Hogs, chickens and horses
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- By Robert Brokenmouth
- Hits: 4357
Not As Bad As It Could've Been - Scarth Hog (self-released)
Mystery Train - Chickenstones: (Crankinhaus Records)
Away from the Sun - Majestic Horses (Kasumuen Records)
Yes, dear reader, I too wondered what a scarth was. Well, Scarth is a family name, and 'is of Anglo-Saxon origin and came from when the family lived in the county of Yorkshire, where they held the manor of Scarborough. This place-name was originally derived from the Old English Skaroisburg, which was brought into England during the Norman Conquest of 1066.'
But Scarth is also Yorkshire dialect for a rough, bare rock. No-one ever said Bill Bostle (whose band this is) ever lacked a sense of humour.
I used to know Bill a little, back in the days when 205 was a conglomeration of interweaving bands rather than a street number, and when Bill played (drums) in King Snake Roost with, among other interesting ingredients, the late Charlie Tolnay. I recall one visit to his house (in a quiet inner Adelaide ‘burb) during which he boasted of being “the loudest bastard in the street” which, given that he had the Grateful Dead on 11, was patently obvious.
New Jersey vets bring the '60s pop hooks
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- By Robert Brokenmouth
- Hits: 4129
Million Reasons - RGD (Serious Machines Records)
You know what? Right now there are probably more music bands than at any other time. I could be wrong, of course. But I doubt it.
The music industry isn't as interested as it used to be. More fool them.
I recall hearing REM's first LP, "Murmur", back in 1983.
God, what an old coot I am.
We used to wear an onion on our belt back then, it was one of those things you did, like riding a chopped bicycle decorated with annoying plastic things.
On the crazy train with visionary blaster Billy Tsounis
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- By JD Stayfree and the Ball Tonights
- Hits: 3523
"Warp Delights" - Billy Tsounis (self released)
I think I may have heard "Cow Lands Plane Eats Pilot" before, or maybe it was just in a dream, I've been having pretty heavy heady, horizonless dreams lately and me and Billy Tsounis are sometimes tuned in to some of the same static-y frequencies.
I dunno why it makes me think of aliens and toasted pop tarts on space saucers, but it's possibly something to do with my Valter Longo intermittent fasting regimen and this infinitely sentimental time of year. I like "Serene" space rock invested with swirling sensuality and delicate little wing kozmic blues sound rituals.
Billy Tsounis is from Cali via Boston via Greece with the Milky Way still in his untamed stare. He's still got that get down like they don't know how in this ghost town. I find his music very therapeutic and uplifting, he transcends every definable genre , space and time. He brings on the machine gun compound crackling speaker bullhorn manifesto and the magic carpet ride away to Morocco or Marrakesh or wherever it is that rich rock stars may still retreat from gentrified iPhone society to smoke hash or sit at the feet of Jamaican holy rollers and receive their crystal visions in silky opium dens, like decadent emperors. He does not really belong to any one religious practice or musical discipline. He is not here to please yo mama's easily digested tv programming sensibilities.
Brutality can be beautiful
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- By The Barman
- Hits: 6118
So I Could Have Them Destroyed – The Hard-Ons (Music Farmers)
We need to talk. Oh, yes, we do.
There were doubts about this one. I’d seen the songs played live. Whether it was unfamiliarity or just an off night, to these ears the set didn’t gel. It cried out for more light and less shade. Ease off that pedal-to-the-metal thing, baby. Not in a greatest hits way, but maybe with the odd well-chewed pop bone thrown in. It wasn’t bad. Just not earth shattering.
Then the album arrived and hit the disc player.
Fark.
Smiles a mile wide as Shonen Knife puts the fun into art's home
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- By Bob Short
- Hits: 4217
Craig Norman photo.
Shonen Knife
New South Wales Art Gallery, Sydney
Wednesday, November 7, 2019
In which we discuss the topic "can art be fun?".
Most young New South Welsh men and women encounter the Art Gallery of New South Wales but once on school excursion. Packed off in buses to pay respect the big historical back drops and listen as the dead beat teacher saw the modern stuff and hear them proclaim they could have done that.
Of course they didn't. They wouldn't be teaching mongrels like us if they could.
If you make mine a bucket of Brains to go that would be Groovie
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- By The Barman
- Hits: 4318
Fresh from unleashing a volley of Scientists and Radio Birdman/Stooges offspring material, re-born Australian label Grown Up Wrong has a pair of Flamin’ Groovies releases in the wings to whet the appetite of even casual fans of the band.
Arch-Groovies acolyte and label head David Laing has compiled “I’ll Have a…Bucket of Brains”, which is eight tracks from the tapes made for United Artists in the UK in 1972. Mostly recorded at Rockfield Studios in Wales with Dave Edmunds, this release captures the Groovies transitioning from punky R&B artists to flashy Stones types – en route to aspiring to be the new Beatles. It’s the Groovies album that never was, with four of the tracks instead being released on singles.
Expanded packaging and a speed-corrected take of the Groovies’ classic “Shake Some Action”, this collection was previously available as “The Rockfield Sessions” but has been long out-of-print.
The other offering is “Between The Lines: The Complete/Wilson Songbook ’71-81”, which compiles, for the first time, all original songs written by Cyril Jordan and Chris Wilson in the classic second version of the band.
Do you want to be in my Gang? Oh yeah.
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- By Robert Brokenbmouth
- Hits: 5642
John 'Gaoler' Sterry. Rick de Pizzol photo.
Gang of Four
God God Dammit Dammit
Lion Arts Centre, Adelaide
November 5, 2019
Gang of Four are touring Australia and New Zealand and played Adelaide earlier this week. They were fucking brilliant. Exciting. Brutal. Gigantic. Fun, too. But ... pointed and magnificent.
It's a no-brainer. Go see them while you can.
Right, well. A little context. When I was asking a few friends if they were going, one said, 'they sound like every other band' ... well, no they don't. See, the thing is, over the last 40 years a lot of other
bands have picked up on their style, which is now familiar.
Brothers in arms
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- By The Barman
- Hits: 3406
Taste for Evil – The Cuthroat Brothers (Hound Gawd)
You’re over all those punk-blues duos? You prefer your blues un-bent, right? And you never want to see red and white stripes again? Think again.
The Cuthroat Brothers are real-life barbers from the US Pacific Northwest city of Tacoma, an area that also spawned The Sonics. One of them (Donny Paycheck) drummed for Zeke. Studio wiz Jack Endino (Mudhoney, Nirvana, Soundgarden) produced this, their second album.
They sing songs about “blood, death, drugs, sex, black magic (and) bad relationships” and their music is raucous, rough-edged and rambunctious. What’s not to like?
Take The Fall for one Hex-cellent read
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- By Robert Brokenbmouth
- Hits: 4969
Have A Bleedin Guess. The Story of Hex Enduction Hour
by Paul Hanley (Route Publishing)
Straight outta ... Pontefract ... comes Route's latest (rather brilliant) publication. For what I suspect is a small publisher, Route (est. 2000) punch above their weight. This is their 10th music book - the third to deal mostly with The Fall and - gulp - the second by a Fall drummer.
You can snaffle Simon Wollstencroft's “You Can Drum But You Can't Hide” and Steve Hanley's tour de force “The Big Midweek. Life Inside The Fall” at Route's website, and Paul Hanley's “Leave The Capital” (a history of Manchester music and liberation) as well.
My copy's pink with black writing, and signed. Though I'd like to think you'd see this one in Dymock's or JBHiFi, don't hold your breath. I ordered mine, yes from overseas, and it arrived in a timely fashion, and much better wrapped than most books you order from overseas.
Which is excellent; particularly since it anticipates Cherry Red's upcoming '"1982" Fall box, the latter of which I expect I'll get to in due course.
Now, unlike his brother Steve, Paul Hanley approaches “Hex Enduction Hour” in two minds. The bulk of the text follows the obvious pattern: what came before the album, how the songs were put together, the context of the band in their time and so on. He approaches the album as a music historian, but is also able to correct wrongly-held beliefs (such as the likely identity of King Shag Corpse) with restrained glee, while inserting footnotes which reveal the bloke you want to meet at the pub. Rather puts me in mind of Terry Edwards' book on Madness' first LP, written for the 33 1/3 series.
Speaking of which, in the foreword, Stewart Lee (no, no idea) tells his sad story of wanting to write a book on “Hex” for 33 1/3, only to be rebuffed with the old “ain't commercial enough”, a sad and common refrain to many an enthusiastic writer (if not fan).
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