Should I Suck or Should I Blow? - Heavy Drapes (Suck-Revolution Records/Tarbeach Records)

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03 June 2016

Hits: 7058

When was the last time you heard a British guitar band with the energy of the Sex Pistols, swagger of the New York Dolls and great songs to boot? Scottish punk band Heavy Drapes (the name’s something to do with Malcolm McLaren/Vivienne Westwood’s shop, apparently) have been making quite an impact since the release of this impressive four-track EP (vinyl or CD on Suck Revolution Records), which has now been re-released as a US edition by New York-based Tarbeach Records.

While many UK punk bands have sunk into a mire of clichéd, pseudo-political lyrics and music to match, Heavy Drapes stand out due to the quality of their songs and the sheer exuberance with which they are performed. The four band members have all adopted appropriate noms de guerre; hence we have De Liberate on vocals, Rikki Stiv on guitar, Jerry Dangerous handling bass duties and Billy Chaos on the traps. Fortunately, there’s much more to this group than just a good dollop of old school show-biz pizazz (which they have in spades.) Heavy Drapes can back up their image with serious musical chops.

• punk
• sex pistols
• new york dolls
• heavy drapes

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Robert Quine remembered

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By Ken Shimamoto and The Barman

Ken Shimamoto and The Barman

01 June 2016

Hits: 16736

Marcia Resnick photo

A handful of songs into just one album, and Robert Quine had staked a claim as one of the most distinctive guitar sounds on the New York punk scene.

Quine was part of that small but influential coterie of musicians, artists-turned-musicians and assorted dilettantes that populated a seedy ex-biker bar called "CBGB and OMFUG" at 315 The Bowery, on the Big Apple's seamy Lower East Side. He was the principal guitarist in Richard Hell and the Voidoids, a unique quartet spitting out some of the New Wave's most disturbing music.

On the 12^th anniversary of the passing of Robert Quine, we present this archived interview from May 2000. 

• lou reed
• richard hell
• voidoids
• robert quine
• mathew sweet
• the blue mask
• lester bangs

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Fuck you Sydney, the Currie was hot in Adelaide

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By Robert Brokenmouth

Robert Brokenmouth

01 June 2016

Hits: 6822

Joanne Bennett photo

I missed Babes Are Wolves but caught The Babes (two men, two women), who did a good strong metallish rock set - both bands had people dancing and paying attention despite only using about a quarter of the stage. No mean feat. Both are Adelaide acts and I can see I’ll have to investigate properly.

One of the most enduring memories I will carry away with me from tonight’s show is that this 5’1” thin scrap of a person, Cherie Currie, demonstrated sensibility, strength and love without any of the usual r’n’r proclamatory chest-beating. She still looks gorgeous (her genes should be investigated and the rights procured) with her boyish figure and sexy smirk …

But that’s the last time you’ll see me use the term “sex”. It’s essential to mention, of course, but whereas most of us, at 56, have begun to look like Santa (and the ladies begin to resemble the Family Guy dog’s lost teenage love.. I don’t know if you know the episode, Brian turns up at a shack where some ghastly bovine opens the door and…) Cherie looks good in a way most of us would kill to look like when we were 32.

• live
• adelaide
• runaways
• cherie currie
• babes are wolves
• the babes

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Ed returns for a second dose of "Lost Cities"

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By The Barman

The Barman

31 May 2016

Hits: 4564

Ed Kuepper returns with part 2 of his "Lost Cities" album Australian tour, performing solo and in duo mode across select dates in Darwin, Newcastle, Sydney, Katoomba and Melbourne.

The duo shows see Kuepper reunite with his old sparring partner Mark Dawson – a collaborator most notably on the celebrated “Today Wonder” and ARIA winning “Honey Steels Gold” albums – between them featuring two of Ed’s most recognisable tracks in “Everything I’ve Got” and “The Way I Made You Feel”. Mark will join Ed for shows in Sydney, Melbourne and Belgrave.

• live
• ed kuepper
• lost cities

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Vaporized! – Vaporized! (cassette and download from Urge Records)

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By Edwin Garland

Edwin Garland

31 May 2016

Hits: 3761

Sometimes I want to avoid the fact that I'm becoming an old fart. Sadly, talking up the "good old days" is a sign of this. Even so, it seems relevant when talking about today's Sydney, the bands and the live scene. It's how I view the world. 

I remember when I was seeing bands most nights of the week. It was somewhat of an outlaw existence and hard to comprehend it all at just 19-years-old. Back then, anyone over 24 was “old”. The veteran bands were the Sex Pistols and Radio Birdman. Then there was Iggy, who was ancient.

It was the early ‘80s and I was living in Surry Hills in Central Sydney when could you get a room in a shared house hold for $25 a week. There were quality, cutting-edge bands playing within a few minutes’ walk, five nights a week. The Triffids, The End, The Moffs, Salamander Jim, Scientist, The Laughing Clowns, and all that Black Eye art-noise band stuff.  There were venues everywhere - Trade Union Club, Evil Star, French’s, The Strawberry Hills, The Lansdowne and The Hopetoun. Then there were the squat gigs or house parties where everyone put bands on in their lounge rooms. And mostly always, those were free. It’s now all just a faded blur. 

• punk
• stooges
• sydney
• vaporized
• velvet undeground

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Cherie bombs as Sydney stays home

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By The Barman

The Barman

30 May 2016

Hits: 5699

Growing up in Sydney in the ‘80s,  we were spoiled. The amorphous thing called Pub Rock spawned an explosion of live music and it was literally everywhere. The one thing all those bands had in common is still hard to put your finger on but you could term it The Pub Contract.

From the audience side, the Contract read like this: “Don’t give us any airs and graces. If you aren’t any good, we’re going to put shit on you. Due to us consuming social lubricants in prodigious proportions, you need to play hard to get our attention.”

Those days are gone and only a few people care anymore. The ones who might be keen are buried deep under mortgages, families and adulthood.

Maybe it was the lack of a crowd, skewed expectations or the fact that The Runaways were never mandated high rotation listening in my own world, but Friday night’s Cherie Currie show at the Manning Bar in Sydney fell flatter than a soufflé in a bricklayers’ pie oven.

It wasn’t entirely the fault of the headliner.

The Runaways’ place in history is notable if slightly perverse. On one hand, as an all-girl band in a man’s world, they provided inspiration for a later generation of Riot Grrrls and (Punk Rock) Sisters Doing It For Themselves. On the other hand, they were shamelessly objectified, used and abused and have become a cautionary object lesson in exploitation.

• live
• australia
• runaways
• cherie currie
• hot sweets
• vanity riots

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Round Eye send a message home to the USA

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By The Barman

The Barman

27 May 2016

Hits: 3932

Expatriate Americans living in Shanghai in China, Round Eye have unleashed a video to accompany their song “Billy” which is a stringing critique on the state of politics back home.

Round Eye recently signed to the Canadian label Sudden Death Records (owned by DOA’s Joey Shithead) and collaborated with the late Stooges sax man Steve Mackay on an eponymous record "Round Eye" last year which you can hear and download via theiur Bandcamp (link below).

“We've lived here for 6 years but have never neglected the issues of home,” explains singer Chachy. “This video is our open letter to the United States.  We really put a lot of work into this to ensure the message is very loud and very clear.”

Round Eye on Bandcamp

Round Eye on the Web

• stooges
• steve mackay
• round eye

Sydney to turn it on for Spencer

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By The Barman

The Barman

26 May 2016

Hits: 6121

Sydney’s music community is rallying to get behind much-loved rocker Spencer P Jones in an hour of need.

Spencer is battling serious illness and fund-raisers have been popping up all over Australia. Sydney is responding with its own show, The Axeman’s Benefit, on Friday, June 24 at The Factory Theatre in Marrickville.

Died Pretty is headlining a heavyweight bill which will include Spencer’s old band The Johnnys (with guest vocalists), the Hoodoo Gurus (playing a mini-set), home-grown garage up-starts Straight Arrows and psych-punk veterans Young Docteurs.  The Johnnys will close the night.

The killer line-up will be augmented by a bevy of guest musicians including Jim Moginie (Midnight Oil), Simon Day (Ratcat), Jack Ladder, Murray Cook, MC Anthony Morgan, Jason Walker, Peter Fenton (Crow) and Kane Dyson (Spurs For Jesus.) FBi’s Jack Shit will be lending his DJ talents.

All of the acts have played alongside or recorded with Spencer in some capacity.  Died Pretty is fresh from a summer of sold-out A Day On The Green and club shows and is re-convening especially for Spencer.

Although his career has been mainly under the mainstream music radar, Spencer P Jones has been a tremendously influential figure in Australia.

Arriving in Australia from New Zealand in 1976, Spencer came to prominence with hard-drinking cowpunks the Johnnys and then inner-Sydney swamp supergroup the Beasts of Bourbon, he’s also played with the Gun Club, Renee Geyer, Chris Bailey, Rowland S Howard, Nick Cave and Paul Kelly.

In recent years he’s been recording and playing with his own solo bands as well as members of The Scientists and The Drones.

Tickets for The Axeman’s Benefit went on sale last  night and are here. A substantial number have gone already so don't delay.

• beasts of bourbon
• sydney
• died pretty
• spencer p jones
• hoodoo gurus
• axeman's benefit
• the johnnys

MDC. Memoir From a Damaged Civilization. Stories of Punk, Fear and Redemption by Dave Dictor (Ma nicD Press)

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By Robert Brokenmouth

Robert Brokenmouth

25 May 2016

Hits: 5490

Did you ever see The Decline of Western Civilization documentary? The first one?

Pretty uneven, isn’t it? And by god, there’s a lot of indifferent stuff in there. The Germs are horrible, but rather wonderful. Fear are also quite nasty, and funny, and wonderful. The rest … well, it’s kind of interesting. But Decline (Mk I) is not a film I readily return to.

Even so, because it captures a scene in a scattergun style, it’s significant. By no means was that every significant band. By no means known to man, woman or beast.

But when it first came out here in Australia (1984, I think) it made and confirmed a huge impact. The wave of US hardcore and secondary punk was finally breaking into our homes (well, not if you listened to mainstream radio and watched TV, granted. I mean, us in the alternative scene.

You remember that…) and gentle young souls with spiky hair, the right jeans and Doc Martens and leather motorcycle jackets with UK punk band names and patches all over them? (I was always reminded of my school exercise books when I was about 13; I figured I’d done that already, I didn’t need a jacket that reminded me of school.) When, in 1983, we tried to explain to these gentle souls that, you know, it was the American punk bands which were amazing, they were aggressively dismissive.

• mdc
• dave dictor

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