No rear vision for these Straight Arrows
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- By Patrick Emery
- Hits: 4041
Straight Arrows.
Straight Arrows
Bananagun
Tote Hotel, Melbourne
Friday, 22 March 2019
I’m not a big fan of the rose-coloured 1960s discourse. Sure, the music’s great, the anti-establishment political rhetoric is inspiring and the fashion iconic. But the 1960s gave the world Nixon and the first incarnation of Reagan the politician, Engelbert Humperdink outsold Hendrix and it was mainly rich white kids (especially men) who had the socio-economic stability to drop out – because they could drop back in again anytime they wanted to.
The 1960s is a mythical idea, not a corroborated historical construct. We want to believe what it was like, because it’s not like that now. Revisionism. Nostalgia. Self-deluded idealism. There was good shit going on, but there’s good stuff going on now. There was plenty of bad, square and nasty stuff going on then, too. More so than the good stuff.
Banangun sounded like they’d crawled straight out of a '60s documentary. Maybe a Nuggets Acid Rock compilation. I hadn’t heard of them before tonight, though later on it was pointed out to me that their main man is Nick from The Frowning Clouds, and then everything made sense.
An intoxicating evening
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- By Patrick Emery
- Hits: 4465
Gergely Csatari photo.
"Nocturnal X"
Mick Harvey and the Intoxicated Men
Gemini 4
Harry Howard and the NDE
Tiamo 3
Primo!
Melbourne Museum, Friday, April 5 2019
Upstairs at the Melbourne Museum hosts a local exhibit, a collage of images, dioramas, reportage and oral testimonies from the city’s post-invasion history. In a corner of the exhibit can be found a movie telling the evolution of post-war Melbourne, from the faceless images of businessmen in John Bracks’ Collins St, 5pm painting, to the vibrant, cosmopolitan metropolis of the present day.
A black and white photo from 1979 shows five youths staring at the camera, sullen, callow, defiant and charmingly obnoxious. The adult voice of one of those rebellious kids talks of the change in Melbourne’s character: Mick Harvey, Boy Next Door, Birthday Partier, Bad Seed. Back in the day, Harvey intones matter-of-factly, the inner-city was a cultural backwater.
5-6-7-8-9 is the countdown to new Aints! EP and shows
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- By The Barman
- Hits: 4932
Australia's best old new musical group, The Aints!, are continuing their march to world domination with an EP and more live shows.
Ed Kuepper, Peter Oxley, Paul Larsen Loughhead and Alister Spence have added brass wizard Eamon Dilworth to the band ranks proper and are following up their debut album, "The Church of Simultaneous Existence".
As befits a band summoned to expand on the legacy of Kuepper's fabulous if reluctant punk pathfinders The Saints, the EP will be called "5-6-7-8-9", taking its cue from The Saints’ 1977 four-track release "1-2-3-4".
Click Read More to hear a track.
This is War! Godfathers Live! - The Godfathers (Godfathers Recordings)
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- By The Barman
- Hits: 3672
We all know that band that was “born out of time”. The one that was on the cusp of success and that would/should have become household names given a modicum of luck and better timing. The Godfathers certainly qualify.
Arising in the UK 10 years after punk’s initial rush and playing a brutal but hook-laden fast R & B, they had a degree of chart success in the US with “Birth, School, Work, Death” and “More Songs About Love & Hate” before leaving their major label for a German indie, peetering out in the 2000’s before a late decade reformation.
Silver Space Machine - Purple Urchin (self released)
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- By The Barman
- Hits: 4367
It’s fuzz-laden and filthy rock and roll and the antecedents of two of Purple Urchin’s three members tells you why.
Guitarist-vocalist David “Spiff” Hopkins was in herbally-inclined Sydney skate-surf punks The Hellmen and treble-toned but righteous Perth rockers The M-16s, while Shayne Macri played bass in aptly-named West Australian band, The Fuzz, in which stellar-throated vocalist Abbe May also cut her teeth.
Purple Urchin come from Dunsborough, a surf town 250 kilometres south of Perth that serves as the gateway to Western Australia’s Margaret River wine region. Like everything else in that part of the world, it’s a long way from anywhere else. Purple Urchin have clearly brought their influences with them.
Crystal Cuts - Shifting Sands (Spooky Records/Beast Records)
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- By The Barman & Robert Brokenmouth
- Hits: 5444
You might hear a better Australian album this year but I’m not sure I will. “Crystal Cuts” doesn’t have the immediate, dark pop rush of “Beach Coma” but that’s only by a matter of degrees. It works its way into your listening psyche through much more subtle means.
That’s not to say “Crystal Cuts” shouldn’t be occupying airwaves and taking up streaming bandwidth, worldwide. It manages the rare trick of being commercial (whatever that is) and subtle at the same time. Shit, I’d settle for hearing “Would’ve Killed Each Other” over “Hotel California” on the supermarket PA system, as I forage the health and beauty aisle of Coles for razor blades. Safety ones, of course…
The vocal combo of Geoff Corbett and Izzy Mellor makes for a rare treat. Yin and yang. It’s the gnarly, weather-beaten Serge matched with the darkly alluring, slightly diffident Jane. They’re like a Sarah Lee supermarket cake (remember the TV ad with the annoying line about “layer up-on layer up-on layer”? – me neither until now) with a serve of sugar icing atop a crusty old base.
Shiny and New - Charlie Marshall and the Body Electric (Charlie Marshall)
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- By Robert Brokenmouth
- Hits: 3990
"Shiny and New" is quite a trip. For a start, there's not so much a wall of sound as a wall of optimism, to the point that, because I've been smiling so much, my face is hurting.
There's a ton of soul, great swathes of bouncing joy, all wrapped up with a powerful sensibility of constant delight at the universe around us. I mean, who on earth apart from Stephen Hawking would conceive of a song about gravity?! And be able to realise it so magnificently? (Oh yeah, that's Hawking out. Couldn't sing worth a damn.)
I found myself wondering if the choice of covers came after the rest of Charlie's original songs had been assembled; "Mercy Mercy Me" - Marvin Gaye; "Move On Up" - Curtis Mayfield; and "God Only Knows" - Brian Wilson and Tony Asher. Because they snuggle effortlessly alongside Charlie Marshall's songs, swinging with style and pizzaz, providing such perfect thematic links. Ontime Harem Scarem frontman Marshall has made these classics his own.
Politics gets left at the door for good time rock and roll
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- By The Barman
- Hits: 5501
Angry Andrson pontificates and Bob Spencer enjoys it. Shona Ross photo.
Rose Tattoo
Hard-Ons
Metro Theatre, Sydney
Friday, March 29 2019
Photos by Shona Ross
There were plenty of people giving plenty of reasons why people should not go to this gig. The announcement that Rose Tattoo would team with the Hard-Ons for a the national "Still Never Too Loud" tour caused some people to lose their shit online - and not in a good way. More on that soon.
The more mundane reasons were timing (“it’s a Friday night in Sydney after a long working week, maaaaan”), the venue (“the sound at The Metro is sooooo dodgy”) to ignorance (“I never heard that was on”) so most of it was nothing unexpected. Another apathetic night in the Harbour City.
Then there was The Angry Issue.
A little bit of Magic as jangle pop returns
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- By Robert Brokenmouth
- Hits: 4391
Subtract-S warm up The Gov. Rick de Pizzol photo.
The Magic Numbers
Subtract-S
The Gov, Adelaide
March 26, 2019
Photos by Rick de Pizzol
Ho to the Gov once more, to attempt to find a car park which may not exist, to finally succeed in an adjacent suburb, and plodge back the way I drove, feeling not remotely conspicuous as a I pass several pubs with the locals whooping it up, trailing behind a herd of badly-dressed bumpkins heading, it seems, in the same direction.
No, thankfully, they're not; the Entertainment Centre across the road has another do on and the streets are filled with the aforesaid bumpkins and, perhaps needless to say, their cars. I don't know whether the local council is aware of the hideous car parking problem in these suburbs, caused mostly by the Ent Cent, which I thought had ample parking, but I have decided every night from now on I shall drive to where I left my car tonight, and walk to the Gov and back. Excellent cardio.
- Smallpox Confidential - Smallpox Confidential (self released)
- Trouble Is Our Business - Plastic Section (Off The Hip)
- Boy Howdy! Creem magazine documentary makes its debut
- Shake, Stomp and Stumble - Greg Antista & the Lonely Streets (Primal Beat Records)
- Selfless Shame Promotion - Live at the Old Bar - Lost Talk (Wild Animal Records)
- Shine - E.T. Explore Me (Voodoo Rhythm Records)
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