Greetings Rockers and Goomers! It’s the end of another weird year. How many is that now?

Here are my Top Ten releases - mostly Australian artists - and venues, in no particular order of preference. Not all were released in 2021 - but close enough. These releases and venues kept me sane in 2021.Merry Xmas and a free and Happy New Year!

My name is Marcus Fraser and I'm the singer in Sydney band STARCRAZY.

In another rollercoaster thunderfuck of a year, these are the tunes that kept me grounded and positive. Some of these artists I'm proud to call my friends and I'm SO stoked on all the amazing music coming out of Australia, Oi Oi Oi!

In no particular order:

1. Molly & The Krells - Silver & Gold
2. Pond - America's Cup
3. Arianne Gozzing - The New Queen
4. Thunder Fox - Not For Sale 
5. Smoke Stack Rhino - Ultraviolet 
6. Alpha Goose - Why Not
7. Amyl and The Sniffers - Guided By Angels 
8. Geese - Low Era
9. Astrodeath - Invasion 
10. Lucid Hoops - Kinder Company 

Jade Felicia photo montage

Top Ten albums from Joey Bedlam, vocalist for Melbourne-based garage band DollSquad.

10. Shutdown 66 – ‘’Come on girl gimme half a chance’’

9. Le Beat Bespoke V9 (compilation by New Untouchables)

8. Rough n Tumble – ‘’Eyes on the Road’’

7. The Smoggers – ‘’Funeral’’

6. The Laissez Fairs – ‘’Curiosity Killed the Cat’’

5. The Seeds – ‘’Butterfly Child’’

4. Calidoscopio – “Get Ready’’

3. The Chevelles – ‘’Steve McQueen (I wish I was)”

2. Sonny Vincent – ‘’Snake Pit Therapy’’

1. Steve Lucas – ‘’Joshua Tree’’ (because it’s a great song about The Joshua Tree and because it’s a Christmas song!!!)

If like me, it was hard for you to get out of the house this year and experience live music, I found myself sitting on the couch watching too much TV… It wasn’t until I put together this list I realised I watch w-a-a-a-a-y too much TV…

Anyway, here’s a list of some of the music and music related documentaries I managed to consume in my COVID-19 lockdown. Let’s hope we can get some more gigs in next year.

To give you all a break I excluded every politics documentary I consumed, and didn’t include any of the hundreds, and possibly thousands, of music technology-related YouTube channels I’ve been glued to. I hope you can find something on this list you haven’t seen before...

The Barman’s Best Albums of 2021, in reverse order of release.

1. Back For More – The On and Ons (Citadel)
Perfect rocking powerpop from Australia’s most consistent exponents of the art. If you haven’t heard them yet, shame. Start here and track backwards.

2. Snake Pit Therapy – Sonny Vincent (Svart)
New York punk’s (almost) last man standing bounces back with his best-sounding and arguable most well-rounded album ever. Sonny has been hidden in plain sight for the many for far too long.

3. You’re Class, I’m Trash – The Monsters (Voodoo Rhythm)
Beat-Man and his buddies have made trash an art form like few others before them. This record should make a junkie of you.

X singer-guitarist and solo artist in his own right, Steve Lucas, has selected 10 X songs that fit with a COVID-19 theme.

1. Where Did I Go Wrong?
2. The Feel.
3. At Home With You
4. Waiting
5. Suck Suck
6. Home Is Where The Floor Is
7. Revolution
8. Police
9. I Don't Wanna Go Out
10. Hate City.

Steve: "Titles and lyrics cover the whole pandemic, to my mind at least. Merry Xmas!"

How best to remember Melbourne graphic Martin Harris who left the world a week ago?

The Barman has asked a few of us to write about our Top Tens this year. Well, like most of us, I didn't go out much, and didn't listen to much either.  However, one thing which has dominated this year is depression and its many variants.

What has this to do with rock and roll?  Plenty. If you don;t agree, you can't have been listening to the greats, Ozzy Osbourne, Johnny Cash, New Order, Amy Winehouse... 

See, I've always thought the impulse to create rawk is only a single manifestation of what I call 'the creative imperative'. This imperative is stronger in some than others, of course. But if you would take the imperative to success on a gigamax scale, you not only need luck, you need determination, hard work AND more luck. 

Queen, for example, were so determined to succeed that before they were gigamax they rehearsed in their stage gear. They worked hard for their success. Ask any musician: songs don't just drop from trees, fully formed. Some folk are stupidly talented, but with most creatives, genius rarely spontaneously happens.

Anyone reading “Get in the Van” gets an idea of how determined Rollins has been to succeed. What do P.G. Wodehouse, W.E. Johns and Dick Francis have in common? They wrote at least a book a year (Johns sometimes churned out three or four per year). But not only did they each have a lot of luck, they all worked damned hard. (Alright, so PG had several flops and weathered two gigantic, very public (and bloody funny) scandals but even so).

_{Joey Pinter, Walter L:ure and Daniel Rey.}

When we were young and skinny and fearless, it was easier to celebrate the ch-cha-cha-changes, than it is now, when so many of our favorite places, people, bands, and way of life are just vanishing a little more each day. I can't keep up with all these changes.

In my head, I'm still a new wave kid with a Walkman. Probably listening to the Cult "Love", on 10, right? Making rehearsal tapes on a boombox in the basement. You could save 20 or 30 dollars, and come home from the big city record store with a new t shirt, some little buttons, a copy of "Flipside" or "Maxiumum Rock And Roll", some Jesus & the Mary Chain and Bauhaus postcards to send to your goth girlfriends in far away cities, a Gene Loves Jezebel or Flesh For Lulu promotional poster the nose-ringed death rocker cashier gave you for free, and a whole stack of winning indie punk $1 vinyl from the cut out bin. Those were different times.

For most of us, there ain't no rock ‘n’ roll no more, just the ludicrous worship of bullshit do nothing politicians, media monopoly lies and propaganda, and cos-play lab-coated scientific astronaut rich people on TV, and/or, always more blandly insufferably mediocre and meaningless mainstream garbage like the Foo Fighters - there's nowhere to go, no more basement shows. No real underground bands or real underground rock press in Amerikkka.

"The idea that 'disinformation' is something that just happened during the last four years is absurd. How did the U.S. public become the most ill-informed, easily manipulated public on the planet if not as a result of systematic 'disinformation' from the rulers? Now these same rulers want to 'regulate' social media speech." - Ajamu Baraka

“Fascism should more appropriately be called Corporatism because it is a merger of state and corporate power.” - Mussolini

Ridiculously, I am suspended from social media, by fascist corporatists for posting this quote. How Zucked-up is that? I've been Zucked. You could be next.

All the left media sites are being censored, demonetized, or taken down, by corporatist Zuck-bots, and the gentrification shitlibs accept this, casually and completely, because their pyramid-scheme higher-up superiors have told them that censorship is okey-dokey, because social media is privately owned, and therefore, tech-lord billionaires have the right to censor any facts, opinions, quotes, or evidence that contradicts their corporatist agenda. More worryingly, attractive and beloved celebrity figureheads have, once again, been recruited to promote monopoly tech-lord control of information flow, by telling their followers to rat on any voices online that question or contradict official narratives, as spreading mis-information. This is exactly the cultish Blue MAGA equivalent of crazy Trump yelling "fake news".