Mean Old Twister - Deniz Tek (Career/Citadel)
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- By The Barman
- Hits: 5961
It’s hard to imagine Deniz Tek fans being disappointed by his latest release. Radio Birdman fans, maybe not so much.
While Deniz’s last album, “Detroit”, was a brooding, introspective and dark reflection on urban and personal relationship decay, “Mean Old Twister” paints with a broader aural palette. Sax, harmonica and keys are woven into the sound at strategic points, to enhance Tek’s trademark guitar and guitar player’s vocal.
A bunch of old Wild Things who made my heart sing
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- By Robert Brokenmouth
- Hits: 6814
Chris Allen and Chris Britton up front of The Troggs, 2016-style. Mandy Tzaras photo
The original Troggs were Ronnie Bond (drums), (guitar), Reg Presley (vocals) and Pete Staples (bass), and their first hits began over 50 years ago. Along the way, they profoundly influenced ‘60s garage rock (not to mention glam) and seem likely to have been the inspiration for “Spinal Tap" when a spirited recording session was recorded, edited and bootlegged ("The Troggs Tapes").
Those reasons alone would be good enough to shell out your $70+change and hurry along to the fine establishment on Port Road in Adelaide, The Gov.
Scrotal sacs and mankinis: Just another quiet afternoon in the City of Churches, really
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- By Robert Brokenmouth
- Hits: 4919
X3 Lodge dpoing what they do, live in Adelaide.
“X Factor”, I see from that reliable source of intelligence, has been rocked by accusations of performer manipulation and general bastardry. Strange place, Facebook. You can set up any FB page hating all manner of innocents, and they’re fine with that. Indeed, I should imagine Channel 7 pay large sums to FB to ‘get their message across’.
We all know Facebook is filled with the ‘politics’ (a rash word to use in a music review, I admit) of the modern age. Post a picture of a mum suckling an infant - a mundane enough sight as you head to work each day, or as you munch a burger and chug a thick shake at the local cholesterol emporium - and you’re banned because you “don’t meet community standards”.
Another Heroic Friday night
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In an alternative universe where justice prevails, Leadfinger would be spending their Friday night cranking out a two-hour set to a packed Hordern Pavilion. Five-thousand sweaty people would be singing along to every word of every song from their newest - superb - album.
Instead, they’re middle-of-the-bill and out front of a half-full Factory Floor in Marrickville. And the thing is, to watch them and to listen to those brilliant songs played with such passion and fire and love, you wouldn’t know the difference on stage.
This was only my second Leadfinger show. My first was at the Blood Bank Benefit for Mick Blood in 2014. I’d heard of them but not heard them. I spent the next 40 minutes standing there with my jaw on the ground going “Who the fuck are these guys and where have they been all my life?” Now to be fair, I had waged a blitzkrieg on sobriety that day and only remember general amazement, and a scorching cover of “City Slang”, but I blabbered about them for ages to everyone I spoke to in the real and cyber worlds.
Vale L.A. author and Imperial Dogs frontman Don Waller
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- By The Barman
- Hits: 9352
Another one has passed. Hot on the heels of Norton Records co-founder Billy Miller comes news of the loss of Los Angeles writer, scenster and proto-punk singer Don Waller.
A founding member of the semi-legendary "Back Door Man" fanzine and indie record label, Waller had written extensively for Mojo, USA Today, Billboard, Variety, Radio & Records, L.A. Weekly, L.A. CityBeat and the Los Angeles Times.
The second-generation LA native was the author of best-selling "The Motown Story" (Scribner's, 1985). Waller also wrote more than 40 sets of liner notesand was a consultant to TV co ntent providers.
Long before that, Waller was a member of proto-punk outfit the Imperial Dogs -- who wrote and recorded the original version of "This Ain't The Summer Of Love", later re-recorded by Blue Oyster Cult. The band recently unearthed an hour-long video performance, "The Imperial Dogs: Live! In Long Beach (October 30, 1974)", released in 2009 and available from theimperialdogs.com
Don is survivied by his partner Natalie Nichols. To honour Don Waller's passing, we've unearthed this September 2009, interview by leading Australian documenter of the pre-and-punk scenes, former Dog Meat Records owner David Laing.
Cobra’s Blood - Kit Convict & Thee Terrible Two (Off The Hip)
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- By Ronald Brown
- Hits: 3680
Coming out of Melbourne with long-player number two, Kit Convict & Thee Terrible Two have come up with a great little album. It’s full of jangly guitar riffs, a huge drum sound and a fabulous bass player holding down its bottom end and keeping it as tight as a cat’s arsehole.
I’ll tell you now that they did not fuck around with the recording of “Cobra’s Blood”. It was all written by the band, recorded in two days (the 12th & 13th of March this year, to be precise) at the wonderful Sound Park Studios in little old Northcote. Mastered by Mikey Young, it's an album that grows and grows on you. Exactly as was intended.
Dumb-World - Negatives, Reals and Judas Iscariot & The Traitors = 1974-1978 (Loaded Skull Discs/Shock)
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- By Edwin Garland
- Hits: 5962
These are quite remarkable recordings. Yes, you've heard rehearsal tapes and demo recordings by garage bands before, but these are different. It's all about the timeframe, the intensity and the fact that they're Australian and were recorded in relative cultural isolation.
“Dumb-World” is a serious collection of raw demos and rehearsal tapes from future Sacred Cowboys leader Garry Gray and his early bands between 1974-1978, featuring Judas and the Traitors, The Reals and The Negatives.
To place this in a historic context, the Australian musical landscape was fairly frigid. The local artists’ soundtrack was blaring from commercial AM radio, but it that was drab even though the live scene was flourishing and there were so many gigs for local musicians to play.
R.I.P. Billy Miller of Norton Records
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- By The Barman
- Hits: 5253
Billy Miller (left) with ex Flamin Groovies frontman Roy Loney and Miriam Linna.
Co-owner of legendary label Norton Records and former member of the A-Bones, Billy Miller, has passed away after battling long-term health complications.
Miller founded the label with his future wife Miriam Lina (a former Cramps drummer) in 1986, originally to issue the music of Hasil Adkins.
Hundreds of releases followed for bands as diverse as The Wailers, The Sonics, The Dictators, Reigning Sound, Esquerita, Ramones, the Pretty Things, the Flamin' Groovies, the Alarm Clocks, Question Mark and the Mysterians, Dale Hawkins, Andre Williams, Jack Starr, the Flat Duo Jets, the Untamed Youth, the Phantom Surfers, the Hentchmen, Wade Curtiss, Jackie & the Cedrics, the Church Keys, and Iggy Pop’s alma mater, The Iguanas.
Miller had lost a leg to complications from diabetes a year ago. He had been back in hospital in recent months.
Bigger Than Life - Jack Lee (Alive Natural Sounds)
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- By The Barman
- Hits: 5552
If Jack Lee went to his grave only known as the guy who wrote the Blondie hit “Hanging On the Telephone” he’d be more noteworthy than all of us combined and then some. The irony is that only music publishing houses and fans of his former band, The Nerves, would know this. Sad, but that’s the state of music in the ‘00s.
Just the facts: Their recorded output was scant but The Nerves were one helluva great power-pop band, operating out of LA in the mid-‘70s, and Jack Lee was (and probably still is) a consummate songwriter. Lee formed The Nerves and played guitar. His similarly talented bandmates were Peter Case (bass) and Paul Collins (drums.) They all sang and wrote the songs. That’s probably too much talent for one band and of course they didn’t last long…
- The Man He Used To Be: Stewart Cunningham tells the Leadfinger story
- Thrills & Chills – The New Trocaderos (Uncle Mike's RnR)
- Dirty and Dumb - Labretta Suede and the Motel 6 (self released)
- Hi-Fab! - Little Murders (Off The Hip)
- Edge of a Dream - The Jangle band (Off The Hip)
- Tumbling Heights – The Come 'n Go (Voodoo Rhythm)
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