Acoustic Menopause - Honest John Plain (Action Recordz)
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- By The Barman
- Hits: 4796
This is a simple and simply beguiling record, pared back rather than pared to the bone and impregnated with pop smarts. If the Johnny Cash take-off on the cover art didn't tell you already, it doesn't take itself too seriously either.
If you didn’t twig already, Honest John Plain is one of the survivors of the UK punk scene, recruited into the first line-up of the band that became The Boys way back in 1975. In-between re-appearances by The Boys, Plain has been surfacing in his own bands ever since.
Burning Sound Vol 1 - Punch Me Hard – Various Artists (Burning Sounds Records)
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- By Ronald Brown
- Hits: 3839
With a band on it called Guitar Fucker, it has to be a winner. “Punch Me Hard” is a compilation CD from Burning Sound in Switzerland and it’s 15 tracks of garage and punk rock, with touches of swampy blues rock ’n’ roll, that fucking burns.
What a vibrant and rocking scene those Swiss fuckers have going on over there…it must be those very liberal ways of living? This CD reminds me of listen to Kev Lobotomi on PBS Radio in Melbourne or being at a Fred Negro gig. It’s interesting, diverse and who knows what’s coming next.
Our shout! Why The Fleshtones and Peter Zaremba still drink for free after all these years...
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- By The Barman
- Hits: 43805
Meet Keith Streng, Ken Fox, Peter Zaremba and Bill Milhizer. Jacopo Benessi photo.
Here’s another plea for justice and a call for long overdue respect. Add another name to the list of bands whose “failure” (such a harsh word when applied without context) to break into the mainstream is not just unfathomable but criminal. Ladies and gentlemen, I speak of The Fleshtones, stars of stage and screen and bearers of a vibrant new record, “The Band Drinks For Free”, on Yep Roc.
The Official Biography lists it as Album Number 21 (including live releases) and says the band is in its 40th year, but let’s dispense with the figures and deal only in facts. The first one is: If you’re not listening to The Fleshtones, you’re a loser. The second is: It’s never too late to shed your loser status.
The Fleshtones emerged from a basement in New York City’s Queens borough and onto a stage at CBGB in 1976. Largely written out of histories of the Lower East Side scene despite being fixtures at places like CBs, Max’s Kansas City, The Pyramid, Danceteria and Club 57, they went through a trailer-load of trials and tribulations (labels going broke, line-ups in flux, drugs and drink) to “almost make it” in spectacular style.
Chewing Out Your Rhythm On My Bubble Gum - Juliette Seizure & The Tremor-Dolls (Off The Hip)
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- By Ronald Brown
- Hits: 5558
Hey Ho, Let’s Go! The original members of the Ramones are dead but their sound lives on in thousands of bands all over the world. It’s said that their greatest gift to music was when the Ramones played in your town because at least one band started after they left. I’m pretty sure that Juliette Seizure & The Tremor-Dolls are way too young to have seen The Ramones live, but they sure have listened to their records.
“Chewing Out Your Rhythm On My Bubble Gum” is full of classic Ramones driven riffs, aided by the smokey vocals of Shannon Cannon, Lauren and Zoe. It rocks and rolls, swaggers and pops with wonderful playing and well-crafted songs that just have you grooving from the first track until the last. It’s a winner, this album.
The Monkeywrench to hit Australia
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- By The Barman
- Hits: 4525
Supergroup The Monkeywrench are touring Australian shores for the first time.
Co-founded in 1991 by Mudhoney's Mark Arm and Steve Turner with Tim Kerr (guitarist for the Big Boys and Poison 13), The Monkeywrench was intended to be a one-album band. With additional members Tom Price (U-Men, Gas Huffer) and Australian Martin Bland (Lubricated Goat) they ended up recording three LPs: “Clean As A Broken Dick Dog” (1992), “Electric Children” (2000) & “Gabriel’s Horn” (2008).
Earlier this year, the band reunited to play ATP Festival in the UK plus shows in Seattle and London. With another performance at Sound on Sound Festival in Austin this November, the band decided to add Australia to their schedule.
With another reformation unlikely in the foreseeable future this could be the only time to see these legendary players on the one stage together as The Monkeywrench.
THE MONKEYWRENCH (USA)
AUSTRALIAN TOUR 2016
THURS 17TH NOV
CROWN & ANCHOR, ADELAIDE
Tix via Moshtix
FRI 18TH NOV
THE TOTE, MELBOURNE
Tix via venue website
SAT 19TH NOV
RIVER ROCKS, GEELONG
WED 23RD NOV
BRISBANE HOTEL, HOBART
Tix via Oztix
THURS 24TH NOV
THE BASEMENT, CANBERRA
Tix via Oztix
FRI 25TH NOV
NEWTOWN SOCIAL CLUB, SYDNEY
Tickets via venue website
I Want, Need, Love You: Garage-Beat Nuggets From The Festival Vaults - Various Artists (Playback Records)
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- By The Barman
- Hits: 4901
A vinyl fanatic you may be, but owning most of these 26 tracks in their original format would set you back almost as much as a down-payment on a modest piece of real estate in the over-heated Sydney property market. So put aside your collector scum aspirations and focus on the merits of this formidable collection of ‘60s gems on CD instead.
Australia’s garage and beat history is under-appreciated - despite the best efforts of labels like Raven and others of dubious legal standing - so new imprint Playback is a welcome market entrant. “I Want, Need, Love You” focuses on the output of The 5, Toni McCann, The Black Diamonds and The Pogs, spanning the period 1965-68, with about half the tracks new to CD. As many as possible have been sourced from the original masters.
Ex-Cramp Kid Congo back with new album
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- By The Barman
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Packing their fourth and probably strongest album so far, Kid Congo & The Pink Monkey Birds are heading back to Australia in August.
“La Araña Es La Vida” summons the Mexican muse of The Great Spider Goddess of Teoticuhan, who sprouts hallucinogenic morning glories and protects the underworld, or in Kid’s eyes, the world of underground music.
Recorded at The Harveyville High School gym in Kansas by guitarist-vocalist Kid Congo Powers (The Gun Club, The Cramps, Nick Cave and The Bad Seeds), bassist Kiki Solis (Baby Baby Dance With Me, Knife in The Water, Rhythm of Black Lines), drummer Ron Miller (Switch Hitter, Up The Academy) are joined by Chicano, Mosrite playing guitarist Mark Cisneros (Medications, Deathfix), it’s on In The Red Records.
Kid Congo and his band toured Australia to rapturous reviews in January 2016. The extensive tour just seven months later covers five states and the Northern Territory.
KID CONGO & THE PINK MONKEY BIRDS AUSTRALIAN TOUR
THURS 18 AUG - Lighthouse Theatre, Darwin Festival, NT
FRI 19 AUG - Mojo's, Fremantle, WA
SAT 20 AUG - Crown & Anchor, Adelaide, SA
WED 24 AUG - The Bridge Hotel, Castlemain, VIC
THURS 25 AUG - Northcote Social Club, Melbourne, VIC
FRI 26 AUG - Friday Nights @ NGV, Melbourne VIC
SAT 27 AUG - Caravan Music Club, Oakleigh, VIC
THURS 1 SEPT - Oxford Art Factory, Sydney, NSW
FRI 2 SEPT - The Triffid, Brisbane, QLD - Tickets
Landfill - Undead Apes (Mere Noise)
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- By Ronald Brown
- Hits: 3636
If you are looking for some nice, FM radio-friendly songs with melodies, coherent vocals, studio overdubs and perfect mixes, stop reading now. This album is not for you.
"Landfill" is one fast, fuck-knows-what album that’s like getting a shot of who-knows-what, you-know-where. Getting much info on the band off the internet isn't great but who cares this album is a good, fast 30 minutes of Brisbane punk rock at its best.
Surprise, Surprise EP - Dee Rangers (Sucker’s Choice Records)
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- By The Barman
- Hits: 4263
After half a dozen albums you’d expect these Swedish veterans to be good at this thing called Garage Pop and they don’t let anybody down on this meaty four-song EP. It’s catchy, rough-edged pop with twin-guitars.
Dee Rangers are firmly stuck in the 1980s but that’s a positive around these parts. Sweden, the US West Coast, the UK and Australia were all hot spots back for garage rock with distinct ‘60s overtones back then and this release reminds you as much.
Prime cut “I Want You” is straight out of Burbank with a surging organ line, gritty guitars and an impassioned vocal all hanging off a catchy hook. Pers Nystrom announces Utte Petterson’s lead-break with a howl before we’re dropped back into the chorus. Killer stuff.
- Scary Eyes b/w Grave Yard - Love Cans (Burning Sound/Sacred Hood Records)
- Just a bunch of Heroes getting the Lead out on a Friday night
- Somewhere Else - Rummage (Cannery Records)
- Tight and outta sight: HITS return to their second home
- Nothing Grows in Melbourne (except great music)
- Mutant Surfer - Hellmen (Buttercup Records)
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