Surrender b/w Down Around The Corner - The Lonelyhearts (Buttercup Records)
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- By The Barman
- Hits: 4807
The Lonelyhearts popped out of Sydney’s western suburbs in 1979 and burned, briefly and brightly, before slipping away. Their their first 45, “Last Kiss” b/w “Ambition” is as one of the great lost Oz power-pop gems of its time.
They had two lives, resurfacing towards the end of the decade, but The Lonelyhearts’ recorded legacy (three full singles) was scant for a band of their quality. And that’s why Melbourne’s canny boutique label, Buttercup Records, is seeking to make amends.
Ever So Lovely b/w Someone Special - The Strawberry Teardrop
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- By The Barman
- Hits: 4696
Make sure you read until the end. Let’s talk vinyl first:
The A side of this is where the voice (and guitar, for the most part) of X goes back to the ‘60s to show off his sentimental side. Steve Lucas pulled together a capable combo in Levi Franco (drums), Ryan MaCay (bass) and Herbie Mayhem (piano) to play his songs a couple of years ago, so strap yourself in.
“Ever So Lovely” is an ode to Mrs Lucas (hi Joey!), set to raunchy guitars and set off by Steve’s warm but chipped-at-the-edges vocal. Shades of A.R.M., his fabulous Oz Rock project of 20 years ago, here but not as excessive and fixed in the now.
A Big Bad Beautiful Noise - The Godfathers (Godfathers Recordings)
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- By The Barman
- Hits: 5246
It shouldn’t come as a surprise that a record by the re-constituted Godfathers rocks like a motherfucker. There’s plenty of YouTube evidence of recent gigs in packed Pommy pubs to show as much - as you can see for yourself, above.
The real ear-opener comes when you slip an advance copy of the new disc into the player and hear how fresh and true to the sound of the original band that they manage to be.
The Godfathers were built around brothers Peter and Chris Coyne (vocals and bass respectively) when they formed in 1986 and, for a time, they did bigger business in the USA than at home in the UK, where their brand of hard-riffing rhythm ’n’ rock-blues was distinctly on the nose.
Juggling Prayers - Circus Chaplains (Circus Chaplains)
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- By Robert Brokenmouth
- Hits: 5537
Classic release from a Sydney band. Also a classic example of a band pulling in multiple different directions, which makes for a broader variety of approaches to their songs.
We’ve all seen bands where this doesn’t work - because it’s damned hard to juggle everyone’s creative juices - but with “Juggling Prayers” we have one of those fine CDs which, once it’s finished and begins to replay, you don’t turn off, you just let it repeat.
When giants strode the earth: Gun Club at the Strawberry Hills in 1983
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- By Edwin Garland
- Hits: 9666
Celibate Rifles singer Damien Lovelock once said to me that the Sydney music scene between 1978 and 1985 was as strong as anywhere in world, at any time.
When a city’s musically on fire, it becomes the rock capital of the world…especially for the people that live there. It could been New York City in the mid-’70s, London in 1966 or San Francisco in the late ’60s. Sydney was right up there with them.
I remember I was out seeing bands every night of week. It could be every Wednesday with the Triffids’ residency at the Strawberry Hills Hotel, upstairs at the Trade Union Club for the Laughing Clowns, or some punk band down at French’s Tavern. You could finish with Paris Green at 3am in Kings Cross.
There were so many gigs that stood out: the Birthday Party, Scientists and X at the University of NSW Roundhouse, the amazing New Year’s Eve gig with the Celibate Rifles at the Trade Union…and The Gun Club at the Southern Cross, later re-named the Strawberry Hills Hotel.
The Strawberry Hills Hotel in Surry Hills was OUR pub. We were still aged in our late teens and we virtually lived there. There was cheap (or feree) beer and amazing music every night of week. I actually lived in a cheap shared house, a few blocks down the road.
One night in 1983, the publican told me to turn up on Monday. He said that “a Yankee band, The Gun Club, are playing.”
The Psychedelic Confessions of a Primal Screamer – Martin St John (Lulu Publishing)
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- By Howlin Whippet
- Hits: 5558
I interviewed John "Joogs" Martin for a piece on his upcoming book last year. Following its appearance on Louder Than War, the website was contacted by representatives of Primal Scream's management to respectfully request that it was removed before legal proceedings were initiated.
To be fair, the interview was helluva incendiary in parts as I'd basically given Joogs free rein to vent and some of the material (which he'd had pent up for 27-odd years) was vitriolic and, at times, verging on libellous. It was also very, very funny.
At that point, Joogs (his nom de guerre was flipped by himself to Martin St. John during the PS early days) was looking for publishing for the book that he'd laboured over in his night shift job for several years. He'd actually hand-written it and part of the problem was finding someone to transcribe it all before it was touted around.
Manhattan Project - Kevin K (MVD/Real Kool Kat)
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- By The Barman
- Hits: 4866
A bunch of New York City’s rock and roll past and present recently gathered in Manhattan to celebrate and play the music of Johnny Thunders and the Heartbreakers.
Led by the eternally cool Walter Lure, who was assisted by Blondie drummer Clem Burke, ex-Lower East Side resident and MC5 member Wayne Kramer, Replacements bassist Tommy Stinson and a bunch of guest vocalists, the band played four sold-out shows. And they were reportedly underwhelming.
Tingalingin’ - The Lincolns (The Lincolns)
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- By Robert Brokenmouth
- Hits: 5347
The Lincolns are sharp, smart and write damn fine, modern songs, play with punch and verve, and crowds come out of the undergrowth wherever they play (I’m guessing they’d pull in the middle of the Simpson Desert), and most of the crowd get all gussied up and dance till the pompadours collapse like upset bowls of black pasta.
The Lincolns tour around the country; barely a weekend goes by without another sell-out Lincolns gig somewhere. They work hard at day jobs, too, so the band is their release; yet they drive to every gig and there’s more than 140 songs in their repertoire. Yes, really. And they live in Adelaide. And, their overseas tours have been extremely successful, and there’s another one sorted out for 2017.
Antarctica - Marilyn Rose and the Thorns (In the Vault Records)
- Details
- By Robert Brokenmouth
- Hits: 4393
This album is worth four bottles. Possibly more. I’ll know in a year’s time, when I’ve finished listening to it. “Antarctica” is a sleeper, and it’ll get you in the end. Probably at night, it feels stronger at night. Lex from Seedy Jesus did the cover, and it’s a beauty, really smart.
And, yes, I’m going to repeat myself: the world is currently awash with brilliant music, much of it - like “Antarctica” - very strong and remarkably commercial. Given the airplay and the backing, "Antarctica" should be in thousands of homes around the world; certainly the USA would like this outfit. That said, I’ve not yet seen Melbourne’s Marilyn Rose and the Thorns - but I’ll rectify that as soon as I can.
- A Place Called Bad - The Scientists (Numero Group)
- Make your Festive Season jangle for free
- 24 Hours To Nowhere - Hugo Race Fatalists (Rough Velvet/Glitterhouse)
- Blue & Lonesome - Rolling Stones (Polydor)
- You don't need to be Big Ears to catch these Noddys
- Mean Old Twister - Deniz Tek (Career/Citadel)
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