporary but this is still The Stones being the Stones, even without Charlie.

 Ten musical things I dug in 2024.

• The Hard-Ons got to celebrate 40 years of ravaging the stage. Still as high-energy and still as true-to-form, brutally honest as ever. And a brand new doco to boot. Go see it. It’s great. Oh, and next year marks 40 years since the release of their debut EP, “Surfin’ On My Face” (ED: On Mark’s label Vi-Nil Records). Just sayin’!

• Middle Kids released an album that was completely hitsville from go to woah. Their previous releases all had a couple of great standout tracks, but “Faith Crisis Part 1” is their ultimate opus. Infectious indie pop that sits on the edge of mainstream and subsequently shits all over half of the commercial shit that has been released this year. 

• Elestial are a band that hails from Newcastle in Australia, and their nicely structured dream-pop is a beautiful shot of razored honey.  I was lucky enough to have them do a chunk of the INDIE SOUNDS launch tour throughout July, and they nailed every show. A nicer bunch you couldn’t meet. 

• Chamberlane are an indie pop punk band out of the Sunshine Coast. They jumped onto a last minute slot on the INDIE SOUNDS tour to help us out, and despite being hungover to the max from a festival the day before, they kicked the shit out of it. They’ve just finished a bit of an east coast tour and I was lucky to have them on board as part of the recent Vi-Nil Records showcase at The Recky Pacific Palms. Fun at a furious rate!