New Tek album coming down the turnpike
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- By The Barman
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Radio Birdman boss Deniz Tek's latest solo album, "Mean Old Twister", will be released by Citadel Records on September 30.
Stand-out tracks are said to include the straight-ahead, high-powered guitar rockers "Burned Black" and "Prison Mouse", "Comanche", a shimmering surf instrumental, the Stonesy ballad "Table For One" and "Free At Last", an all-acoustic diversion from the electric guitar attack.
"Mean Old Twister" was recorded with the same band which appeared on the last Tek album "Detroit". Drummer Ric Parnell is best known for his work in Spinal Tap and Atomic Rooster. Bassist Bob Brown has been working with Deniz since the 1992 Australian tour supporting Deniz's first solo album "Take It To The Vertical".
Lending a keen ear to the process, Radio Birdman bandmate and famed producer Rob Younger stepped in to supervise the mix.
Get more than a Glimpse of Dinosaur Jr
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- By The Barman
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Tickets for Dinosaur Jr’s looming return to Australia January go on sale today. They’re touring off the back of their new album “Give A Glimpse of What Yer Not”, their first since 2012 and their fourth since 2005’s unlikely reformation.
Four albums into their rebirth and Dinosaur Jr look to have no sign of slowing up. Album of the week slots on Double J, FBi, SER and glowing reviews across the planet stand testament to their staying power and the songs of J Mascis. Dates after the link:
The Saints return - and Hitler isn't happy
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- By The Barman
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The Saints (without Ed Kuepper, if you had to ask) will play three intimate, exclusive Australian shows at Melbourne’s Gasometer Hotel in October. Chris Bailey will be joined by early ‘80s drummer-turned-journalist, Iain Shedden, Pat Bourke on bass and You Am I’s Davey Lane on guitar.
Hitler’s reaction to the news is above. The dates are below and as the venue is quite intimate, bookings are recommended.
Wednesday 5 October – The Gasometer Hotel, Melbourne (18+)
Thursday 6 October – The Gasometer Hotel, Melbourne (18+)
Friday 7 October – The Gasometer Hotel, Melbourne (18+)
Split LP - The Bevis Frond & Fraudband (Kasumuen Records)
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- By Robert Brokenmouth
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It’s a split 12” LP. Five tracks one side, one track on the other. Which is a great idea; two bands showcase themselves for half the price of the vinyl. Yes, it’s vinyl. More bands should do this.
Fraudband are a secretive bunch; you don’t really know their names, ages, or what their favourite colour is, whether they’re hipsters from Pillockville, young WTFs from the stale burbs or leathery old farts in those vile brown leather jackets which were so in among the more money than taste twats in 1986. Fraudband (brilliant name, I’m sure you’ll agree) want their music to speak to us.
Victory Motel Sessions - King Mud (Alive Naturalsound Records) & The Power To Kill - Beyond the Stars (Beyond the Stars)
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- By Robert Brokenmouth
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These two discs were each made (mostly) by a two-piece band, drums’n’guitar; and vox and guitars, respectively. They’re both something I wouldn’t have believed possible: successful two-person rock’n’roll that sounds fantastic. Each album does have a few other elements, but they’re precious few and … and again, I wouldn’t have believed it, but … you don’t really miss the others that much. Why?
In King Mud’s case, the songs and the delivery gain, hold and manipulate your attention; their two covers (you should be familiar with at least one) taken over by the Mudders to such an extent they may as well have written it themselves.
King Mud are Van Campbell from the Black Diamond Heavies and Freddy J IV from Left Lane Cruiser. They’re full-on rock’n’stuff, the kind of busy guitar which tells the story, shoves the song forward and devil the details. There’s a distinctive ‘70s American style to the Mudders, but you can clearly hear innumerable UK influences as well.
R.I.P. Thug co-founder Peter Read
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- By The Barman
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Thug with Peter Read pictured left.
Thug co-founder and Black Eye Records artist, Peter Read, has passed away. The circumstances are unclear but a friend said Read had been battling liver cancer and was thought to have been in remission. He was living in Melbourne.
Read (Leather Moustache) and Tex Perkins (Tex Deadly and the Dum Dums, later to join Beasts of Bourbon) formed electro-punk band Thug in Sydney in 1987, initially to make home recordings. Thug became one of Sydney's most confrontational live acts, with chaotic 20-minute sets featuring dancers, theatrics, bizarre electronic equipment and—at one performance—an entire audience showered in flour. Thug gigs would end with members mock-brawling amongst themselves, at times sparking audience participation.
Thug, along with Lubricated Goat and Kim Salmon & The Surrealists, were part of the underbelly of the Sydney indie rock scene, releasing music on the Red Eye Records offshoot, Black Eye Records.
Thug's debut single was the "Fuck Your Dad” b/w “Thug". Along with the “Mechanical Ape” EP and “Electric Woolly Mammoth” album, it was released on a CD, “Everything Is Beautiful In Its Own Way”.
Read temporarily joined Lubricated Goat for their infamous nude-on-national-TV performance of “In The Raw”. More about the Black Eye bands at Cousin Creep’s website. He went on to work as a Front of House sound operator.
Pig City becomes a label, signs Some Jerks and Sabrina Lawrie
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- By The Barman
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It started at a Some Jerks gig at the late, lamented Beetle Bar in Brisbane. Journalist Andrew Stafford, author of Brisbane rock history "Pig City", approached his friend Sean Clift, of Red Dust Music Management and drummer with local thug-rockers Lords of Wong.
“Listen,” he said. “This band is great. Everyone here loves ’em. If we can’t sell a few hundred of their records we’re dumber than I thought. Maybe we’ll lose a bit of money but fuck it, let’s do it anyway.”
Several months later, Some Jerks asked Staffo if he’d write them a bio for their new record. “Well, yeah,” he said, “But, funny you should mention it. Would you like to be on this new record label Sean and I are putting together? Then I’ll have to do it!”
And so, after a fair bit of planning and a couple of false starts, Pig City Records was born – a vinyl/digital only model, with Some Jerks’ second album, "Strange Ways", to be the first official release in October, with the vinyl limited to a special hand-numbered run of 300 copies.
Evocative show summons up the spirit of Vic Simms' lost classic
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- By David Laing
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Luke Peacock and Vic Simms.
Conceived by Luke Peacock of Robert Forster-produced Brisbane outfit Halfway, The Painted Ladies are a black and white supergroup brought together to celebrate and reinterprete the classic 1972 live-in-prison LP "The Loner" by Koorie country iconoclast Vic Simms.
The band released the fabulous album "Play Selections from The Loner" in 2014. Produced by longtime Simms spruiker Rusty Hopkinson of You Am I, the album revealed a fabulous and rootsy rockin’ combo and an all-killer set of songs, highlighted by the unabashed all-Australian classics "Get Back Into the Shadows" and "Stranger in My Country".
Both are depictions of a young black man’s life experience that remain both lyically potent and musically thrilling. In the Painted Ladies’ hands the former became a hard-driving pop-soul rocker, and the latter a sullen and beautiful, six-minute moan of alienation and anguish that builds to the sort of electrical storm that your average Died Pretty or New Christs fan should identify with. (And yes, I’m talking to YOU!)
Mike Caen - Mike Caen (Foghorn Records)
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- By Robert Brokenmouth
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The media release is cagey, avoiding too much specific information on Caen’s background. He’s fronted bands, played in bands (to quote the bio: "such as Mental as Anything, Dragon and Jenny Morris … played hundreds of shows … from big city stadiums to outback mining towns").
At this point the diligent, well-paid reviewer on a daily paper should do their homework and look the man up, perhaps at www.mikecaen.com.au, to find out more. But I am a lowly scrubber at the I94-Bar zine and I have a mountain of CDs to approach (some with caution) and I am going to quail, claim I don’t have the time ("I don’t have the time for this, dammit" - see what I mean?) and go along with the between-the-lines message from the screed: Don’t look at the man’s history, listen to the bloody songs.
- Selected Works: I Reject This Reality - Eric Mingus (self released)
- Ozone St - Los Dominados (Ejected Records)
- On and Ons back live and giving away a new song
- Leadfinger on the road: Twin guitars assault Adelaide, locals pretend it isn’t happening
- Some Buttons Should Never Be Pushed - The Secret Buttons (TSB Records)
- Ex-Sacred Cowboys leader heads for Sydney
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