A two-night Date With Some Mesmerisers
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- By The Barman
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Brian Mann and Mick Medew trading licks in Thirroul. Shona Ross photo.
Gonna break that rule about not reviewing I-94 Bar gigs, as the second of this two-night engagement was badged thus. If you can’t write about things you like, what’s the point? It’s the ethos of why we do this e-zine thing.
So let’s be up front and say that Mick Medew is a good mate and his band, The Mesmerisers, are lovely people. In customary evangelical spirit, I’m unashamedly going to tell you that if you love rock and roll then you have to see them - in their native Brisbane or on one of their few forays outside of Queensland.
The first leg of this two-night weekend stand was a support to the mighty Sunnyboys, opening a bill shared with the mercurial Ups & Downs. The venue was the magic Anita’s Theatre in Thirroul, an hour-and-a-bit south of Sydney. The second was a Sydney show at the increasingly familiar stamping ground of Marrickville Bowling Club. The Mesmerisers are making the road trip a family affair with partners and two offspring in tow.
Symbol/Signal - Lost Talk (Spooky Records)
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- By Robert Brokenmouth
- Hits: 5114
Holy fucking god. WHAT THE FUCKING SHIT IS THIS?
Relentless, deafening, well-structured jabbing, poking scratching rock'n'roll. It's bestial. It's feral. “Symbol/Signal” is not remotely predictable. And it's not so much “these young people have something to say” as
“THIS FUCKING WON'T FUCKING WAIT!”
(Cue: multiple series of detonations).
Dirty Lies 7” - News (Buttercup Records)
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- By The Barman
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If you were a member of a band who was about to drop off the twig and wanted somebody to preserve your contribution to music for posterity, you’d want the job done by Scotti and John from Buttercup Records.
The boutique vinyl-only label from Victoria, Australia, packages music like nobody else. The latest effort is a seven-inch re-issue of News, the Melbourne band formerly known as Babeez, who neatly straddled the punk rock and art camps of the late ‘70s. It pairs the 1978 “Dirty Lies” b/w “Chop Chop Chop” single with the previously unreleased “H Division Bash” and a scorching live “Mainline Honey” as a 33rpm EP.
Three ways to get your kicks, boofheads
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- By The Barman
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They don't make old fashioned multi-act tours like they used to. That's one reason why the bands behind an East Coast Australian mini-tour deserve your support.
"3-Way-Toss" pits The Meatbeaters (Adelaide), The Vee-Bees (Canberra) and FAT (Brisbane) at each other's throats in a three-way, no-holds-barred slam-down. A toss of the coin will determine playing order. It's going to be fast and loud.
These are old-fashioned, street-level, blue-collar rock and roll bands. Subtelty is not their long suit. As the bands themselves say: "By boofheads, for boofheads, direct from the shallow end of the gene pool straight to you!"
Three dates only. March 2 (Marrickville Bowling Club in Sydney), March 3 (The Phoenix in Canberra) and March 4 (RAD in Wollongong.)
They'll be joined by supports RUST (Sydney), Dickie Birds (Canberra) and 99 Scapegoats and C.O.F.F.I.N. (Wollongong - check out the latter's Radio Birdman cover) so it's wall-to-wall Rock Action.
Do you have what it takes?
Bad Girl b/w Communication Breakdown - Seedy Jeezus (Blown Music)
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- By Robert Brokenmouth
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This is just great.
Just 150 were pressed - there were two types of cover available - one to commemorate a gig, with a faux '70s bootleg cover. There was the standard disc and sleeve edition, and bugger all of a deluxe edition. There's a handful of copies of the "standard" left. You deffo need this in your collection.
The deluxe edition is, as always with Seedy product, is a bit like dipping into Santa's sack (though not quite so seasonal). First, the vinyl came in different colours. There's this great poster, "a parody of a '72 Japan tour poster"; a Japanese Obi (that's one of those titling things that go around the left edge.
Full Support of the Board – The Toss (self released)
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- By Ronald Brown
- Hits: 4988
Elbows flying, kicking goals and full of humour, The Toss have been around for 10 years, five studio albums and two live records. “Full Support of The Board” is their sixth effort.
This is a record for Australian Football lovers everywhere; it’s full of wit and riffs. There are anthems on this, just waiting for a good drunken session of singing along.
Waltzing Matilda: Love Has Gone Away - Lou Reed (Easy Action)
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- By The Barman
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If you don’t love Lou’s “Street Hassle” you’re deaf or a miscreant. Or both.
Like most Reed albums, it’s flawed. The sound is muddy. Lou was fixated with a process called binaural recording at that stage and unless you’re blessed with binaural ears, the result is sonically awkward. The occasional song, too, is misguided (I’m looking at you, “I Wanna Be Black”.)
It’s Lou stripped of glam make-up and back on the mean streets. Edgy as fuck. Grimy and grim, speckled with self-loathing, it tells stories like only Reed can. It’s one of his greatest works in a confused and often confusing catalogue.
“Waltzing Matilda” is the album of the 1978 US tour to promote said album and it’s a live radio broadcast, spread over two CDs. Allowing for its origins - those radio tapes are usually compressed to the shit - it packs an aural wallop. Reed’s band is first class.
Flipped Out Kicks - Flipped Out Kicks (Flipped Out Kicks)
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- By Robert Brokenmouth
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Put this on.
Why? Well, apart from the fun of watching your girlfriend immediately leap to her feet or drop what she's holding and begin to gyrate wildly (the Frug, possibly), this is more-or-less genuine '60s guitar-based garage punk.
Well, it's noisy r'n'b actually, but who's taking notes? You're too busy bopping. There's bags of talent and energy here. Up front we have Tim Knuckey (who wrote two originals) on vocals, guitar and harp, and Jonathan "Gretsch" Adams on guitar and vocals, who wrote two more.
Knuckey you may recall from the Wet Taxis and rockabilly outfit Satellite 5; Adams (or Gretsch) from his rockabilly outfit The Wasted Ones. Looks like they planned this breakout from Quiffville for a long time.
These are a few of Primal Scream guitarist Andrew Innes's favourite things
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- By The Barman
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Primal Scream is back in Australia for the first time in six years this month, on the back of recent albums "More Light" (2013) and "Chaosmosis" (2016) but focussing on their 30-year back catalogue.
Co-founding member and guitarist ANDREW INNES spoke to the I-94 Bar's EARL O'NEILL this week and expounded on a handful of topics that are close to his heart...
My First Records
My mum used to come home with a big pile of seven-inch singles that were a bit beaten up. I think they were ex-jukebox; all sorts of things, Beatles and Stones but strange country and western records, comedy records...so I was exposed to wide spectrum of music. Apparently before I could read I could tell which song it was by the colour of the label and the shape of the words.
- The Fall: New Facts Emerge & The Fall: Singles 1978-2016 - The Fall (Cherry Red)
- Brown Sauce - Flash House (Gods Candy Records)
- Mar Y Sol U.S Radio Broadcast - Alice Cooper (Applebush/Easy Action)
- Thinking of Another Place - Lou Reed (Easy Action)
- Disintegrate Me - Professor and The Madman (Fullerton Records)
- Munster Times issues 21 and 22
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