Dom Mariani, legendary frontman of garage rockers The Stems and power pop heroes DM3, steps away from his current blues-heavy outfit Datura4 to return to his jangle pop roots with a brand-new solo single, "Jangleland."
“Jangleland” is a breezy, country-tinged ode to the electric folk rock of the late '60s and the sun-kissed West Coast vibe of the early ‘70s.
It was recorded in Perth, Western Australia, and features Joe Grech (Datura4) on bass, drummer Salv Di Criscito, Peter Busher (The Lone Rangers) on acoustic guitar and backing vocals, and Luke Dux (The Floors and Kill Devil Hills) on pedal steel.
"Jangleland" is the first taste of Mariani's forthcoming self-titled solo album, showcasing the unique West Australian guitar pop flavour he helped pioneer from the late '80s onwards.
"I'd written 'Jangleland' some time ago and kept revisiting it, playing it at the odd solo show," Mariani explains.
"I'd accumulated enough material over the last decade that didn't fit with Datura4, and I thought it was time to put them all on one album. I've been a Byrds fan my whole life, and I'm still in awe of their sound. I was inspired to bring some of that spirit to this tune."
Dom Mariani's new single "Jangleland" b/w "Day After Day" is out now via Alive Naturalsound Records and can be streamed or bought as a download here.
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A screenshot from “20 Years in The Crypt: Embedded With Dead Moon”.
Dead Moon is a revered name in Australia. They also had a firm following in Europe and across the underbelly of the USA. Now, a new documentary on Dead Moon will have exclusive screenings in Australia in March and April.
“20 Years in The Crypt: Embedded With Dead Moon” delivers two-hours of live footage and candid off-stage vision, shot in 2001 and edited down from 180 hours of footage.
It’s the work of US filmmakers Jason Axel Summers and Kate Fix, who also brought you the “Unknown Passage” documentary about Dead Moon and, more recently, “I Should Have Been Dead Years Ago”“I Should Have Been Dead Years Ago”, the doco about Australian underground rock'n'roller Stuart Gray (aka Stu Spasm, of Lubricated Goat).
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They were a first-time band for many underage gig-goers in the 1990s so there’s a certain irony in Melbourne hardcore exponents Nursery Crimes paying a visit to Sydney with a show at Marrickville Bowling Club on April 26.
It will be a night of old and new with O.G. support in the form of Herbal Lunatics (Ben Brown singing songs of his old band, The Hellmen) and Fun Again! (members of Bored! and Massappeal), with Northern Beaches upstarts The Darrans and newcomers Bugg Music opening proceedings.
Nursery Crimes were Australian pioneers of all age shows in the ‘90s and many who saw them back in the day now have kids of their own. The good news is that U18s are good to be at the Bowlo if accompanied by a (responsible) adult.
In their first life, Nursery Crimes were support-of-choice for international tourists like L7, Henry Rollins, Faith No More and Fugazi. They released two full length albums before breaking up the first time in 1994 and have reformed a handfull of times since 2006. This will be their first Sydney gig in 15 years and tickets are on sale here.
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In the 1980s, they were at the forefront of Australia’s own version of the Paisley Underground. Now, jangle-pop veterans Ups and Downs are celebrating the 40th anniversary live shows with The Crystal Set that we told you about with a vinyl anthology, “Stained Glass Memories”, in March 2025.
The album is available for pre-order in coloured wax and can be had here.
The Sydney show is sold-out (you can be on a waitlist via the link below) and Brisbane and Melbourne are going the same way.
Ups and Downs and special guest
The Crystal Set
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8 - Marrickville Bowling Club, Sydney - waitlist
14 - Brightside, Brisbane - tix
22 - Brunswick Ballroom, Melbourne - tix
Formed in Brisbane in the early 1980s, Ups and Downs quickly became known for their jangly guitars, melodic hooks, soaring harmonies and introspective lyrics, cementing their place in the hearts of indie music fans.
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Screaming Tribesmen leader Mick Medew and musical and life partner Ursula are touring their second album, “In The Zone”, and will play with their band, The Mick Medew and Ursula 4, in Newcastle and Sydney in February, presented by The I-94 Bar.
The Mick Medew and Ursula 4 plays the Stag and Hunter with East Coast Low and Jupiter 5 on Friday, February 14 and Sydney’s Marrickville Bowling Club with The Dark Clouds and Jupiter 5 on Saturday, February 15. Tickets for Sydney are here and you can pre-book for Newcastle here.
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He has a rock and roll pedigree that’s the envy of any guitarist and it’s Brisbane’s turn to see his talents close-up when Ash Naylor and his band play two select shows in February.
“Soundtracks Vol 2” is Naylor’s second solo long-player and he’s bringing his band Ashley Naylor Spaceship to Junk Bar in New Farm on February 15 and Banshees Bar and Artspace in Ipswich from 2pm on February 16.
Naylor’s cv includes The Stems, The Church, Paul Kelly, Even and the RocKwiz Orkestra and he’s one of the country’s most in-demand rock guitarists.
He also carries a torch for the jangle-pop and psychedelic sounds of the 1960s and '70s. “Soundtracks Vol 2” reflects a host of influences ranging from Jim Hendrix to Peter Frampton and Spiritualised. It’s been foreshadowed by singles “A Blue Sky” and “Donovan Dreams”.
Tickets for Junk Bar are here while Ipswich punters can pre-book a Banshees spot here.
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A rocking Sydney country band with a serious underground heritage, Broham, is back on the boards after a year’s break and will launch their debut album, “Buckle Rash”, with a free show at The Golden Barley in Enmore on Saturday, February 22.
The no-support-three-sets show runs from 8-11pm.
“Buckle Rash” is 15 tracs on CD and was produced by Golden Guitar nominee Michael Carpenter at The House Studio, and mastered by Rick O’Neill at Turtle Rock.
Broham is the country vehicle for former Vanilla Chainsaws frontman Simon Chainsaw aka Krysler Broham.
Krysler and his band used the lay-off to good effect, finishing the long-player, working in new drummer Frank Rosetti and pumping out four video singles in 2024, all of which are viewable here.
“Buckle Rash” might have a country heart but its soul belongs to the sounds of inner-city Sydney circa the 1980s, and one of its prime cuts is a rolled gold cover of the X classic “Don’t Cry No Tears” which you view after the READ MORE fold.
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Members went on to Paul Kelly and the Coloured Girls, the Lime Spiders, Hell To Pay, the Screaming Tribesmen and The Bambalams, but The Grooveyard was the one that got away in the febrile Sydney inner city scene of the 1980s. Next weekend's I-94 Bar presented reformation shows in Canberra and Sydney are some of the most keenly anticiopated of the year so far and supports have been announced.
Local heroes Il Bruto are on the undercard at Smiths Alternative in Canberra on Friday, February 7 and are an obvious choice with a set list reprising many of the songs that influenced Australia's underground scene, while at Sydney's Marrickville Bowling Club on Saturday, February 8 supports will be powerpop supremos The On and Ons and Van Ruin.
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Kiwi powerhouses The D4 have announced locasl supports for the hit-and-run Australian leg of their reunion tour and with one member living ont he other side of the globe, it might be your last chance to catch them on this side of The Ditch.
There are just three dates in Australia with most of their shows not unexpectedly in their home country.
In Brisbane they'll be joined by Tape/Off and Gentle Ben and His Shimmering Hands (The Brightside, February 13). Mary's Underground is the Sydney venue with Hard-Ons and Finnocuns opening preceedings on February 14. For the February 15 gig at Melbourne's esteemed The Tote, Mach Pelican, Raging Hormones and The Stripp fill out the undercard.
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