Sunnyboys head return of Flaming Hands and Shy Impostors
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- By The Barman
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Thirty-five years ago, Sydney's Sunnyboys released their eponymous debut LP. Containing the hit singles “Happy Man” and “Alone With You”, the album enraptured teenagers of the time (and generations to come) with an astute blend of hi-energy, pop hooks and brooding, longing wordplay.
In celebration of the album milestone and the premiere period from when it sprang, Sunnyboys will take to the stage in February 2017 for a handful of shows playing a set entirely derived from 1981; a set that will also include Sunnyboys, the album, performed in its entirety.
For Sydney fans there will be the added bonus of seeing Sunnyboys 1981 gigging partners Flaming Hands – featuring singer Julie Mostyn and songwriter Jeff Sullivan – performing their stripped back blend of ’60s style soul, R&B and psychedelia for first show since 1985!
Joining them on this momentous Sydney line-up will be legendary Sydney act Shy Impostors. Fronted by singer/songwriter Penny Ward and featuring the pre-Sunnyboys Peter Oxley and Richard Burgman alongside drummer Michael Charles, Shy Impostors existed for just nine months during 1979-80 and releasing one (great) record only; the posthumous “At The Barrier” single in 1981.
4220 - Tokyo Beef (self released)
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This one’s by a bunch of blokes from Burleigh Heads, an idyllic spot in the most southern coastal reaches of sub-tropical Queensland where the weather’s warm, the beer’s cold and the attitude is either laid-back or laid-off and under-employed.
If Tokyo Beef’s EP doesn’t quite reek of coconut oil on a frying Burleigh Heads sunbather’s back at the height of a summer afternoon, its sound would sit perfectly well in the beer garden of the town’s famous pub after the sun’s gone down. The band doesn't mind flying the flag for its home turf either - the title’s a reference to their postcode.
Storm The Gates – The Prehistorics (Sonic Artillery Records)
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What a long way this Sydney band has come in a few years – and not just geographically speaking.
The Prehistorics have done the European touring thing a couple of times now, returning home to relative indifference. Main-man Brendan Sequiera was planning to relocate to France but red tape and lukewarm day job prospects have put that plan on the backburner.
What he and his band have delivered with their fourth long-player is an album of world-class, melodic but hard-hitting rock and roll. It will go down a storm offshore and - all things being equal - should make an audience closer to home sit up and listen as well.
Sonics Rendezvous - Fred “Sonic” Smith (Orchide-Detroit)
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The loudest sound you’ll hear on this is the bottom of the barrel being scraped.
The intentions were probably sound. Assembling a collection of previously unheard works-in-progress by the man who was a driving force in rock and roll’s most criminally under-recognised band makes perfect sense.
Provided the raw material you have is bountiful and of premium grade.
It wasn’t and it is not.
The Complete Steve & The Board - Steve & The Board (Playback Records)
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They were around for only a year and were well short of being a household name in Australia by the time they played their final note in 1967, but Steve & The Board left a handy collection of recordings in the wake. Legacy label Playback has applied love and diligence to this historical release and more power to them for preserving Australia’s musical past.
Steve & The Board played beat pop, pure and simple. Some of it carries the aroma of a stab at the charts, other songs shows broader love for the hard-edged R&B of the times. Most Australian bands in the mid-‘60s were in the thrall of the British Invasion that had hit the USA and Steve & The Board were no exception. Their recordings aren’t world beaters but have vibrancy and some occasional grit.
The Skeleton Tree - Nick Cave and the Bad Seeds (Bad Seed Ltd) & Phantom - MJ Halloran (Off the Hip)
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- By Robert Brokenmouth
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The reason these two sit together here is that there is a similarity.
Ever since Nick’s "Boatman’s Call" made it acceptable, musicians have been coming out of the woodwork with quiet, intense music. Some are, naturally, better than others. Some remain lost, lost without knowing why, but because they don’t share the same creative origin (or ‘muse’) which sparks Nick.
Still others are compared to Nick when they share only a few of his influences - but produce something which people think they recognise as being in Nick’s … carpark. Think Mark Steiner, Nikki Sudden, Henry Hugo, David Creese, Hugo Race, Michael Plater, … hell, think Louis Tillett, Mick Harvey even.
Yet, if you take the time to listen to these folk, you discover how completely different they are. And, more often than you’d know if you believed the critics… sometimes they’re a lot better.
GOD HATES FAQs - Shrewms (Swashbuckling Hobo Records)
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With a guitar sound dirtier than a mud wrestler’s crotch after a dozen championship belt rounds and 10 short, sharp songs delivered in no-nonsense and rapid succession, the debut full-length album from Brisbane punk trio Shrewms hits the Rock Action bullseye with grim accuracy.
These are high-tensile tunes delivered with lashings of gutter rock charm and despite the clever wordplay in the title, you won’t find any Westboro Baptist Church choir numbers among them. Unless the congregation has taken to gargling with paint stripper instead of fundamentalist Kool-Aid.
The Promised Land - The Hollerin Sluggers (self released)
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- By Ronald Brown
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There is some nasty ’n’ dirty, gravel-based blues-rock ’n’ roll coming out of Sydney and nobody is doing it better than The Hollerin Sluggers. This powerhouse trio from the Northern Beaches is fucking grooving. They have all the awesome songs and guitar riffs you'll need to have you jumping around.
“The Promised Land” is a must for blues and rock enthusiasts alike. It’s a “must have” if you like slide guitar, open tuning, gritty vocals and no over-production. That’s what they recorded and that’s what you get here and - fucking hell - I can’t stop playing this.
From the first track, it’s a throwback to the great early ‘70s guitar bands. “Come Over” is the opener and what a rocker! The band is Owen Mancell (guitar and vocals), powerhouse drummer Andy Thor and Tim Cramer on bass. They’ve only been together a couple of years and this is their first album.
Freedom - Baby Woodrose (Bad Afro)
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We all know it’s an imperfect mainstream world especially where we’re talking music - or whatever passes for it in some circles. Danish songwriter Lorenzo Woodrose is fairly well-known on the European festival circuit and at home in Denmark, but his name recognition is close to zilch in most other places. In that perfect musical world for which we all should strive, his moniker would be up there in letters larger and better known than the iconic Hollywood sign.
Woodrose was a drummer for a band called On Trial when he took a ‘60s psych project called Baby Woodrose out of his Copenhagen bedroom with a debut album called “Blows Your Mind” in 2001. It did blow the minds of many critics and was a stunning piece of heavy psych-garage rock.
A long line of albums and band personnel have followed, most of the records on the indefatigable Bad Afro label. One long-player, “Love Comes Down”, cracked the mainstream. Baby Woodrose’s prodigious output ranges from ‘70s space rock to ‘60s-derived garage rock and pop and it’s uniformly excellent. The last full-length album was four years ago.
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