_{Richard Sharman photo.}

The label "Elder Statesman" doesn’t do Ed Kuepper justice. His career started in 1973 and spans the Saints, Laughing Clowns, The Aints! and scores of bands bearing his own name. His solo work explores a wide range of musical styles, including punk (whatever that is), folk, rock, blues, and jazz. 

His landmark solo records, "Electrical Storm” (notably his first) and "Honey Steel's Gold" (his break-out effort) were recently re-mastered and re-issued. Sounds like a good excuse for an Australian tour, not to mention an interview at the hands of Robert Brokenmouth. Here’s how it played out. 

Black Bats guitarist and singer Dave Houston is slightly apologetic about the name of his Melbourne garage-surf-desert-psych outfit, Black Bats. 

Back in 2015, Houston was putting together a surf-garage EP when, searching for a name for his bedroom demo project, he looked to the Halloween theme for inspiration. 

“I was going to call it Black Cats but then I thought that was a bit um … [laughs] so I called it Black Bats, just this one surf-garage EP, then the name stuck and I’m stuck with it! It’s a terrible name!”

“We're the most underground, underground band out there,” says Loren Molinare of the Detroit-born-and-bred early L.A. punk veterans The DoGs, whose second LP “Hypersensitive” from 2012 will finally be released on vinyl via prestige Polish punk ‘n’ roll label Heavy Medication Records on September 1. 

“We’re really proud to reissue this ‘lost classic’ for the first time on vinyl,” says Heavy Medication president Derrick Ogrodny. “We're honored to work with such protopunk legends and think it’s about time these DoGs had their day.”  

“We're one of the last bands with original members that actually sound like a proper Detroit rock band,” continues Molinare, the man Ogrodny calls “the Pete Townshend of punk rock.” “And yes, I mean some things never change. We carry on that tradition. That's what we do.

“We're just kind of picking our spot. We're white trash Detroit rock ‘n’ rollers about the same age as the old black blues men who were out doing it before they died. A lot of our peers have passed away, and we do not take it for granted. 

_{Luther Russell and Jody Stephens in Those Pretty Wrongs duo format.}

As drummer and a founding member of the legendary Big Star, Jody Stephens is an icon to so many of today's musicians. The musical legacy of Big Star is as omnipresent as it's ever been and undoubtedly this enormous global respect is due to the band's recording of three of the greatest albums ever set to vinyl.

A hugely successful reformation by Big Star in the early ‘90s produced a world tour and a fine fourth album. Pleasingly, over this past decade, Jody has gone on to create even more marvellous music wth a duo outfit with Luther Russell, Those Pretty Wrongs. 

As a songwriting pair, their music is refreshingly honest, supremely melodious and inherently tender in its style. And the recordings are super hi fi harking back to the quality of John Fry’s famous work at Ardent Studios with Big Star. 

It is therefore the music of Those Pretty Wrongs I primarily wished to focused on in this Q&A in advance of Those Pretty Wrongs’ exciting upcoming second tour of Australia. I was especially keen to seek a deeper understanding of how Jody’s own musical journey influences the music of Those Pretty Wrongs. 

_{Author Mark Cornwall and "Proby and Me".}

As a child growing up in the south-east South Australian town of Mount Gambier, Mark Cornwall recalls seeing an American singer performing on the Beatles’ television special, “Around the Beatles”. 

“He had a pony tail and this was 1965. This weird stage outfit, buckled shoes, singing “Walk the Dog’,”  says Cornwall. 

The artist was Texan-born James Smith, known better by his stage name PJ Proby. Proby had first come to public prominence with the top 10 hit “Hold Me” and would go on to generate and foster a mixture of popular interest and media controversy over the course of the rest of the decade.

News that a long-lost five-track release by Sydney band The Most was making its way onto streaming platforms has made the ears of veterans of Australia's 1980s underground scene prick up. The Most were among many terrific acts in a crowded inner-city Sydney scene, and a band that spawned future members of the Lime Spiders and The Cruel Sea.  

Originally issued as a cassette in very limited quantities by fanzine "48 Crash", the "Another Day" EP is now available online, so we tracked down The Most drummer RICHARD LAWSON to extract some historical details. THE BARMAN did the interrogating.