Drunk and Disorderly: Episode 36
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- By The Barman
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Yee-ha! Episode 36 is live. You’ll hear from S to S, Heartbrokers, James Williamson and The Pink Hearts, Alejandro Escovedo, The Conspirators, The Hellacopters, Shifting Sands, The Sand Pebbles, Suzie Stapleton, The Scientists, P76, The Yardbirds, Stiff Richards and Mark Taylor (Lipstick Killers).
Dirty Stash - The Beat Taboo (Off The Hip)
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- By The Barman
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This is swampy, tub-thumping, blues-y bayou rock and roll with more meat on its bones than a fat lady in a St Kilda cake shop at lunchtime. Of course it's from Melbourne, but it probably's done time washing dishes in a Memphis roadhouse, soaking up Alex Chilton stories.
The Beat Taboo take their cues from so many different places that you could easily name-drop half-a-dozen influences and come up winning and grinning. I suppose the Cramps are the obvious one (dig the "Human Fly" references on "Splinter Beach") but that's a tag that's as limiting as it's lazy.
Looked at their whole career, the Cramps were really a portal leading back to a rich assortment of '50s rockers and freaks. To whom, The Beat Taboo (and plenty of other garage-y bands) owe a deep debt.
Can I Drive Your Commodore? – Grindhouse (Off The Hip)
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There’s a school of thought that says continual exposure to dumb rock and roll will lower your I.Q. by a significant degree. Well, fuck that. You don’t need to be a Rhodes Scholar to enjoy hard and fast, Real Rock Action. But don’t be getting off on your snobbery trip, either.
Rock and roll can be thoughtful, intelligent and insightful. That doesn’t stop it also being thicker than a San Franciscan fog. Chuck Berry had his subversive moments, but “Johnny B Goode” ain’t one of them. Little Richard: “A whop bop a lu lop a-whop bam boo”? What the fuck is that about? Don’t even mention “Ob-la-di ob-la-da”. It’s a shit song anyway.
The point is that you can like smart rock and simultaneously roll around in the swill trough. It shouldn’t be one or the other. They’re not mutually exclusive. The Franklin School were flat out wrong. (Look ‘em up if you don’t know.) High art is one thing but getting high (or drunk) mindlessly at warp speed is another. Even if you're not into over-indulging, rock and roll is as much about fun and having a laugh as anything else. And it doesn’t get much funnier than middle-aged Melbourne punks Grindhouse.
New Christs plan four shows before lay-off
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Emmy Etie photo.
The New Christs are playing their last gigs for some time, with Rob Younger going back on active duty with Radio Birdman, and they’re going out with a flurry that includes two interstate gigs.
Friday, July 6 finds them fronting up for two sets at Beaches Hotel at Thirroul in New South Wales for free. On Saturday, July 7 they’ll return to the scene of their Marrickville Bowling Club triumph with James McCann and the New Vindictives almost a year ago with precisely the same bill.
On Saturday, July 14 they’ll play a rare Melbourne show at the Cherry Bar, again with James McCann and the New Vindictives plus Penny Ikinger. And Saturday, July 21 finds them headlining the Fly By Night Musos Club in Fremantle, Western Australia, with The Volcanics and The Shakeys supporting. This will be the New Christs' first-ever WA show.
Solo Ed (By Request) and fresh The Aints! gigs roll out
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It wouldn’t feel normal in Australia if it wasn’t raining Ed Kuepper shows. Already announced as the Melbourne headliners for this year’s Reclink Community Cup at Melbourne’s Victoria Park on June 24, Kuepper's new favourite band The Aints! are playing an additional show at Geelong’s Barwon Club Hotel the night before.
Joining Kuepper in The Aints! are Sunnyboys bassist Peter Oxley, Paul Larsen (drummer for both The Celibate Rifles and The New Christs) plus solo jazz performers Alister Spence (keyboards), Eamon Dilworth (trumpet) and an additional brass section. Tickets for The Aints! play The Saints with special guests Ausmuteants are on-sale here.
Jack Howard's Epic brass bookended by solo Steve Lucas and Penny Ikinger shows
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It’s renowned as one of Melbourne’s most spectacular rock and roll shows and it hits Sydney’s Factory Theatre at Marrickville on Saturday. Epic Brass is the brainchild of Hunters and Collectors horns man Jack Howard and employs a stellar cast of underground stars to showcase the songs of the Saints, X, Laughing Clowns, Painters and Dockers, the Hunnas and Midnight Oil.
Former Sydneysiders Ron Peno (Died Pretty), Steve Lucas (X), Penny Ikinger (Wet Taxis) will join Jack Howard and Fiona Lee Maynard, with John Archer (Hunters and Collectors) on bass and Ash Davies on drums. Tickets here.
If you’re of a resident of Sydney’s Inner-Western Delta, you won’t have far to catch two sideshows before and after Saturday. Steve Lucas plays a free solo show at the Golden Barley at Enmore from 8pm on Thursday night with Penny Ikinger backing up at the same venue at 7pm on Sunday, also gratis.
Brilliant Disaster & I Know My Way In The Dark - Paul K and The Killer Elite (Beacon Hill Records)
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- By Gen'ral Labor, seasoned loser of the year
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OUTLAW BLUES AND ENDLESS GRACE....
If you're feeling unloved and forgotten, frightened and voiceless, alienated and misunderstood, in these brutally dark times of Trump, surveillance, controlled media, Gestapo cops and endless war, get these CD's. They will comfort you immensely. "Brilliant Disaster" is sort of an EP but also perhaps, the best LP I've heard since Ian Hunter's ‘90s masterpiece, "Rant".
The way you know every slick American music rag has been hijacked by the corporate state to promote war and Wall Street, bigotry and consumerism, is they keep putting war criminals, former wrestlers, and vacant lap dancers on the cover instead of the Cohenesque, Paul K… Maybe he ain't that famous, but his songs have had immeasurable emotional impact on most everyone they have been properly introduced to.
Get a Hard-On for vinyl at these shows
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The Hard-Ons are vinyl fans. They believe, like many others who are a bit greyer, that vinyl records that were released before the digital age tell fascinating stories about the song/artist/record label, that streaming and MP3s can’t quite relay.
The band is playing two shows this month that celebrate vinyl. The big news is that the first 120 punters to arrive at the June 1 show at the Chippendale Hotel in Sydney and the June 2 gig at the Cambridge Hotel in Newcastle will receive a discretely brown paper-bagged seven-inch single from the personal collection of the band members
Says Ray Ahn: “There are 240 random records culled from our personal collections and the like. Some are GREAT. Some are good. Some are OK. Some are pretty shithouse. All are from another time and place, there will be records from 50’s, 60’s, 70’s 80’s. In addition, three mega-rare Hard-Ons records that are probably worth a fair amount from the HARD-ONS’ archive will be up for grabs to six lucky punters.”
The band promises loads of Hard-Ons seven-inch records will be on sale at the merch table as well, including some long deleted rarities.
FRI 1 JUNE: CHIPPO HOTEL with WHITE DOG + HELLEBORES
SAT 2 JUNE: CAMBRIDGE Hotel NEWCASTLE + Human Failure + Obat Batuk
And later this month, the Hard-Ons hit Europe again:
Hard-Ons in Europe
JUNE
France
20 - TBA
21 – La Rochelle
22 - Clisson, Hellfest
24 - Orleans, Blue Devil
Germany
25 - Essen, Don't Panic
26 - Osnabrück, Bastard Club
27 - Hamburg, Port Klang
28 - Berlin, music & peace
Finland
29 – Tampere
RIP Andy MacQueen (Exploding White Mice, Pro-Tools)
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Exploding White Mice and Pro-Tools bassist Andy MacQueen has unexpectedly passed away.
A fixture on the Adelaide live scene, it's understood Andy had complained of abdominal pains recently. Bandmates were understandably too upset to comment further but Jeff Stephens from the Mice posted this on his own Facebook page at 9.30 tonight:
All of us here in Exploding White Mice are utterly shocked and heartbroken at the passing of our dearly beloved Andy. Our deepest condolences go out to his family and to everyone who knew him. We love you Andy.
The Exploding White Mice reformed last year, playing two shows in their home town of Adelaide and making another appearance at the River Rocks festival in Geelong, Victoria. It’s understood plans were underway to tour more extensively.
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