First Lady of Soul is Oz-bound - and You Am I can't wait
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- By The Barman
- Hits: 5314
Best known for her beautiful and classic mid-to-late ‘60s hits including “The First Cut Is The Deepest”, “(If You Think You’re) Groovy” and “Angel of the Morning”, as well as the power chorus of the Small Faces’ iconic hit “Tin Soldier”, PP Arnold is set to undertake her first ever concert tour of Australia.
And she’ll be backed by a super group of super fans in Tim Rogers, Rusty Hopkinson and Andy Kent of You Am I, Talei Wolfgramm and James Black.
The Los Angeles teenager, who became London’s First Lady of Soul after hitting town in 1966 with Ike & Tina Turner and coming to the attention of Mick Jagger, is still going strong. And she’s once again at the right place in the right time, as she has been so often in a career that’s lasted over 50 years.
PP’s tour down under follows the release last year of “The Turning Tide”, an album of unreleased recordings from the late ‘60s and early ‘70s, produced by both Barry Gibb and Eric Clapton. It cracked the UK Top 30 upon release, recently made the NZ iTunes Top 20, and has been the subject of many accolades and much airplay since its release.
Although this will be PP’s be first concert tour of these parts, she has previously performed here as a featured singer with Pink Floyd’s Roger Waters in 2002 and 2008. In recent times she has also recorded with Primal Scream, Oasis, Ocean Colour Scene and Paul Weller. She has a voice that other artists love to work with; her first duet was with Rod Stewart on a single produced by Mick Jagger, way back in ’67.
The Mighty Mark E. Smith: a reflection...
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- By Robert Brokenmouth
- Hits: 8156
Photo of Mark E Smith: Irish Times
It has been brought to my attention that, in my last article on The Fall, I got a lyric wrong; it's not “this is the three hours”, but “this is the three 'r's.
As Jimi once said, “s’cuse me while I kiss this guy”.
Mis-hearing lyrics is one of the joys of music. Having too much information too easily available can destroy the mystique. It took ages to work out Pete Shelley's line “who do you think you're trying to arouse/ Get your hand out of my trousers” by playing the disc over and over (uh, back in the 70s), and that was kind of the point.
Front End Loader hits the road for release of seventh album
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- By The Barman
- Hits: 4817
They call themselves “Australia’s foremost proponents of Post Adult Complaint Rock” and they’re touring their new album with an extensive run of national dates.
Sydney’s Front End Loader have been a constant on the Australian music scene since 1991 and “Neutral Evil” is their seventh album. It’s described by by the band as “terrible music by terrible people about terrible things” and if it’s half as entertaining as the blurb promoting their tour, it’ll be a winner:
A two-night Date With Some Mesmerisers
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- By The Barman
- Hits: 8596
Brian Mann and Mick Medew trading licks in Thirroul. Shona Ross photo.
Gonna break that rule about not reviewing I-94 Bar gigs, as the second of this two-night engagement was badged thus. If you can’t write about things you like, what’s the point? It’s the ethos of why we do this e-zine thing.
So let’s be up front and say that Mick Medew is a good mate and his band, The Mesmerisers, are lovely people. In customary evangelical spirit, I’m unashamedly going to tell you that if you love rock and roll then you have to see them - in their native Brisbane or on one of their few forays outside of Queensland.
The first leg of this two-night weekend stand was a support to the mighty Sunnyboys, opening a bill shared with the mercurial Ups & Downs. The venue was the magic Anita’s Theatre in Thirroul, an hour-and-a-bit south of Sydney. The second was a Sydney show at the increasingly familiar stamping ground of Marrickville Bowling Club. The Mesmerisers are making the road trip a family affair with partners and two offspring in tow.
Symbol/Signal - Lost Talk (Spooky Records)
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- By Robert Brokenmouth
- Hits: 5096
Holy fucking god. WHAT THE FUCKING SHIT IS THIS?
Relentless, deafening, well-structured jabbing, poking scratching rock'n'roll. It's bestial. It's feral. “Symbol/Signal” is not remotely predictable. And it's not so much “these young people have something to say” as
“THIS FUCKING WON'T FUCKING WAIT!”
(Cue: multiple series of detonations).
Dirty Lies 7” - News (Buttercup Records)
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- By The Barman
- Hits: 5619
If you were a member of a band who was about to drop off the twig and wanted somebody to preserve your contribution to music for posterity, you’d want the job done by Scotti and John from Buttercup Records.
The boutique vinyl-only label from Victoria, Australia, packages music like nobody else. The latest effort is a seven-inch re-issue of News, the Melbourne band formerly known as Babeez, who neatly straddled the punk rock and art camps of the late ‘70s. It pairs the 1978 “Dirty Lies” b/w “Chop Chop Chop” single with the previously unreleased “H Division Bash” and a scorching live “Mainline Honey” as a 33rpm EP.
Three ways to get your kicks, boofheads
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- By The Barman
- Hits: 3260
They don't make old fashioned multi-act tours like they used to. That's one reason why the bands behind an East Coast Australian mini-tour deserve your support.
"3-Way-Toss" pits The Meatbeaters (Adelaide), The Vee-Bees (Canberra) and FAT (Brisbane) at each other's throats in a three-way, no-holds-barred slam-down. A toss of the coin will determine playing order. It's going to be fast and loud.
These are old-fashioned, street-level, blue-collar rock and roll bands. Subtelty is not their long suit. As the bands themselves say: "By boofheads, for boofheads, direct from the shallow end of the gene pool straight to you!"
Three dates only. March 2 (Marrickville Bowling Club in Sydney), March 3 (The Phoenix in Canberra) and March 4 (RAD in Wollongong.)
They'll be joined by supports RUST (Sydney), Dickie Birds (Canberra) and 99 Scapegoats and C.O.F.F.I.N. (Wollongong - check out the latter's Radio Birdman cover) so it's wall-to-wall Rock Action.
Do you have what it takes?
Bad Girl b/w Communication Breakdown - Seedy Jeezus (Blown Music)
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- By Robert Brokenmouth
- Hits: 4045
This is just great.
Just 150 were pressed - there were two types of cover available - one to commemorate a gig, with a faux '70s bootleg cover. There was the standard disc and sleeve edition, and bugger all of a deluxe edition. There's a handful of copies of the "standard" left. You deffo need this in your collection.
The deluxe edition is, as always with Seedy product, is a bit like dipping into Santa's sack (though not quite so seasonal). First, the vinyl came in different colours. There's this great poster, "a parody of a '72 Japan tour poster"; a Japanese Obi (that's one of those titling things that go around the left edge.
Full Support of the Board – The Toss (self released)
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- By Ronald Brown
- Hits: 4968
Elbows flying, kicking goals and full of humour, The Toss have been around for 10 years, five studio albums and two live records. “Full Support of The Board” is their sixth effort.
This is a record for Australian Football lovers everywhere; it’s full of wit and riffs. There are anthems on this, just waiting for a good drunken session of singing along.
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- Brown Sauce - Flash House (Gods Candy Records)
- Mar Y Sol U.S Radio Broadcast - Alice Cooper (Applebush/Easy Action)
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