Cum The Raw Prawn - Cosmic Psychos (Desperate Records)
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- By The Barman
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There’s something reassuring about a new Cosmic Psychos record. It’s about ageing disgracefully and all that. The fuzz bass, careering guitar lines and shout-spoken – no, drawled – vocals about beer, drinking and other everyday pursuits wrap themselves around you like a favourite blue singlet on a sweltering December day.
No Psychos record is radically different from another and therein lies the comfort factor. If you’ve been paying attention, by now you know exactly what you’re going to get. There’s more verbal abuse here than Caitlin Jenner taking a post-operative vacation at an ISIS-controlled holiday resort.
Shifting Sands wash up in Sydney
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- By The Barman
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Burning dive bars like bridges Brisbane’s inconsolable Shifting Sands erode into Marrickville’s Factory Floor in Sydney on Friday, July 3.
Sprinkling their trademark downbeat alcho-aesthetic, one part piano bar depresso-core and one part island funeral, Shifting Sands play all the hits from their stunning debut long-player “Beach Coma” – one of the albums of the year for ours.
Support comes your way from Devotional, who level it drenched and panoramic, and new project for Yvonne Moxham and Cec Condon (Mess Hall), Roadhouses. Buy your tickets here. There's a film clip after the MORE link.
The Delta Lions donate single proceeds to charity
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Newcastle band The Delta Lions have just released a brand new double A side single and are donating all the proceeds to the Indigenous Literacy Foundation. “Smoke Bombs” b/w “Mac & Laura” is up for grabs digitally at $A2 for both songs. It’s also available as a vinyl seven-incher and is the band’s first recording in two years.
Set up in 2011, the Indigenous Literacy Foundation is a not-for-profit charity without government or major corporate funding. It aims to raise literacy levels and improve the lives and opportunities of Indigenous children living in remote and isolated regions.
Delta Lions are touring buddies of Leadfinger and one of the best blues-rock bands to emerge from Newcastle in recent years. Details or how to buy the single are available via the links below.
R.I.P. Gary Quackenbush of the SRC
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Guitarist for influential Michigan rock band the SRC, Garry Quackenbush, has passed away after a struggle with lung disease.
Best known for his work with the SRC (Scot Richard Case) in the late ’60s and early ’70s, Quackenbush had been under home care. Friends rallied earlier this month in Detroit to stage a benefit show.
SRC released three albums (“SRC”, “Milestones” and “Traveler’s Tale” – the latter without Quackenbush) during their run and two posthumous records (“Lost Masters” and “Black Sheep”) after their break-up. The surviving members staged some reunion gigs in recent years.
Quackenbush was recognised as a master of sustain and feedback and the band’s influence was particularly felt in Europe thanks to a string of album re-issues.
Leni Sinclair photo
Anne McCue live at Django Bar in Sydney
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- By Edwin Garland
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Jill Stokesberry photo
If I was to choose a Sydney venue for the launch of Anne McCue’s remarkable album Blue Sky Thinking, it would be the Django Bar.
I was aware of the venue upstairs, Camelot, as one of the better bars in Sydney’s inner-west for the last few years The Django bar is downstairs and it is everything Django. Django sculptures Django oil paintings, Django drawings - such a Django Rhineheart vibe.
I was so early for a gig (7.15pm) and already it is packed; I knew was a sell-out but this was so startling. Even at that time I was able find a seat way at the back of the venue with mid-‘70s Tom Waits footage on a large screen, blaring across the room. There seems to be big expectations for this show.
Return To Hell - The Sonic Race (Krypta Records)
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- By Robert Brokenmouth
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What with them scheduled to support Chris Masuak (“The Australian Rock Festival - The Legacy of Radio Birdman In Spain”) for a show in Spain being filmed for a documentary, I suppose it would be polite to review the Sonic Race’s CD.
The Sonic Race are from Spain and play high-energy, exuberant rock that keeps rocking. They don’t stop for no-one and you need this album in your house - and on your car stereo - right now. Oh yes, magic phrase:”Twin guitar assault”.
I got mine through their Australian representative Axelle Dee on Facebook. She may have a few left and they also have a Bandcamp.
Snakes alive! Sir David reforms his rock band
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- By The Barman
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For those waiting for the grooving Dave Graney to re-enter the rock world, wait no more. The Golden Wolverine, High Plains Drifter and The Savage Sportsman is reforming his hard-arsed but grooving 1990s chart outfit, The Coral Snakes, for a handful of shows.
Graney, Rod Hayward, Gordy Blair, Robin Casiander and Clare Moore were The Coral Snakes and they had a string of major label albums, pushing their way into the mainstream. They ain't afraid to be heavy and rock and roll is where Sir Dave hides
Dave Graney 'n' the Coral Snakes 2015
AUGUST
7 & 8 – Memo Music Hall, St Kilda
SEPTEMBER
4 – Newtown Social Club, Sydney
5 – Lizottes, Newcastle
OCTOBER
23 & 24 – Crown & Anchor, Adelaide
Blue Sky Thinkin' – Anne McCue (Flying Machine Records)
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- By Edwin Garland
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Australian Anne McCue left our shores well over two decades ago with her black Gibson Les Paul and a knapsack. She was raised in working-class Cambelltown in a loving family including a father with an amazing recording collection; a ghost that would haunt her years later.
Anne played gig after gig, after gig, in tiny bars, to major supports, and residencies. Driven by her music, her home was where opportunity knocked so she could record and play. Developing her craft as a minstrel of the world with a bucketful of personality, playing live in truckdriver rest stops, juke joints and to the hippest venues in town, she’s spread her music from Vietnam, England, Spain and her now home of Nashville, Tennessee.
Second Winter - Ed Kuepper & Mark Dawson (Prince Melon Records)
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- By Edwin Garland & The Barman
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“Second Winter” feels almost like a concept album. Those are familiar with Kuepper’s work since his solo debut of “Electrical Storm” of 1985 will find it all like a passage between the past and the shadows of previous melodies and phrases. It's rather haunting.
Even the cover of the record has captured the ambience of the front of his first solo album (also made with long term collaborator, drummer Mark Dawson.) This shot shows four identified figures leaving an entrance of a stone building.
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